Fall classes are now in session and the football Homecoming Centennial is upon us, so what better time to examine a felt pennant which advertises “The Collegians,” by Carl Laemmle, Jr. “The Collegians” was a series of 44 two-reel films, in which the same players reprised their characters through four years of a college life full of romance and football from 1926-1929.
This pennant is from the Ted Rehder Papers. Ted was a University of Iowa student in 1926 when “The Collegians” series was released and likely screened in Iowa City. He went on to work serving U of I collegians for 47 years in dormitories and in dining service until his retirement in 1976. We are grateful to Ted for preserving this piece of ephemera.
“The Collegians” was part of Carl Laemmle Junior’s first series, his silent comedy “Junior Jewels,” produced between 1926 and 1929 for Universal, the film studio founded by his father in 1912. In April 1929, Carl junior was placed in charge of all film production at Universal. Among other genres, he produced horror movies such as “Frankenstein” (1931), “Dracula” (1931), “The Mummy” (1932), “The Invisible Man” (1933) and “The Bride of Frankenstein” (1935). Production of these films broke Universal after seven years under his direction, due to the Great Depression and the amount of money he insisted on spending in order to deliver the entertainment audiences desired.
Check out this and other pieces of ephemeral history from campus life in Special Collections and the University Archives.
Here are some featured items that have recently arrived in both Special Collections and in the University Archives. Researchers interested in the history of local radio, advertising, tuberculosis, and artist’s books should particularly take note of our recent arrivals.
The University Archives now includes additional documents from KRUI. KRUI 89.7, the University of Iowa student radio station, began as a dormitory-only service in the early 1950’s, expanding to FM in 1984. Recently the UI Archives received an additional 14 linear feet of material from the station: Brochures, staff schedules, correspondence, photographs and other documents, to add to the archives existing collection described at http://www.lib.uiowa.edu/spec-coll/archives/guides/RG02.02.08.htm. Dave Long, a member of the KRUI board of directors, helped arrange for transfer of the materials.
Oakdale Sanatorium was established in Johnson County in 1907 to house and care for patients diagnosed with tuberculosis. Over time, the facility accommodated patients with other needs as well. From 1945 to 1947, Ruth Harris, a dietician from Ames, IA, was employed as Director of Dietetics there. Earlier this year, Ruth Solmonson of St. Paul, MN, a relative of Ms. Harris’, donated a scrapbook to the UI Archives which contains scores of photographs, newspaper clippings, and other items depicting life at the facility. In 2011 Oakdale Hall, the original and largest structure on the campus, was razed to make way for new development, making Ms. Harris’ photographs even more valuable to researchers.
The newest arrivals in the department of Special Collections include a shipment of eleven impressive artists’ books from Vamp & Tramp Booksellers, LLC. Three of the books are highlighted below.
Body of Inquiry is from Casey Gardner and Set in Motion Press. With inspiration drawn from anatomical models and instructional documents this amusing work draws you in to discover a “corporeal codex” with intricately folded organs.
Statement from Set in Motion Press: “This book is a triptych opening to a sewn codex within the subject’s torso. It is a structure of display and intimacy. The scale is large and unfolding and the details are numerous and intricate, accurate and outlandish. The instruments on the outer panels are from the 19th- and 20th-century scientific catalogs. The rest of the images are drawings the artist made and transferred into photopolymer plate for letterpress. The scientific panels explore the miracle of our physicality and are sequenced beginning with atoms, moving to cells, and to genetic structure. The interior codex tells the story of the artist’s anatomical model and investigates the permeable borderline between material and immaterial in our bodies and life.”
Al Mutanabbi Street, March 5, from Al Hazelwood is one item that is part of a project to “re-assemble” some of the “inventory” of the reading material that was lost in the car bombing of al-Mutanabbi Street on 5th March 2007. Originally the intention was for 130 book artists to join in honouring al-Mutanabbi Street so that one artist’s work would stand in for each of the 30 killed and 100 wounded through creating work that holds both “memory and future,” exactly what was lost that day. However in the end the response was so great that 262 artists participated in the project, soon to be completed.
Stement from artist Al Hazelwood: “This book is based on the car bombing of a street of booksellers in Baghdad. Beau Beausoleil, a bookseller in San Francisco, initiated this project to memorialize this attack on the culture of the book and prevent it from slipping into forgetting among the many atrocities of the Iraq War. He’s asked 130 book artists to contribute — the number of books matching the number of victims that day. This is my contribution. Three from the edition go to the project one of which will be offered to the Iraq National Library in Baghdad. My book, starts with an image of the booksellers street. The next page begins a foldout which begins with the explosion in a death head cloud. Books flying are labeled with different bookseller areas of the world”.
Shelter by Phil Zimmerman of Spaceheater Editions is an intricately constructed floating hinge format book-within-a-book.
Statement from artist Phil Zimmermann: “Shelter came out of an exploration of losing faith and questioning on of its opposites: the process of finding religion. This text came out of watching my dying father, who was never religious when I was growing up, become increasingly interested in faith and salvation as he became sicker from heart disease and cancer. I saw the desert with its unfriendly flora and harsh environment as a metaphor for the difficult world towards the end of many people’s lives. The desert is also used in many religious tracts as a place for contemplation and mortification. In this work roadside shelters and gospel ministries were used as signifiers of ways and places where people look (vainly?) to relive prospects of their approaching death.”