News from the Archives – News from the Iowa Women's Archives

Securing Youth Futures: 67 Years of Fiestas for Education

This post was written by IWA Graduate Assistant Michelle Garcia.

A worn program booklet from 1959 announces the “1st Annual LULAC Fiesta Dance & Program” at Eagles Danceland in Davenport, Iowa. Inside, it lists the event’s many offerings such as mariachi concerts, folklórico performances, Latino food catering, and names that once filled the room. What it doesn’t show is how events like this helped build a decades-long pipeline of educational opportunity for Hispanic students in the Iowa/Illinois area.

LULAC Council 10’s first annual Fiesta celebration program pamphlet, 1959. League of United Latin American Citizens (LULAC) Council 10 (Davenport, Iowa) records, Box 3. https://aspaceadmin.lib.uiowa.edu/resources/3269/edit#tree::archival_object_997973

To date, the League of United Latin American Citizens (LULAC) Council 10 has distributed over $585,000 in scholarships to over 750 students in the Quad Cities, establishing itself as a leading council in the U.S. in both fundraising and membership. Fiestas play a central role in bringing these numbers to life and celebrate Hispanic culture in a way that benefits student youth alongside their community. They also serve as key moments of recognition, where Fiesta Queen candidates are announced and, in some cases, participate in a parade alongside LULAC leadership.

*Photograph of Iowa LULAC State director, John A. Terronez, riding in a vehicle during the Fiesta parade, 1969. Mary Terronez papers, Box 1.* *https://aspace.lib.uiowa.edu/repositories/4/archival_objects/982214*

According to LULAC, the origins of the Fiestas date back to the Mexican Revolution:

“[In] 1810, when at the small village of Delores the Priest D. Miguel Hidalgo y Costilla started the fight that would come to put an end to the 300 years of tyranny by the Spanish rulers. Armed with old guns and rusty swords, clubs and stones, the small group headed by Hidalgo, launched the struggle against the power of Spain. The revolutionary spark that sprung from Hidalgo’s mind, was the beginning of a general conflagration resulting 11 years later in the Mexican Independence.

Year after year since, the people of Mexican descent gather on this memorable day to remember the glories of their heroes who let their blood run and sacrificed their lives so their country would be free.”

What begins as a single evening of celebration ultimately extends far beyond the dance floor. LULAC Council 10 expanded its scholarship fundraising efforts by hosting bowling tournaments where members could play as a team and compete in events such as the Fifth Annual Iowa Mexican Bowling Tournament. In 1971, the LULAC Council 10 team received a sponsor award by the Woman’s International Bowling Congress. Team members, including bowling president Jesse Ramirez, also go to sport snazzy bowling shirts.

Bowling shirt belonging to the LULAC bowling team President, Jesse Ramirez, 1967. Mary Terronez papers, Box 2. https://aspace.lib.uiowa.edu/repositories/4/archival_objects/982217

Among the organization’s most successful events is LULAC BINGO. The event is held regularly at the LULAC Club in Davenport—one of the few remaining council-owned buildings in the United States—and these gatherings bring community members together for rounds of bingo with cash prizes. More importantly, they provide a consistent and sustainable source of scholarship funding.

Newspaper spread of bingo participants at the LULAC Activity Center, 1987. LULAC Council 10 (Davenport, Iowa) records, Box 3. https://aspaceadmin.lib.uiowa.edu/resources/3269/edit#tree::archival_object_997970

Beyond expanding access to education, these events also provided emotional and communal support for Latinos and migrants in Iowa facing housing and employment discrimination. Such civil rights violations often precede broader systemic barriers that disenfranchise ethnic communities, as seen in the Iowa English Language Reaffirmation Act, which mandated that all official state documents—including voting materials—be issued exclusively in English. In response, LULAC of Iowa filed a lawsuit advocating for the use of any language necessary to secure constitutional rights and won in 2023. The ruling dissolved a 15-year-old injunction that had prevented Iowa counties from offering non-English voter registration forms, ballots, and absentee ballot applications.

Despite these legal and political challenges, Council 10 has remained committed to building sustainable models for academic and economic advancement that support cultural diversity. Through events such as fiestas, bingo nights, and bowling tournaments, the organization creates intergenerational spaces that connect cultural expression with pathways to upward mobility. These gatherings not only strengthen community ties but also sustain scholarship programs that directly support students pursuing higher education. Scholarship recipients, in turn, often write thank-you letters expressing gratitude for the support that brings them closer to college enrollment and academic success.

Thank you card from LULAC Council 10 scholarship recipient, LULAC Council 10 (Davenport, Iowa) records, Box 23. https://aspace.lib.uiowa.edu/repositories/4/archival_objects/997970

A notable LULAC Council 10 scholarship recipient is Rita Vargas, who in 1989 used her award to advance her education by earning a BA in social behavioral science at Marycrest College. After 13 years of serving the public as a district representative/caseworker for U.S. Senator Tom Harkin, Vargas began her career as the Scott County Recorder in 2002; making her the first Latina elected to a county office in Iowa.

Vargas has been the Scott County recorder for 24 years and has made major strides in making the Recorder’s Office more accessible to the public. Vargas publicly thanks LULAC Council 10 for their support during her alumni speech at the LULAC Scholarship Awards Banquet in 2011:

“It was the one and only scholarship I received, but it meant so much to me to have my Hispanic community encouragement and support.”

*General, 1968-2004, 81049, Box: 7. League of United Latin American Citizens (LULAC) Council 10 (Davenport, Iowa) records, IWA0733. Iowa Women’s Archives.* *https://aspace.lib.uiowa.edu/repositories/4/archival_objects/998079*

To learn more about the LULAC Council 10 scholarship program and its history, visit the exhibit in the Iowa Women’s Archives’ reading room on display in 2026.

The Birder of Marble Rock: Lessons from Pearl Knoop’s Life List

Marble Rock, Iowa, has a gentle geologic beauty. White limestone dots the landscape, and the nearby Shell Rock River is named for the fossils embedded on its banks. Very few people can claim to be from Marble Rock; the population peaked in the 1940s at just 660 people. One of those people was Pearl Knoop, a local teacher, librarian, and bird watcher. Although Marble Rock is known for the earth beneath it, Knoop looked at the skies. What she saw and unknowingly documented was a turning point for birds in Iowa and around the world.

Portrait of Pearl Knoop with handwritten title reading Iowa Birds Aunt Pearl's List — Pearl Knoop’s life list was preserved by her family.

The uninitiated should know that birders do more than watch birds; they record what species they see and when and where. This data is compiled into a “life list,” an accounting of every bird a person has ever identified. From the 1930s to the 1980s, Knoop sighted hundreds of species of birds, despite rarely venturing more than an hour’s drive from Marble Rock. And why wouldn’t she? She lived in a birds’ paradise.

Knoop started identifying birds in 1933 on her family farm, where birds were tied to the rhythm of the year. Robins and killdeers arrived first in the spring, and the hummingbirds when the crab apples bloomed. The first brown thrasher of the year meant it was time for her father to plant corn with his single row plow and team of horses. Soon, she realized that birding in the autumn had its own rewards when she spotted new species migrating in flocks over their fields.

In 1962, nearly 30 years after Knoop began birdwatching, she saw her first bald eagle. It might seem curious that a dedicated midwestern bird watcher hadn’t seen a bald eagle in nearly 30 years, but by 1962, bald eagles had become shockingly rare. Also in 1962, Rachel Carson published Silent Spring, a seminal work of the environmental movement that offered an explanation for the bald eagle’s disappearance. In her book, Carson described a place not unlike the Iowa of Knoop’s girlhood, “a town in the heart of America where all life seemed to be in harmony with its surroundings.” It was a town surrounded by farms, blooming trees, and an abundance of birds. It could have been Marble Rock. But then something changed. The place imagined in Carson’s article had gone silent as the birds and much of the natural wildlife receded. Carson tied this loss to chemical pesticides like DDT that, among other things, weakened the eggshells of bald eagles, causing them to crack before they could hatch.

Typed list of bird Knoop sighted in 1934 and 1935 — One page of Pearl Knoop’s life list. She began bird watching in the 1930s.

The case of the bald eagle offers both an example of a wider problem, and a glimmer of hope. After Silent Spring caught the attention of Americans, more people began pushing for environmental protections. As a result, Congress created the Environmental Protection Agency and banned DDT in 1972. Those actions, along with careful conservation measures and breeding programs, have brought bald eagles back from the brink. In 1963, there were only a few hundred breeding pairs of bald eagles in the United States. Today there are over 70,000 pairs and America’s national bird is no longer considered endangered.

Since 1970, the United States has lost one quarter of all of its birds, including over half of grassland birds, like those that live in Iowa. The causes are many, pesticide use, collisions, and predators like cats all contribute.

The U.S. Fish and Wildlife Service is tracking the decline in bird populations. The Bring Birds Back website describes the magnitude of the loss, but also suggestions of actions even individuals can take to help America’s birds in every kind of habitat. The service suggests planting oak trees, reducing pesticide use in your own yard, skipping raking in the fall, and yes, watching birds. As Carson and Knoop surely knew “monitoring birds is essential to understanding how birds are faring.” Today, any birder can use their life list for a larger cause by participating in Project FeederWatch, a Christmas Bird Count, or the North American Breeding Bird Survey. With time and attention, who knows how many species of birds could make a comeback and inspire a new generation of Pearl Knoops?

Would you like to see Knoop’s life list? You can see it and many other remarkable bird-themed materials this on Tuesday, March 24, at the Iowa Bibliophiles: Birds of a Feather event. Special Collections and Archives, Conservation and Collections Care, the Main Library Gallery, Rita Benton Music Library, Art Library, and the John Martin Rare Book Room will be showing off bird-themed highlights from their collections. Learn more about the event online and come join us!

Marion Helland: Teaching from IA to MN to MS…and Back!

This piece was composed by IWA graduate assistant Andrea Leusink.

In the spring of 1965, Marion Helland, a fifth-grade teacher in New Hope, Minnesota, was flipping through the latest issue of the American Federation of Teachers newsletter when an ad calling for Freedom School teachers caught her eye.

Helland, whose teaching career had begun in Iowa almost 20 years prior, was ready to seek out new challenges. She was also an advocate for racial equality who, in the weeks since the Selma-Montgomery marches, had been searching for a way to contribute more to the movement. Maybe these “Freedom Schools” the ad described—temporary, free, all-ages schools set up by civil rights activists in the South, which taught civics, Black history, and organizing tactics in addition to reading, writing, and arithmetic—were the opportunity she’d been waiting for. She knew it would be dangerous—three civil rights workers had been murdered the previous summer in Mississippi, and Helland’s parents begged her not to go—but she was determined to honor her conviction that “every person who possibly can do so, should help in a direct way.”¹

text reads in part: you have been selected to teach in the S-C-L-C project. Orientation will begin July 6th in Atlanta please send photo for publicity — The telegram Helland received regarding her Freedom School orientation in Atlanta, 1965. Helland papers, Box 5, Activism: Freedom school folder.

That summer Helland received the news that she was to be sent to Gadsden, Alabama, the site of the notorious 1906 lynching of Buck Richardson, to help set up a Freedom School there. In preparation, she attended training sessions at the Southern Christian Leadership Conference (SCLC) in Atlanta, Georgia, where she received instruction in self-defense, voter canvassing, and class preparation. The sessions promoted a non-violent philosophy but nonetheless acknowledged the possibility of targeted violence against the volunteers; those like Helland who would be staying in a “Freedom House” (as the homes of the movement’s local hosts were known) were told to draw the shades when indoors and, if approached by police, decline to provide any information about who they were staying with.

A natural self-archivist who could sense the historical importance of the events around her, Helland worked to document what she saw in and around the Freedom Schools. She photographed her students, local organizers, and fellow out-of-town volunteers, as well as evidence of social segregation, such as signs reading “Colored Only.” She also visited local schools and recorded ways they were unequal to white facilities, collected segregated job ads from Southern newspapers, and sought out opportunities to gather information about what life was like in the Jim Crow South.

Color slide showing a white woman with arms full of clothes in front of a building with sign reading Wash-N-Dry, Colored Only — Helland’s fellow volunteer Lynn Porteous in front of a segregated laundromat, 1966. Helland papers, Box 7, Activism: Photographs: Mississippi folder.

One such opportunity came on Helland’s very first day in Gadsden, when she saw another ad that made a big impression on her: this time, a newspaper announcement for a local Klan meeting to be held that night with “prized speaker” Collie Leroy Wilkins. Wilkins was one of four Klansmen who had shot and killed activist Viola Gregg Liuzzo that spring (around the same time that Helland had seen the Freedom School ad). This meeting presented her with an opportunity that she could not pass up. With the other Freedom School teachers, Helland snuck in and listened closely, later taking notes about the meeting in her journal.² She was shocked to find that the gathering “had records of Christian hymns playing as we marched in,” as well as “young children in Klan outfits.”³ Helland later suspected Klan involvement when she and another Freedom School teacher began taking Black students on field trips, only to repeatedly find themselves getting mysterious flat tires.⁴

Still, whatever fear Helland experienced was not enough to keep her from returning as a Freedom School teacher in the summer of 1966; this time, she was sent to Columbia, Mississippi, where she taught reading, writing, art, and Black history. The Robbinsdale school district, where Helland taught during the school year, had fundraised to buy a car that she would drive down to Mississippi and, at the conclusion of her tenure, leave there for use by local movement activists.

color slide of a white woman posing with a navy blue sedan — Helland in front of the fundraised car, 1966. Helland papers, Box 7, Activism: Photographs: Mississippi folder.

One night that summer, a group of Klan members arrived at the Freedom House where Helland and fellow volunteer Lynn Porteous were staying and attempted to burn a kerosene-soaked cross on the front lawn. Porteous managed to scare them off by shooting a shotgun over the Klansmen’s heads. Following this incident, a two-way radio system was installed in Helland’s car to allow her to call for help if she was being followed. Both Porteous and Helland continued their work in Columbia after this incident, though they moved from the targeted house to lodgings on a farm for the remainder of the summer.

black and white photo of nine Black children of various ages gathered on the steps of a building; some are smiling and some hold homemade hand puppets made of faux fur or fleece — Freedom School students with puppets made by local boy Poncho Derico, 1965. Helland papers, Box 7, Activism: Photographs: Gadsden, Alabama folder.

In addition to her Freedom School teaching, Helland also volunteered with voter registration drives, canvassing door to door and assisting with citizenship and political education for adults. Along with 15 other volunteers, she registered almost 1,000 new Alabama voters in July 1965; by early 1966, the SCLC estimated that these efforts had resulted in more than 175,000 new voters in Southern states.⁵

While 1966 proved to be her final summer as a Freedom School teacher, it was not the end of Helland’s anti-racist activism. In 1968, she traveled to Washington, D.C. as part of the Minnesota delegation to Resurrection City, an encampment of 3,000 people organized by the Poor People’s Campaign to protest the failure of President Lyndon Johnson’s war on poverty. The shantytown was intended to “display reality so that others may understand and attempt to correct the problem,” as Helland wrote. The City consisted of “15 acres—600 huts” and saw “eight inches of rain in six weeks [that] didn’t let up [for] three days and two nights.”⁶ Helland recalled that the visibility of the protestors (“a scar on the picture-postcard beauty of Washington D.C.”) was a way of symbolically pushing back against the status-quo belief that “poor are ok as long as they stay in their place and remain invisible.”⁷

black and white photo of a crowd of thousands holding signs gathered by a rectangular pool with a large column in the background; one sign reads A-F-T — Resurrection City protest at the Lincoln Memorial Reflecting Pool, 1968. Helland papers, Slide Box 17, Activism: Photographs: Resurrection City, Washington, D.C. folder.

color slide of a striped tent with a hand-painted sign in front of it reading Freedom School; another sign features a white open hand alongside a black fist and reads (G-R-I-P-E: Grass rooters interested in poverty elimination — A freedom school inside Resurrection City, Washington, D.C., 1968. Helland papers, Slide Box 17, Activism: Photographs: Resurrection City, Washington, D.C. folder.

Helland often credited her experiences during her Freedom School summers and her time in Resurrection City as formative; they taught her to look at the world differently, and this in turn led her to teach differently than she had before. Helland was passionate about improving the way Minnesota schools taught the histories of Black and Native American people, groups that have long been underrepresented in the historical record. She drew on the photos and other materials she collected during her Freedom Summers to create educational packets about the Civil Rights Movement that she shared widely with others and presented to community groups. In the 1980s, Helland participated in a number of major curriculum development initiatives in the state. She also practiced new techniques with her students, such as helping them annotate and respond to examples of bias that they found in U.S. history textbooks or consumer products.

scanned page from text; underlined phrases include "blanket Indians" and "thieving Indians" — A page from the textbook *Minnesota: Star of the North* with instances of bias marked by Helland’s students. Helland papers, Box 15, Publications: *Minnesota: Star of the North* folder.

Helland retired from teaching in 1992 after 39 years, though she continued to volunteer with civil rights and anti-hate organizations in Minnesota, winning several awards for this activism. In 2017, Helland moved with her husband, David Lee Crawford, to Spencer, Iowa, where both passed away in 2018.

Marion Helland with her husband David Lee Crawford, approximately 1970s-1980s, Helland papers, Box 3, Biographical: From Golden Valley, MN to Spencer, IA binder.

Helland’s story can be looked at through several lenses. For some scholars, her biography could serve as a concrete example of how the grassroots direct action of the 1950s–1960s Civil Rights Movement evolved into the bureaucratic reforms of subsequent decades. From a genealogical perspective, Helland’s story is one of many that illustrates how Nordic immigration shaped the upper Midwest and its culture. And from an archival point of view, her papers demonstrate the power that local and family histories have to move people and bring them together.

Now, Helland’s nieces, Diana Koppen and Pam Doocy-Curry (both teachers themselves), are working to preserve her legacy and share her story. The Helland papers in the Iowa Women’s Archives at the University of Iowa Libraries include a copy of their biography of Helland, as well as record reflecting their public speaking engagements (like this one at the Spencer Public Library in 2022) and an exhibit about Helland’s life that they curated at the Clay County Heritage Center in 2023. Koppen and Doocy-Curry have also provided invaluable assistance to IWA staff in our work to transfer, arrange, and describe these materials.

color photo of a woman posing in front of several S-N-C-C posters and a copy of Marion's biography — Diana Koppen with materials from the biographical exhibit about Helland, 2023.

Recently, IWA featured Helland’s photographs from Resurrection City in an archival session with students from the UI N.E.W. Leadership program, which seeks to empower women and other students who may not traditionally serve in public office with training in civic engagement, advocacy, and the political process. It’s a testament to Helland’s identity as a consummate teacher that even the traces she left behind—her photos and letters, her scrapbooks and journals—are still teaching, inspiring students who, like Helland, feel called to serve others and make a difference in our world.

two young women sitting at a table with papers in front of them, smiling at one another

color photo of a table with a copy of Marion's biography and a Minnesota history textbook with a note on the cover reading Biases Marked

To view material from the Marion Helland papers, stop by IWA during our open hours or email us at lib-women@uiowa.edu.

Marion Helland journal, 1965, IWA1390, Box 5, Freedom school journals 1965-68 folder, Marion Helland papers, Iowa Women’s Archives, Iowa City, Iowa. ↩︎
² Handwritten Gadsden journal, Helland papers, Box 5, Freedom school journals folder. ↩︎
Koppen, Diana and Pam Doocy-Curry, Breaking Free from Rigid Boxes: From the Outside Looking In: Marion Helland, Nine Decades of Civil Rights Service (Monee, IL: privately printed, 2021), 36. ↩︎
⁴ Letter from Helland to Minnesota students, September 3, 1965, Helland papers, Box 6, What more can I do? binder, folder 1 of 4. ↩︎
The total for the Gadsden regional registration efforts can be found in the Helland papers, Box 5, Activism: Freedom school journals folder; the SCLC statistic can be found in Box 5, Activism: Correspondence folder. ↩︎
1968 Poor People’s Campaign journal, Helland papers, Box 5, Freedom school journals folder. ↩︎
Ibid. ↩︎

An MD in the archives: Kerber Grant recipient finds medical history in IWA

Divyansh Agarwal first learned about Iowa’s place in medicine from his mentor Dr. Carol Scott-Conner, UI professor emeritus, but ultimately Iowa’s rich history would draw him to visit the state. This fall, Dr. Agarwal came to the Iowa Women’s Archives hoping the papers of 19th and early 20th-century doctors would have something to teach him about women and the history of surgery.

Dr. Agarwal is this year’s Kerber Travel Grant recipient, and the first medical doctor to win the award. He studied molecular biology and journalism at Yale and later earned an MD and PhD from the University of Pennsylvania. Dr. Agarwal currently holds a position as chief resident in general surgery at Massachusetts General Hospital. But he still uses his journalism background to “take science and medicine to the public” by writing short articles about medical history based on his archival research.

Divyansh Agarwal spent a week researching women in medicine at the Iowa Women’s Archives thanks to the Kerber Travel Fund.

Agarwal’s current project focuses on women doctors in the 19th century who worked across borders and engaged in cross-country exchanges of practices and ideas. The Iowa Women’s Archives had three promising collections: the papers of Adele Fuchs, Myrtle Hinkhouse, and Stella Mason.

Adele Fuchs was born in 1862 to German American parents and traveled back and forth from Germany for much of her life. She studied medicine at the University of Iowa from 1893 to 1897 and practiced medicine in Iowa City until 1905 when she began teaching German in Des Moines. Her unusual career and many travels are referred to in her diaries, although her primary years in medical school and as a practicing doctor are omitted.

Dr. Myrtle Hinkhouse, originally from West Liberty, Iowa, spent most of her medical career in Chinese hospitals, working as a Methodist missionary and doctor from 1916 to 1943. Dr. Agarwal hoped to find primary source evidence of her working conditions and how she and other medical missionaries communicated about their experiences in medical journals and missionary reports scattered throughout the collection.

During his time in the archives, Dr. Agarwal’s most curious finds were surgical instruments in the Stella M. Mason collection. Mason received an MD from Hahnemann Medical College in 1893 and practiced medicine in Mason City, Iowa, until 1943. However, medical artifacts are the main evidence of her decades-long career. Dr. Agarwal says the medical instruments included in her papers are suited for reconstructive and vascular surgery that seem ahead of their time.

Dr. Agarwal is grateful for the Linda and Richard Kerber Travel Fund which made his trip possible. The fund was founded by Professor Emerita of History Linda Kerber and her husband, cardiologist Richard Kerber. Each year it is awarded to a scholar whose work would benefit from an extended visit to the Iowa Women’s Archives and who resides more than 100 miles from Iowa City. Dr. Agarwal said that his time in the archives brought up more questions than answers, but nonetheless he’s confident that the research he’s done here will be featured in his future work as a science communicator. We can’t wait to read all about it!

Are you interested in applying for the Linda and Richard Kerber Travel Fund? We accept applications every year. You can keep tabs on the deadline and learn more on our website.

Kerber Grant recipient’s work highlights women’s international thought

Woman sitting at desk with a laptop and file folder, researching

Every year, the Iowa Women’s Archives (IWA) awards the Linda and Richard Kerber Travel Grant to a scholar whose work would benefit from an extended visit to the archives and who resides more than 100 miles from the IWA. Katharina Rietzler, PhD travelled a lot further than 100 miles; she came all the way from the United Kingdom. Rietzler is an American history professor at the University of Sussex whose work focuses on international relations, and women as international thinkers. She is the co-editor of the 2021 volume Women’s International Thought: A New History, and her article “U.S. Foreign Policy Think Tanks and Women’s Intellectual Labor, 1920 – 1950” won the 2023 Arthur Miller Institute Article Prize from the British Association for American Studies. Now, Rietzler has embarked on a book project, tentatively entitled Women’s International Thought in U.S. Public Culture: A Divided History.

Katharina Rietzler, PhD, of Sussex University, researched in the Iowa Women’s Archives for a week thanks to the Kerber Travel Grant.

Rietzler believes that women’s thinking on foreign policy issues such as international trade, anti-communism and the U.S. President’s treaty-making powers were a dividing line between centrist-liberal and conservative women in 20th-century America. In an initial visit to the University of Iowa’s Special Collections and Archives she focused on the publications of far-Right and conservative women such as Phyllis Schlafly in the Social Documents collection. Once here, she realized that the IWA had enough collections to require another international trip and applied for the Kerber Grant. For this visit, Rietzler was particularly interested in how the foreign policy divide she identified manifested in women’s civic culture and non-partisan organizations such as local and regional chapters of the League of Women Voters (LWV).

Although voters today might not think of foreign policy as a top concern, Rietzler contends that in the mid-20th-century U.S., there was a culture of interest in international affairs present in women’s civic life. The mass-circulation Ladies’ Home Journal had a regular column on the subject and the national LWV organization featured foreign policy prominently in their publications. LWV quizzes such as “Am I an isolationist?” helped women in chapters across the U.S. define where they stood on foreign policy issues.

Rietzler spent most of her visit researching the papers of Dorothy Schramm, a political activist and Republican Party member from Burlington, Iowa. Schramm had been educated at New York City’s Barnard College, a women’s college with a strong internationalist ethos that Schramm conveyed to her midwestern audience. In Iowa, she was a founding member of Burlington’s chapter of the LWV and a prominent advocate for the United Nations (U.N.). In Schramm, Rietzler found “a historical actor who lived the ideal of a ‘woman world citizen,’ and who represented a valuable example of internationalism in the region. She characterized Schramm as “a good example of a typical type of woman activist… she’s very close to the world of policy and politics though she doesn’t have a formal office herself. She knows how these things work.”

Rietzler argued that Schramm’s successful planning of the 1955 U.N. Day celebration in Burlington, Iowa, exemplified her abilities. Rietzler was surprised to find U.N. Day marked in Iowa and celebrated so vigorously, contradicting the isolationist reputation of the region. In part thanks to Schramm’s steadfast advocacy and political skill, former First Lady Eleanor Roosevelt kicked off her midwestern speaking tour on behalf of the U.N. in Burlington. The event attracted a crowd of over 3,000 people. Images of the event, preserved in Schramm’s papers, were among Rietzler’s favorite finds from the research trip.

Dorothy Schramm, a political activist in Burlington, Iowa, brought former First Lady Eleanor Roosevelt (pictured lower left) to town for 1955’s U.N. Day. The event attracted over 3000 attendees.

At the IWA, Rietzler encountered the experiences of everyday women that she hadn’t found in national archives she had already visited. The examples of women like Schramm and others represented in collections like the League of Women Voters of Johnson County complicated the Midwest’s reputation as an isolationist stronghold. As she scopes out her book, Rietzler is still thinking through the implications of what she’s found. To what extent is Iowa an example of larger regional trends and experiences, and to what extent is it unique? We at IWA cannot wait to read her conclusions!

Are you interested in applying for the Linda and Richard Kerber Fund for Research in the Iowa Women’s Archives? We accept applications every spring. You can keep tabs on the deadline and learn more on our website.

Happiness is the right kind of toothbrush: community service and the Dental Hygiene Program

This post was written by Iowa Women’s Archives Graduate Assistant Beatrice Kearns.

Going to the dentist is a common childhood fear, but dental hygienists have always worked to make the dentist’s office a more welcoming place for patients. Community service and outreach played a major part in the dental hygiene profession, and the University of Iowa Dental Hygiene (UIDH) program was no exception. “Outreach programs in dental hygiene began in 1953—the same year the dental hygiene program was established,” as stated in the introduction to the Community Health course syllabus. Community service and public outreach were baked into the curriculum at UIDH. Students took classes on oral pathology, dental anatomy, and pharmacology, but senior hygiene students also look classes on community health. These classes required students to create projects and initiatives to serve and support different groups, often focusing on things outside of the traditional in-clinic experiences. Hygiene students went to nursing homes and schools, but also into institutions such as the Iowa Secure Medical Facility, Mental Health Institute at Independence, and the Pediatric Psychiatric Unit at what was then known as the University of Iowa Hospitals & Clinics. Students found these experiences valuable; it opened their eyes to a wider scope of practice.

*Hygienist providing chairside instruction to a young patient, ca. 1950s. Box 44, folder “Photographs, 1950s”.*

Dental hygiene outreach often overlapped with public health initiatives, with monies from the Federal Maternal and Child Heath fund coming through the Iowa Department of Public Health supporting projects. UIDH students were expected to create their own lessons, visual aids, activities, and handouts to keep children engaged. Pre- and post-tests taken by the kids regularly found that there was a statistically significant improvement in the children’s knowledge of oral health and hygiene. These outreach projects in elementary schools continued throughout the tenure of the dental hygiene program, from the 1950s to the 1990s, and were well-received by teachers and principals across Iowa.

*Cambodian translation of “Cleaning your Teeth and Gums”. Box 24 folder “Community health: service to groups, 1974-1995”.*

UIDH was not only concerned with oral health but worked to understand the bigger picture around dental health care. Courses on social factors and oral health took an interdisciplinary approach to understanding the barriers to receiving care. This historical, sociological, and political understanding of issues preventing people from getting dental care made the hygiene students better equipped to serve their communities and often led to more impactful outreach projects. For example, students worked with the Iowa Refugee Center to translate informational pamphlets into Vietnamese, Laotian, and Cambodian to reach the growing refugee populations speaking these languages. The College of Dentistry’s mobile clinic worked with organizations such as the Muscatine Migrant Committee to provide tooth cleanings for migrant farm workers because there were not enough dentists in the Muscatine area to care for all of the patients. Doctoral dental students and hygienists worked together in the mobile clinic to provide care. UIDH students worked with inmates at the Anamosa State Reformatory to improve their dental health and create sustainable habits for reentry into society. The warden said that this project was particularly successful because dental issues were something that nearly all inmates struggled with, and their confidence would improve so much with better oral hygiene. Fluoride mouth rinses were taken to rural areas and mobile home parks that did not have fluorinated water supplies. This rinse added an extra layer of protection for tooth enamel.

*Fluoride mouth rinse program, 1986. Box 44 folder “Photographs, 1983-1986”.*

UIDH faculty and students understood that providing the best care meant connecting to the community they were serving. This intersectional view and approach to care influenced students even after their graduation from the program. Alumni Sara Kozeluk worked as a community dental hygienist for the Lac du Flambeau Band of Lake Superior Chippewa tribe, providing dental care to indigenous people. Kozeluk highlighted the importance of knowing who she was serving and understanding their cultural practices. In 1992, students and faculty from UIDH got to travel to the Indian Health Services in Minocqua, Wisconsin, to learn about dental care for indigenous groups.

*Dental hygiene student works with children during the visit to the Indian Health Services, 1992. Box 45, folder “Photographs, 1991-1992”.*

The University of Iowa Dental Hygiene Program was shut down to cut spending and the final class graduated in 1995. Since then, the shortage of dental health providers has only increased. Eighty-seven of Iowa’s ninety-nine counties have high need for more providers, and even higher need for providers that accept Medicaid or Medicare. Today, the UI College of Dentistry and Dental Services’ Preventative and Community Dentistry Department aims to provide the kind of community-oriented care that the Dental Hygiene Program used as a tool to reach Iowans and increase their access to oral health care.

To learn more about the dental hygiene program and its services, visit the exhibit in the Iowa Women’s Archives’ reading room on display in spring 2025.

Gateway, Not Gatekeep: Penny Furgerson’s Gateway Dance Theatre of Des Moines, Iowa

This piece was written by IWA Student Assistant Kelly Kemp.

In 1977, Joan Bunke, film critic and book and arts editor at the Des Moines Register, attended a Gateway Dance Theatre performance. She disliked what she saw, and published a column in the paper criticizing the “ruination of line” and “lack of body discipline” displayed by the dancers. A few weeks later, prominent Des Moines, Iowa, civil rights activist, Edna Griffin, published a strongly worded response to Bunke’s criticisms. Griffin suggested that the Gateway Dance Theatre shattered Bunke’s “too-narrow view of dance as an art form,” a view which Griffin described as “limited exclusively to ballet and the western world.”

This exchange begs the question: why would a dance theatre inspire such a response from a civil rights activist?

To understand the Gateway Dance Theatre, it’s important to know about its founder, Penny Furgerson, whose papers are now available in the Iowa Women’s Archives. Furgerson was born Penny Rosemary Thomas in 1936 in Karachi, Pakistan. She attended school in Bombay, India. Furgerson had interest in both the sciences and the arts. She was trained in South Indian classical dance (Bharatanatyam) from an early age, and she graduated from the University of Bombay with honors in chemistry. She then moved to Des Moines, Iowa, where she received a full tuition scholarship to study pharmacy at Drake University. While in Des Moines, she met Lee B. Furgerson, Jr., and they would go on to marry in 1961 and raise three sons. About 10 years later, the couple founded the Gateway Dance Theatre.

Lee Furgerson’s family was locally prominent in Des Moines, known for their activism and community involvement. Three of his four sisters’ papers are held at the Iowa Women’s Archives: the Betty Jean Furgerson papers (IWA0111), the Lileah Harris papers (IWA0256), and the Martha Nash papers (IWA0235).

Four women and one man posing together and smiling — The Furgerson family of Des Moines, Iowa. Left to right: Betty Jean Furgerson, Martha Nash, Lily Furgerson, Lee B. Furgerson Jr., Lileah Harris, undated.

In an article in the New Iowa Bystander, a newspaper by and for Black Iowans, Furgerson explained what inspired and prompted her to begin her own dance theatre. In 1971, she attended a performance put on by the Dance Theatre of Harlem. She recounted this experience and how it shocked her. She realized that there was a gap in the dance opportunities for the Des Moines community, and an almost complete lack of accessible, non-western, multi-ethnic dance opportunities. The Gateway Dance Theatre would offer a positive, creative outlet for disadvantaged, high risk community groups. In news articles from the early 1970s, Furgerson describes how formal training is not a prerequisite for her dancers, and that there are not fees for attending her classes. She emphasizes that all are welcome, and no individual’s talent is turned away based on economic status. In an application for a Community Development Block Grant, Furgerson states, “The Gateway Dance Theatre… provides the City of Des Moines with cultural entertainment for the community at large, purposeful activity for youth in targeted areas, and elevates the self-esteem of the minority communities involved by giving them positive visibility.”

Black woman in athletic clothing and dance shoes demonstrating a dance move to a group of children who are imitating her — Guest instructor teaching Gateway Dance Theatre class, undated.

For many years, there were few other options for multiethnic dance opportunities in Iowa. One of these options was the Dieman-Bennett Dance Theatre of the Hemispheres in Cedar Rapids. This dance theatre was co-founded by Edna Dieman and Julia Bennett in 1951. Dieman was born and raised in Iowa, and Bennett was born in Chittagong, India, to English parents. The Dieman-Bennett Dance Theatre of the Hemispheres provided instruction (at a cost) and performances that reflected many cultural influences. The Dance Theatre of the Hemispheres closed its doors in 1997, and its papers are also held at the Iowa Women’s Archives (IWA0265).

In the past 52 years, the Gateway Dance Theatre has gone above and beyond in fulfilling the mission and goals set in 1972. In the Penny Furgerson papers, the positive impact of the Gateway Dance Theatre is clearly evident in photos of the smiling faces of those attending workshops, and in the thank-you notes handwritten by elementary school students who attended classes. Furgerson brought the opportunity for a positive creative outlet to all members of the community, breaking down barriers to access.

Black and white photograph of a dance class in a gymnasium. The teacher is front and center with several students dancing behind her. — Penny Furgerson teaching a Gateway Dance Theatre class, undated.

The work done by Furgerson has been remarkable, and has not gone unappreciated by the community. To return to Griffin’s column written five years after Gateway was founded, the Des Moines civil rights activist says, “The Gateway Dance Theatre represents part of a national effort to bring the arts closer to the people as well as providing opportunities for participation. The process is known as a cultural enrichment… Many people in our city take pride in and concern for Gateway—a small miracle in our midst.” The Gateway Dance Theatre has been an integral part of Des Moines’ arts and culture for more than 50 years, consistently offering opportunities without barriers to community members of all backgrounds, ages, and socioeconomic statuses.

Newspaper showing an image of three dancers in white dresses. A flag behind them says "Free South Africa. Divest USA dollars." — Gateway Dance Theatre performance in the Iowa News, 1986.

The 2024 Kerber Grant gave one researcher renewed appreciation for rural women’s advocacy

Woman in white shirt sits at table with a laptop and archival boxes

Every year, the Iowa Women’s Archives (IWA) awards the Linda and Richard Kerber Travel Grant to a researcher whose work would benefit from using collections in the Archive and who resides outside a 100-mile radius of Iowa City, Iowa, with preference given to graduate students. The grant’s 2024 recipient was Lillian Nagengast.

Lillian Nagengast experienced a Midwestern upbringing in Bloomfield, Nebraska, a town with a population that over around just 1,000. For college she headed east and attained a BA from Boston College and then an MA in English from Georgetown University. Nagengast is now pursuing a PhD in American Studies at the University of Texas at Austin, and her scholarship has led her back to her roots. Her dissertation prospectus will focus on the Midwest, particularly woman and LGBTQ individuals who forged community, belonging, and progressive coalitions in the region from the 1960s to the present day.

Lillian Nagengast, the 2024 Kerber Grant recipient, used the award to travel to Iowa City and find resources for her dissertation prospectus.

While researching the rural Midwest, Nagengast encountered works including On Behalf of the Family Farm: Iowa Farm Women’s Activism since 1945 by Jenny Barker Devine and When a Dream Dies: Agriculture, Iowa and the Farm Crisis of the 1980s by Pamela Riney-Kehrberg. Both built their arguments using the voices of rural women as recorded in diaries, letters, and oral histories. Nagengast found herself wondering where these academics gathered this wealth of primary sources. The search led her to the IWA, which both historians had visited, and its rich collections documenting everyday rural life in 20th century Iowa. Thanks to the Linda and Richard Kerber Travel Grant, Nagengast was able to visit the IWA and see some of these sources for herself.

While perusing the Archives, Nagengast searched for evidence of grassroots organizing by women and queer people in rural Iowa by consulting collections including the Voices from the Land Oral History Project, the Mujeres Latinas Oral History Project, and the Anita Crawford papers, among others. These collections, she believes, speak to each other in surprising ways across time periods, locations and ethnic backgrounds.

The Voices from the Land Oral History Project, which Nagengast used, compared preserving food with preserving history in its promotional materials. The Project took place from 2000 to 2001 and eventually included dozens of interviews with rural women across Iowa. Image from Voices from the Land: An Oral History Project in Iowa, Iowa Women’s Archives, University of Iowa Libraries.

For instance, while the second wave feminist movement was blooming in more urban areas, the women in these oral histories worked outside of mainstream feminist organizations. Women like Anita Crawford, a farmer and volunteer for the Buchanan County Farm Bureau, engaged with the Iowa Women’s Political Caucus over the issue of inheritance taxes, which affected women farmers, rather than over the social issues more commonly associated with the feminist movement of her time. One woman who stuck out to Nagengast was Barbara Grabner, who worked with PrairieFire Rural Action, a non-profit focused on grass-roots efforts to address the 1980s Farm Crisis, in which many Iowans lost their family farms. Grabner was a leader in advocating for women on family farms, but noted in her oral history that “You don’t use the word feminist around a lot of these people, which they really were, but you wouldn’t call them that.” Nagengast hopes that these archival insights into how women did objectively feminist work outside of the feminist label will make up the bulk of her first chapter.

Women like Anita Crawford (center) didn’t leave political activism to men, as demonstrated through their work in local farm bureaus. But Nagengast found that they may not have identified as feminists either. Image from the Anita Crawford papers, Iowa Women’s Archives, University of Iowa Libraries.

Again and again Nagengast found evidence of fractures in feminist coalition building, particularly among national (often urban) and local (particularly rural) organizations. This was typified by her favorite document in the Archives, a four-page letter from the Story County Equal Rights Amendment Coalition, a local organization, to the national Fund for the Feminist Majority, written in the aftermath of the ERA’s 1992 defeat in Iowa. The letter enumerated the ways in which the Coalition believed the Fund’s tactics contributed to the loss, claiming the Fund’s representatives refused to collaborate with locals, made rude comments about them, and decided to “write off women over 50 and concentrate on the campuses and to write off the rural counties to ‘concentrate on Polk County.'” The letter is detailed and unsparing, and was copied to feminist luminaries at Ms Magazine and Iowa NOW. Nagengast thought she had struck gold. “I’d like it framed in my office,” she joked.

An excerpt from Nagnengast’s favorite document from her trip to IWA, a 1992 letter from the Story County Equal Rights Amendment Coalition that took the Fund for the Feminist Majority to task for the ERA’s loss in Iowa the previous November. Image from the Johnson County ERA Coalition records, Iowa Women’s Archives, University of Iowa Libraries

Now that she’s back home, Nagengast plans to write her prospectus and then begin writing her dissertation itself. She has high hopes for the project, including drafting a conference paper, writing a book, and hopefully coming back to IWA for future research.

Eagles, and donkeys, and elephants, oh my!: Politics and animals in IWA

Two women with a shopping cart holding a chicken, carrying a placard encouraging voter registration

This post was written by Iowa Women’s Archives Graduate Assistant Beatrice Kearns.

What do an eagle, a donkey, an elephant, and a chicken have in common? They can all be found in the political collections of the Iowa Women’s Archives!

Animals are used as symbols in campaign materials, political cartoons, logos, clothing, accessories, and the state flag and seal of Iowa. The flag, pictured here, was designed by Knoxville, Iowa, local Dixie Cornell Gebhart when the state guardsmen serving on the Mexican border during World War I needed a regimental flag. Gebhart utilized the eagle within the flag to symbolize the state’s connection to the nation, linking it to principles of freedom and democracy.

Newspaper clipping about the creation and design of Iowa’s state flag. Dixie Cornell Gebhart papers, Iowa Women’s Archives, University of Iowa Libraries.

Outside of campaign materials, animals have been used to encourage people to vote and engage in the democratic process. the League of Women Voters (LWV) produced many pamphlets, flyers, and printed materials featuring lots of animals. the Cedar Rapids-Marion LWV had a get out the vote effort that ruffled some feathers. Women pushed a cart of chickens around a dining hall with a sign saying “I don’t vote, I just squawk,” encouraging citizens to use their votes instead of just complaining.

Image from League of Women Voters of Cedar Rapids-Marion records, Iowa Women’s Archives, University of Iowa Libraries

In American politics, after the eagle, the Republican elephant and the Democratic donkey are among the most popular animals amongst IWA’s political materials. These symbols were both popularized by political cartoonist Thomas Nast in the 19th century. The donkey was first used during the 1828 campaign, when opponents referred to Andrew Jackson as a “jackass” and he took it in stride, using the donkey on campaign materials. The elephant came later, as Abraham Lincoln was the first Republican president and “seeing the elephant” was a phrase used by Union soldiers when experiencing combat.¹

1956 Republican Party ephemera from the Mary Louise Smith papers, Iowa Women’s Archives, University of Iowa Libraries.

The elephant and the donkey have been used in cartoons, campaign materials, and party memorabilia. The two animals are very recognizable with their respective parties and serve as a quick calling card. They are often pitted against one another in campaign materials.

Cover of the Republican National Committee program, 1964, from the Mary Louise Smith papers, Iowa Women’s Archives, University of Iowa Libraries.

The elephant and the donkey are relied on to quickly identify party membership. Pins and buttons are a common use but more exciting tokens include the “Famous Republican Beauty Mark,” from the Anna Cochrane Lomas papers in IWA. It combines the symbol of Republicanism with a popular beauty trend of the 1960s.

Besides invoking party symbols, politicians also use their pets on the campaign trail to humanize themselves and create a connection with potential voters. Below, former Iowa governor and U.S. Senator Harold Hughes poses with a small kitten, meant to demonstrate his compassion. As an elected official, he advocated for improved treatment of substance abuse disorders and stood against capital punishment.² On the right, Mary Neuhauser holds a cat in a photograph used in her campaign materials. Neuhauser held a range of positions in local and state government for a political career spanning 25 years.

Harold Hughes campaign material from the Mary Louise Smith papers, Iowa Women’s Archives, University of Iowa Libraries.

Pets are not the only live animals used in political campaigns. Particularly in Iowa, it is common for livestock to be heavily featured. For example, Wiley Mayne served in the U.S. House of Representatives for eight years, and his campaign materials present him as knowledgeable and focused on Iowa agriculture. Mayne served on the House Agriculture Committee and helped tackle the issues in the cattle market at the time.³

Wiley Mayne campaign pamphlet, 1960. Mary Louise Smith papers, Iowa Women’s Archives, University of Iowa Libraries.

As the 2024 election season approaches, there are sure to be sightings of donkeys, elephants, and more all around. Learn more about animals and politics by stopping into the Iowa Women’s Archives reading room to view the Political Animals exhibit or by liking our Facebook page.

YOU make the government: The Iowa League of Women Voters and civic responsibility

This post was written by Iowa Women’s Archives Graduate Assistant Beatrice Kearns.

In 1920, riding the excitement of the victorious passage of the 19th amendment, newly minted voters in Iowa (and across the nation) organized as the League of Women Voters (LWV) with a goal of creating a well-informed body of voters. A non-partisan organization, the LWV focuses on voters understanding their power and responsibility in government at all levels. It also emphasizes that for democracy to be for the people, citizens must engage with government at every level. In a 1947 project entitled You are Democracy, the LWV aimed to educate voters on the democratic process.

Section of the forward of a yellow booklet. The text says "Our government can not long be fore the people if it is not of and by the people." — Forward of “You Are Democracy” from League of Women voters of Iowa records, Iowa Women’s Archives, University of Iowa Libraries.

The booklet followed John Q. Iowa Citizen, who is representative of the average man, through his questions and concerns about politics, voting, government, and legislation. In 1947, America was changing fast. Tensions between the United States and the Union of Soviet Socialist Republics (USSR) were rising, the post-World War II economy was booming, the atomic bomb was fresh in everyone’s mind, and the average citizen had a lot to consider when casting their vote. As all Iowans know, election season is long and in 1947 the build up to the 1948 races was already underway. The LWV intended You are Democracy to help voters navigate this fast-moving and complex election process. Despite being written by the organization, the booklet was not designed for women exclusively, but rather follows a man, emphasizing the desire to connect to all voters across the state. While the LWV had a goal of engaging women with their hard-fought right to vote, they do so by speaking of Mr. John Q. Iowa citizen and his wife, Mrs. John Q. The frustrations and concerns of voters are voiced through Mr. and Mrs. John Q. Iowa Citizen, “My wife says the time and trouble we take to make up our minds whom to vote for sometimes reminds her of putting good frosting on a poor cake. Other times she calls it trying to make bread without yeast”. While an outdated, sexist view on women as voters, You are Democracy offers a look into the time period and shows how the LWV worked to engage with all voters.

Black and white image of smiling Harry Truman holding a newspaper that says "Dewey Defeats Truman" — Harry Truman photographed by Frank Cancellare, United Press International. Retrieved from Smithsonian Institute National Portrait Gallery

The information in the booklet underlines how voters decide elections, not pollsters or news media, which was perfectly demonstrated during this election cycle. In the lead up to the 1948 presidential election between incumbent Harry Truman and Republican challenger Thomas Dewey, many pollsters and news outlets essentially declared Dewey the winner. The Chicago Tribune even printed and ran papers on election night before votes had been tallied with the headline “Dewey Defeats Truman!” when in reality Truman won the election by a sizable margin. Truman even posed for pictures holding newspapers with headlines stating he had lost after his victory.

The booklet also explains what rights a voter was entitled to in the state of Iowa, such as time off work for voting, assistance at the ballot box, and absentee voting. The detailed but simple explanation of the voting process makes it much more approachable for hesitant potential voters or new voters.

Are Democracy doesn’t just cover voting and the electoral process, but also explains the different levels of government and their functions. As Mr. Q Iowa Citizen puts it, “you have to know the job before you pick the man.” There is a plethora of information about local governments and their duties and responsibilities. It can be complicated to grasp the jurisdictions and roles of county, city, and state governments and this booklet provides a great deal of clarifications.

Yellowed paper with black writing describing the voting process with headings: Voting machines, assistance to voters, time off for voting, absentee voting, and the electoral college — *p. 12 of “You Are Democracy” discussing the voting process*

Yellowed paper with black writing headed "Whom You Send to Des Moines - What They Do" accompanied by descriptions of the offices of governor and lieutenant governor. — *p. 27 of “You Are Democracy describing the executive branch of Iowa state government*

A letter from the National Association of Manufactures asking for more copies of "You are Democracy" as soon as possible. — *Correspondence from the National Association of Manufacturers, 1959*

The LWV distributed over 100,000 copies of the booklet by 1964 and it became the model for Leagues in other states. A wide range of organizations and people found You Are Democracy important and useful, from colleges to labor organizations. Many of these organizations wrote to the LWV thanking them for such a wonderful resource. This booklet reached many voters and helped them understand the complexities of electoral politics. This was not a book to leave forgotten on a shelf, but rather a tool to carry around. Only slightly larger than a cell phone, bound simply with two staples, Mr. John Q. Iowa Citizen could come along everywhere.

The LVW of Iowa created a tool of voter engagement that helped thousands of Iowa voters understand their rights and responsibilities as constituents. Their dedication to a body of engaged citizens helps us all remember that as Americans we make the government.