Scholarship – News from the Archives

Dec 13 2019

Ella Wagner: 2019 Linda and Richard Kerber Travel Grant Recipient

Posted on December 13, 2019 by Anna Tunnicliff

Ella Wagner, a PhD candidate from Loyola University is this year’s Linda and Richard Kerber travel grant recipient. Linda Kerber and her husband Richard founded this Fund for Research in the Iowa Women’s Archives that awards $1000 annually to a researcher, especially a graduate student, whose work would benefit from travelling to Iowa and using IWA’s collections.

Ella Wagner of Loyola University, our Kerber Travel Grant recipient

Wagner, a public historian and graduate student, plans to use the Women’s Christian Temperance Union (WCTU) of Iowa records in her dissertation, “’The Saloon is Their Palace’: Race and Politics in the Women’s Christian Temperance Union, 1874 – 1933.” When Wagner entered the PhD program at Loyola in 2015, she knew her future would be in public history, but wasn’t sure what her dissertation topic would be. But a class assignment in the Frances Willard House Museum and Archives led her to the WCTU.

Frances Willard served as the president of the WCTU from 1879 – 1898, during which time it became one of the largest women’s organizations in the country. The Frances Willard House keeps the papers of Willard herself and a variety of records related to the national WCTU organization. After her class, Wagner worked part time at the Frances Willard House as a public historian to curate a digital resource entitled “Truth-Telling: Frances Willard and Ida B. Wells” that focused on racial conflict within the WCTU. Wagner realized that her dissertation topic was right there: the racial and sectional politics of the WCTU.

In the late 1800s, the WCTU under Frances Willard was striving to expand from its original strongholds of support in the Northeast and Midwest and become a larger national organization. They formed sections of the group to attract members among black women, immigrant women, and southern women. The racial and party politics were never far from this effort as some members made publicly racist comments and couldn’t tolerate any affiliation with the traditionally abolitionist Republican party.

Iowa’s role in this dramatic conflict drew Wagner to IWA’s holdings. In the 1880s, the WCTU in an effort to subvert the two party system, officially endorsed the Prohibition Party. In response, the Iowa chapter of the WCTU elected to separate itself from the national organization and still other Iowa members split from the Iowa chapter and affiliated with the national group as the WCTU of the State of Iowa. The two would Iowa organizations would remain separate until 1906. Wagner hoped to find details illuminating that schism here and also look for the voices and involvement of women of color within the WCTU at this time. She hasn’t been disappointed. She’s found the minutes of the WCTU of the State of Iowa and also found records of several black women’s WCTU chapters in Iowa all the way to the 1960s. After a week in the Archives, Wagner can see there is plenty left to do, but she’s already imagining using the WCTU of Iowa records in the conclusion of her dissertation in 2021.

Are you interested in applying for the Linda and Richard Kerber Fund for Research in the IWA? We’re accepting applications until April 15, 2020. See our website for more information.

Dec 06 2019

Encountering Soul in the Iowa Women’s Archives: Scholar Taryn D. Jordan and the Aldeen Davis Papers

Posted on December 6, 2019 by Anna Tunnicliff

Taryn D. Jordan was researching Ella Fitzgerald at the Schlesinger Library in the Radcliffe Institute when she first encountered the papers that would bring her to the Iowa Women’s Archives. Jordan is a doctoral candidate in Women’s, Gender & Sexuality Studies at Emory University and an ACLS Mellon Dissertation Completion fellow who has been researching in the papers of Aldeen Davis this December.

Taryn D. Jordan of Emory University exploring the Aldeen Davis papers

Her dissertation, A Peculiar Sense: Feminist Genealogy of Soul is drawn from her interest in the domestic work black women did in their homes and how this created “soul,” which Jordan defines as “black collective feeling.” Soul provided a space of respite from racism and anti-blackness and helped to articulate a philosophy of endurance within black communities.

Jordan’s dissertation initially only touched on the concept of soul broadly, but after receiving an e-mail from a friend of friend she was inspired to dig deeper. The Ella Fitzgerald papers at the Schlesinger Library contained a number of cookbooks, the friend said, that complemented Jordan’s work. Although her prospectus was complete, Jordan arranged for a trip to Massachusetts to see these books and the three folders donated with them. Within one of these folders was a draft of ‘Miss Aldeen’s cookbook,’ by Muscatine, Iowa woman, Aldeen Davis. It captivated Jordan because unlike so many of the other cookbooks about black cooking that she had encountered, it treated cooking as more about feel than measurements, something that came from the soul. Jordan tracked down a published copy of the book, now titled Soul Food for Thought, at the University of Alabama but discovered that it had radically changed from the draft in Ella Fitzgerald’s papers that had been so captivating. Why were the books so different? This was the question that drove Jordan to the IWA and the Aldeen Davis papers.

Aldeen D avis, the author of Soul Food for Thought was a writer and community activist who moved to Muscatine, Iowa in the 1940s. She became thoroughly involved in Muscatine and its black community, serving on the Muscatine Human Rights Committee and the Equity Committee of the school board, and published articles in The Iowa Bystander, an African American owned newspaper. Her book was based on her long running column “Soul Food and Thought,” that combined recipes with African American history and descriptions of daily life.

In the late 1990s, Davis donated scrapbooks of her columns along with personal papers that recorded her community involvement in numerous causes and women’s clubs to the Iowa Women’s Archives. In these papers, Jordan found the answer to the question that had brought her to Iowa. The published book substantially changed from its draft, but not because Davis had changed her mind about it. In fact, she had written the draft in response to a soul food cookbook that she didn’t like because it was too precise. But the publishing world wouldn’t print a cookbook that measured by feel. Davis was forced to re-write. Soul, Food for Thought was published in 1984.

After spending a week immersed in Davis’ papers, it’s an open question how much of this will find a place in Jordan’s final dissertation. But she says the trip to Iowa has been worth it, to get to know Aldeen and her work. It’s “like she found me,” Jordan said, “I feel like we’re talking to each other across time.”

Jun 04 2018

Our 2018 Travel Grant Recipient: Ezra Temko

Posted on June 4, 2018June 4, 2018 by Anna Tunnicliff

Our 2018 Linda and Richard Kerber Fund travel grant recipient is Ezra Temko, a Sociology PhD candidate at the University of New Hampshire (UNH). The Linda and Richard Kerber Fund was established to help researchers travel to the Iowa Women’s Archives. Temko has come to Iowa City from the state of Delaware, where his research investigates how cultural power and ideology are navigated around issues of racial and gender representation.
Temko became interested in Iowa after learning that in 2009, it became the only state in the U.S. to require gender balance for state and local boards and commissions. After interviewing proponents of the 2009 law, he discovered its roots went back to 1986, when a law requiring gender balance on only state boards and commissions was first passed.
Temko hoped that the papers available at the Iowa Women’s Archives would provide context for the 1986 law and the efforts to extend it. For the past week he has accessed a wealth of useful materials in the Iowa Women’s Political Caucus records, the Minnette Doderer papers, the Johnie Hammond papers, and Governor Ray’s Commission on the Status of Women records to name just a few collections.
After four days in IWA, Temko says the highlights of his research include reading constituent letters to Iowa politicians and learning more about ERA campaigns in the state. Most of all, he’s enjoyed learning about about the feminist victories of the 1970s and 1980s that we take for granted today such as the right of a married woman to have her name in the phone book without paying for it, or women’s ability to change their names after divorcing. Iowa, he says, is unique, but through his research he’s seeing connections to the feminism of the 1970s and 1980s everywhere. We can’t wait to see the results of his work!

Nov 16 2017

25 for 25: Iowa Suffrage Memorial Commission

Posted on November 16, 2017November 29, 2017 by Anna Tunnicliff

Iowa Suffrage Memorial bas-relief, Nellie Walker

Lindsay Shannon, Assistant Professor of Art History, North Central College

It is in part thanks to the Iowa Suffrage Memorial Commission that the IWA has such a collection of materials on the suffrage movement in Iowa. The commission, incorporated in 1922, was organized “to commemorate the efforts of the Pioneer Suffragists and the long procession of workers who helped secure the final enfranchisement of women.” In addition to successfully erecting a bas relief memorial by native Iowan artist Nellie Walker in the state capitol building, the commission worked to preserve materials relating to the women’s suffrage movement through 1941. Many years later, Lindsay Shannon, Assistant Professor of Art History at North Central College and author of “Uncharted Territory: The Iowa Suffrage Memorial and the Pioneer Spirit“, found the collection quite useful. Shannon, who received her Ph.D. in American art history from the University of Iowa, had this to say about the collection:

“The Iowa Suffrage Memorial Commission records are a true gem! I often begin a research project on a female artist expecting to find very little documentation of their working methods or process, but was delighted to find a detailed account of these politically astute women debating and deciding how best to represent their achievements in a work of public art. This collection has been crucial to my efforts to give the Iowa Suffrage Memorial the recognition it deserves through published research and public presentations, such as the exhibition “Women’s Suffrage in Iowa: 90 Years after the ‘Winning Plan'” at the Blanden Art Museum. What excites me the most is knowing that the Iowa Women’s Archives is custodian to historical collections like this and that it continues to actively seek out new material that represents overlooked or undervalued voices.”

— Lindsay Shannon, North Central College, 2017

_{This post is a part of the Iowa Women’s Archives’ 25th anniversary celebration and exhibition: 25 Collections for 25 Years: Selections from the Iowa Women’s Archives on display until December 29th at the Main Library Gallery. Gallery hours are available on the Main Library website. For more information about events, see our 25th anniversary website.}

Nov 03 2017

25 for 25: Equal Rights Amendment

Posted on November 3, 2017 by Anna Tunnicliff

The Iowa Women’s Archives features several collections related Iowa’s rejected 1980 Equal Rights Amendment (ERA), which was the first state ERA initiative after the passage of the national ERA in 1972. These include the Iowa ERA Coalition papers, and the Iowa Women Against the ERA papers. Both collections were of use to Celeste Campos-Castillo, Assistant Professor at UW-Milwaukee, and stef shuster, Assistant Professor at Appalachian State University, when they were grad students at he University of Iowa and researching social movement activists. Exciting discoveries were made in the research process, which shuster explains.

Celeste Campos-Castillo (Sociology PhD at UIowa, Assistant Professor at UW-Milwaukee) and I (stef shuster, Sociology PhD UIowa, Assistant Professor at Appalachian State University), used the Iowa ERA Coalition and Stop ERA collections to examine how social movement activists pitch their issues to a wide audience in the hopes of mobilizing them to action. We had some pretty exciting results! While social movement theorists tend to assume that activists should present their issues in a way that

stef shuster, Appalachian State University

resonates with their audience (called frame resonance) to enable a higher chance of success, we found contradictory evidence to this longstanding theory. In analyzing the archival material from the IWA, we found that movement activists might consider pitching their issues in a way that creates dissonance in their audience to improve the chances of mobilization (e.g. like voting for the ERA). These ideas were published in the March 2017 issue of the Social Psychology Quarterly.

We intend to turn our attention next to how issues can be framed in a way that compels certain emotions, and which emotions might be most effective for mobilizing people. Some of the artifacts that we would like to incorporate are the cartoons from both pro- and anti-ERA organizations.

—stef shuster, Appalachian State University, 2017

Oct 27 2017

25 for 25: Dieman-Bennett Dance Theatre of the Hemispheres

Posted on October 27, 2017October 26, 2017 by Anna Tunnicliff

“Diversity in Dance.” This was the motto of Edna Dieman and Julia Bennett when they founded the Dieman-Bennett Dance Theatre of the Hemispheres in 1951. The Cedar Rapids dance school operated until 1997, with classes in classical ballet, as well as dance styles from Spain and India. Miss. Dieman and Miss. Bennett, as they preferred to be called, donated the records to the Iowa Women’s Archives in 1996 and later years. Since then the photographs of dances, choreography notes, costume designs, and scrapbooks documenting Dieman’s and Bennett’s international training among many other items have been used by students and researchers alike.

Jane Nesmith, an assistant professor of rhetoric and director of the writing center at Coe College in Cedar Rapids. She explains her interest in the Dieman-Bennett Dance Theatre of the Hemispheres.

For the past few years, I’ve been doing research on Edna Dieman and Julia Bennett, who ran the Dieman-Bennett Dance Studio in Cedar Rapids from 1951-1997. They taught my dance teacher, so I think of them as my “dance grandmothers.” I began visiting the Iowa Women’s Archives, which holds their collected materials, to do research in the summer

Jane Nesmith, Coe College

of 2013, and I have been thrilled to find so many rich and interesting materials: diaries, manuscripts, newspaper articles, photos, recital programs, video footage and more. These items help the story of Miss Dieman and Miss Bennett come alive for me, and for the groups to whom I’ve given presentations. The librarians here are so welcoming: they find materials, make copies, and

have even connected me with others who are interested in the Dieman-Bennett papers. I don’t know what I’d do without this resource that preserves and shares materials important to the story of these two important women.

– – Jane Nesmith, Coe College, 2017

University of Iowa associate professor and chair of the dance department Rebekah Kowal likewise found the records helpful for her research. Over the years, she has brought many of her dance students into the Iowa Women’s Archives. Here, she describes some of what her students have loved about using the Dieman-Bennett materials:

I was first introduced to the Dieman-Bennett collection my first semester at The University of Iowa. An MFA student in dance had encountered the collection as part of an assignment given to her by Professor Linda Kerber in a women’s history class. The assignment was to find a topic of interest in the Iowa Women’s Archives and explore the resources accordingly. The MFA student was thrilled by the idea that there was a Cedar Rapids based dance company devoted to the teaching and performance of global dance, and that Edna Dieman and Julia Bennett had been so generous to leave their materials to the Iowa Women’s Archives. At the time, I had not begun my current research project, which is investigating the significance of international dance performance during the postwar period, so I shelved away the information about the collection as something I would explore when ready. Flash forward 15 years, and the Dieman-Bennett collection has provided a wellspring of materials for my current book project as well as for several undergraduate dance researchers to discover. For the past two years, I have been working with several dance

Rebekah Kowal, University of Iowa

major honors students to examine the legacy of Dieman’s and Bennett’s mentor, La Meri, in southeast Iowa, including the inspiration to inaugurate the Dieman-Bennett

Dance Theater of the Hemispheres and related school. My students have thrilled at the opportunity to study Dieman and Bennett, poring through their records, especially diaries and Bennett’s unpublished autobiography “A Chest of Jewels.” They have taken the initiative to design and build a website to document their research, and to provide a lens onto the legacy of international dance performance in our region. We have all also appreciated the chance to view related videotapes, which are unique among repositories across the U.S. in demonstrating the educational lecture-demonstration format preferred by Dieman and Bennett as an approach to community engagement and education.

— Rebekah Kowal, University of Iowa, 2017

Oct 20 2017

25 for 25: Edna Griffin

Posted on October 20, 2017October 17, 2017 by Anna Tunnicliff

Edna Griffin’s civil rights activism earned her the title of the “Rosa Parks of Iowa.” Griffin moved to Des Moines with her husband and children in 1947 and by 1948 she was agitating for change. She led a campaign to desegregate the lunch counter at the local Katz Drug Store, organizing picket lines, and filing charges against its owner, Maurice Katz. Her suit went to the Iowa Supreme Court where Katz was declared guilty of violating the 1884 Iowa Civil Rights Act in 1949.

Landon Storrs, Professor and Director of Undergraduate Studies in the University of Iowa’s history department has supervised many undergraduate graduate students as they’ve used the Iowa Women’s Archives and the Edna Griffin papers in particular:

IWA has been an indispensable resource for my undergraduate students conducting original research assignments for classes including the Introduction to the History Major (a methods class on how to find and interpret historical documents), US women’s history since 1877, and The Sixties in America. I’ve also supervised many honors theses, masters’ essays, and PhD dissertations that have relied on IWA collections. Topics have included Iowa women’s fight for voting rights and later for AND against the Equal Rights Amendment; women’s war work on the WWII home front, women’s military service, women’s antiwar activism, African American women’s fight for civil rights, Iowa City women’s liberation groups,

Landon Storrs, University of Iowa

and farm women’s activism during the 1980 farm crisis. The archives has rich records of diverse individual women and also women’s organizations.

One example that leaps to mind is the collection of Edna Griffin (1909-2000), an African American who successfully campaigned to desegregate the Katz Drug Store in Des Moines in the late 1940s; one undergraduate from Des Moines wrote an excellent paper explaining the origins and significance of Griffin’s campaign, which preceded the more famous Montgomery, Alabama Bus Boycott. This is just one example–if time permitted, I’d also discuss Emma Goldman Clinic records, the collections of several Iowa League of Women Voters chapters, and the feminist periodical of the 1970s, Ain’t I a Woman–all these have fascinated the diverse male and female undergrads who learn to find and interpret historical evidence using these locally resonant papers.

— Landon Storrs, University of Iowa, 2017

Oct 17 2017

25 for 25: Lenabelle Bock

Posted on October 17, 2017 by Anna Tunnicliff

Today, the Iowa Women’s Archives commemorates Lenabelle Bock. Bock, whose name is spelled variously Lenabelle and Lena Belle, was politically active in Iowa for over twenty-five years before her election to the Iowa House of Representatives. Bock, a Republican, campaigned for and won the House seat for Hancock County. She was one of five women elected to the House in 1960. She is often remembered for her statement: “Women in the legislature need to look like a girl, act like a lady, think like a man, and work like a dog.”

The Lenabelle Bock papers, housed at the Iowa Women’s Archives consist of three scrapbooks covering Bock’s legislative career from 1961-1964.

When I was starting research for my MA on women in politics in Iowa in the 1950-60s, I was delighted by the trove of useful primary sources I found at the Iowa Women’s Archives. One of the best finds of my research there, which in turn helped shape my MA project, was discovering the political

Danielle Hoskins is a current American History graduate student at the University of Iowa.

scrapbook of Lenabelle Bock, who served the Iowa House of Representatives from 1961-1965. What struck me most about the Lenabelle Bock scrapbook was its compilation – I saw her constructing a narrative about her political career not just in what she chose to keep and collect in the pages of a scrapbook, but in how she decided to compile it. For example, Bock placed a newspaper article listing her as a candidate at a Republican rally opposite a page describing her as “our state representative” at the same rally the next year, despite the majority of the scrapbook running month-to-month chronologically. She was making a conscious connection between the two events, as if to say that she made good on her candidacy.

— Danielle Hoskins, University of Iowa 2017

Oct 06 2017

25 for 25: Mary Louise Smith

Posted on October 6, 2017October 6, 2017 by Anna Tunnicliff

Smith speaking at Republican Women’s Conference, 1968.

Today, at the Iowa Women’s Archives commemorate one of our founders, Mary Louise Smith! Smith was born Mary Louise Epperson on October 6th, 1914 in Eddyville, Iowa. She became involved with the Republican Party in the 1950s and quickly rose through the ranks. In 1974, just after Watergate, she was appointed as the first woman to lead the Republican National Committee. Among her many accomplishments, we’re most grateful for Smith’s part in establishing the Iowa Women’s Archives. Her papers, documenting a long political career, were among the first on IWA’s shelves.

Catherine Rymph was one of the first student hired to work in the Iowa Women’s Archives when it was established in 1992. Rymph earned her PhD in history at the University of Iowa in 1998 and is now a professor of history and director of undergraduate studies at the University of Missouri. Her experience processing the papers of Mary Louise Smith had a profound impact on her:

The Mary Louise Smith papers and the Iowa Women’s Archives changed my life!—or at least they changed my career.

Catherine Rymph, professor of history, University of Missouri

In the summer of 1992, while a graduate student in History at the University of Iowa, I took an extra job working at the IWA (before the archive even opened). I spent the next year and a half processing collections what at the time were the nearly empty stacks. By far the largest collection I worked on was the papers of Mary Louise Smith, one of the IWA’s prescient founders. The collection is rich in correspondence and other documentation of Smith’s many years as a Republican Party official and as an active participant in the 1970s women’s movement. Through the process of sorting through and organizing Smith’s papers, I became

Rymph’s book Republican Women: Feminism and Conservatism from Suffrage through the Rise of the New Right

particularly fascinated by her self-identification as a Republican feminist. So fascinated, in fact, that I switched my Ph.D. research focus from the 19^th to 20^th centuries and wrote a dissertation on women in the Republican Party. I later published Republican Women: Feminism and Conservatism from Suffrage through the Rise of the New Right (University of North Carolina Press, 2006), which was the basis of my early career as a historian. Although I visited a number of other archives for my research, I never would have landed on the topic at all without that formative experience in Smith’s papers.

— Catherine Rymph, University of Missouri, 2017

_{This post is a part of the Iowa Women’s Archives’ 25th anniversary exhibit: 25 Collections for 25 Years: Selections from the Iowa Women’s Archives on display until December 29th at the Main Library Gallery. Gallery hours are available on the Main Library website.}

Oct 03 2017

25 for 25: Ruth Salzmann Becker

Posted on October 3, 2017October 13, 2017 by Anna Tunnicliff

Ruth Salzmann Becker’s papers represent several common themes found in IWA’s collections, including Jewish women in Iowa, German immigration, and feminist activism. Elizabeth Heineman, professor and chair of the University of Iowa’s history department, has used Becker’s papers in her classes. She shared with us why she finds the Ruth Salzmann Becker papers so engaging:

Elizabeth Heineman, professor, University of Iowa

“One of my favorite collections at the IWA is the Ruth Salzmann Becker papers. Ruth was born in Berlin to a Jewish Socialist family; both of her parents were medical professionals. With the rise of Nazism, the family fled, though they couldn’t all get visas together. Ruth went to England, and her parents and younger sister Eva sailed to Cuba. In 1940 they regrouped in New York, where Ruth got a degree in nursing. Somewhere along the line she met Samuel Becker, who later founded Communication Studies at UI. They married, settled in Iowa City, and raised three children. Ruth became an activist for disabled children, racial justice, and feminist causes.

Just two of the many political buttons in the Ruth Salzmann Becker papers.

One of the wonderful things about this collection is how it shows the blending of cultures that occurs with immigration. For example, Ruth started a recipe book in Germany, perhaps as part of a Home Economics class. The book traveled with her to England, then New York, and finally Iowa. Over the years, the recipes changed, from German classics like Sauerbraten to my personal favorite: marshmallow salad. Ruth switched from German to English, from grams to ounces – even her handwriting changed, from an angular Germanic script to rounded American letters. When we displayed items from the collection in a recent exhibit called “German Iowa and the Global Midwest,” visitors could see how the family tradition of political engagement evolved: from her father’s membership book in the German Social Democratic party to Ruth’s collection of pins from the 1970s, with slogans like “My consciousness is fine – it’s my pay that needs raising!” My only regret in using the collection is that I didn’t do it early enough to meet Ruth herself!”

— Elizabeth Heineman, University of Iowa, June 2017

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