Hardin Library interim hours begin Saturday, May 14 and continue through Monday, May 30.
| Monday-Thursday | 7:30am-9pm |
| Friday
Saturday |
7:30am-6pm
10am-2pm |
| Sunday | Noon-4pm |
24-hour study available when the library is closed.
Hardin Librarians are active in the Medical Library Association. The annual conference is in New Orleans, May 3-6, 2022.
Jennifer Deberg, a 2022 RTI (Research Training Institute) Fellow is presenting a poster:
Exploring DNP (Doctorate Nurse Practitioner) Student Information Literacy Competence for Evidence-Based Practice
Hardin Library Director Janna Lawrence will be attending the in-person Board meeting on Tuesday, May 3. Ms. Lawrence is also co-facilitator of a session, “Staying Ahead of the Future: Developing Your Library’s Collection Philosophy and Policy,” which is part of an in-conference symposium called “The Big Not-So-Easy: a Symposium on 21st Century Health Sciences Collection Development and Resource Sharing.”
Heather Healy and Jennifer Deberg recently taught a CE (continuing education) course for librarians for the Medical Librarian Association on Librarians and Systematic Review Teams: Negotiating Roles and Recognition.
April is National Poetry Month, and these are poems selected by our student employees.
Selections by Josh Hartstonewall to standing rock by Julian Talamantez Brolaski (entire poem)
who by the time it arrived
had made its plan heretofore
stonewall it had not a penny
thats not true it had several pennies
I Invite My Parents to a Dinner Party by Chen Chen (entire poem)
In the invitation, I tell them for the
seventeenth time
(the fourth in writing), that I am gay.
First Light by Chen Chen (entire poem)
I like to say we left at first light
with Chairman Mao himself chasing us in a police car,
my father fighting him off with firecrackers,
even though Mao was already over a decade
dead, & my mother says all my father did
during the Cultural Revolution was teach math,
Do not go gentle into that good night by Dylan Thomas (entire poem)
Do not go gentle into that good night,
Old age should burn and rave at close
of day;
Rage, rage against the dying of the
light.
You Are So Articulate With Your Hands by Joshua Bennett (full poem)
she says & it’s the first time
the word doesn’t hurt. I respond
by citing something age-inappropriate
from Aristotle, drawing mostly
from his idea that hands are what make
us
Poem for July 4, 1994 by Sonia Sanchez (full poem)
For President Václav Havel
It is essential that Summer be grafted
to
bones marrow earth clouds blood the
eyes of our ancestors.
It is essential to smell the beginning
words where Washington, Madison,
Hamilton,
Adams, Jefferson assembled amid cries
of:
“The people lack of
information”
“We grow more and
more skeptical”
“This Constitution is a
triple-headed monster”
“Blacks are property”
It is essential to remember how cold
the sun
how warm the snow snapping
around the ragged feet of soldiers and
slaves.
It is essential to string the sky
with the saliva of Slavs and
Germans and Anglos and French
and Italians and Scandinavians,
and Spaniards and Mexicans and Poles
and Africans and Native Americans.
It is essential that we always repeat:
we the people,
we the people,
we the people.
The Idea of Ancestry by Etheridge Knight (full poem)
1
Taped to the wall of my cell are 47 pictures: 47 black
faces: my father, mother, grandmothers (1 dead), grand-
fathers (both dead), brothers, sisters, uncles, aunts,
cousins (1st and 2nd), nieces, and nephews. They stare
across the space at me sprawling on my bunk. I know
their dark eyes, they know mine. I know their style,
they know mine. I am all of them, they are all of me;
they are farmers, I am a thief, I am me, they are thee.
I have at one time or another been in love with my mother,
1 grandmother, 2 sisters, 2 aunts (1 went to the asylum),
and 5 cousins. I am now in love with a 7-yr-old niece
(she sends me letters in large block print, and
her picture is the only one that smiles at me).
I have the same name as 1 grandfather, 3 cousins, 3 nephews,
and 1 uncle. The uncle disappeared when he was 15, just took
off and caught a freight (they say). He’s discussed each year
when the family has a reunion, he causes uneasiness in
the clan, he is an empty space. My father’s mother, who is 93
and who keeps the Family Bible with everbody’s birth dates
(and death dates) in it, always mentions him. There is no
place in her Bible for “whereabouts unknown.”
My Father Is a Retired Magician by Ntozake Shange (entire poem)
(for ifa, p.t., & bisa)
my father is a retired magician
which accounts for my irregular
behavior
everythin comes outta magic hats
or bottles wit no bottoms & parakeets
are as easy to get as a couple a rabbits
or 3 fifty cent pieces/ 1958
[untitled] by Tatiana Luboviski-Acosta (entire poem)
once, while on a coke binge,
and away from my mother,
my father drove his car
across the sand
and into the pacific ocean.
before he had done that,
he had given away
all of his possessions,
and eaten
a steak dinner.
he survived.
This Bridge Across by Christopher Gilbert (entire poem)
A moment comes to me
and it’s a lot like the dead
who get in the way sometimes
hanging around, with their ranks
growing bigger by the second
and the game of tag they play
claiming whoever happens by.
“The world is a beautiful place” by Lawrence Ferlinghetti (entire poem)
The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
Villanelle by Otto Leland Bohanan (entire poem)
How dreary the winds shriek and whine:
The trembling shadows grow chill.
O soul of my soul, wert thou mine!
Death of an Old Seaman by Langston Hughes (entire poem)
We buried him high on a windy hill,
But his soul went out to sea.
Comparison by Paul Laurence Dunbar (entire poem)
The sky of brightest gray seems dark
To one whose sky was ever white.
To one who never knew a spark,
Thro’ all his life, of love or light,
The grayest cloud seems over-bright.
It’s a Long Way by William Stanley Braithwaite (entire poem)
It’s a long way the sea-winds blow
Over the sea-plains blue,—
But longer far has my heart to go
Before its dreams come true.
Nothing Gold Can Stay by Robert Frost (entire poem)
Nature’s first green is gold,
Her hardest hue to hold.
Visit the John Martin Rare Book Room at Hardin Library for the annual open house,
Wednesday, April 20, from 4pm-7pm.
All are welcome/family friendly! Masks encouraged. This is an in-person event.
The following books will be on display:
Individuals with disabilities are encouraged to attend all University of Iowa–sponsored events. If you are a person with a disability who requires a reasonable accommodation in order to participate in this program, please contact Damien Ihrig in advance at 319-335-9154 or damien-ihrig@uiowa.edu.
All loans due in June, 2022 should be returned or renewed (re-loaned). Materials due in June 2022 must be renewed or returned by October 1 to avoid being billed a replacement charge.
You may renew your loans:
You may return Hardin Library books to any University of Iowa Library.
You may return books from any University of Iowa Library to the Hardin Library.
You may return any University of Iowa Libraries books to Hardin Library via campus mail.
You may return any University of Iowa Libraries books by shipping them to Hardin Library.
Hardin Library has a low-barrier book return at the Newton Road entrance. Come inside the first set of doors and you will see a wooden book return with a slot (nothing to pull) for returns. You may return any University of Iowa books here. This door is near parking and is handicapped-accessible.
By Beth Stone, MFA
Collections Conservator, University of Iowa Libraries
When volumes arrive in conservation, the first step is a quick assessment. Often this entails physical inspection of a cart of 30-80 items, ticking off from a checklist of the most common repairs or housings we provide. When an individual item is shuffled to a technician’s bench, a more thorough assessment can be completed. At first pass, I had put this item into a queue needing more intensive repair. The binding had become disengaged from the textblock, and though it looked otherwise sound, I set it aside to tackle at a future date.
It’s always delightful when an Italian paper binding comes into the lab for some treatment. They are a pleasure to hold and often have some quirks. Paper bindings were common in Italy from the early sixteenth century through the early nineteenth century. This Morgagni is an example of one of the two main types: a laced-case binding. For non-binders, this means the textblock was sewn onto alum taw (a white leather) supports, which were then laced through the single-piece heavy paper cover.
Paper bindings served two purposes; they were either placed on a textblock for temporary protection, assuming that the owner would eventually pay to have a more distinguished binding, or intended to be a less expensive final binding. It can be difficult to tell what the intention was. In this particular volume, the pages were never trimmed, and the rippling edges are the result of the deckle (wooden frame) of the paper mould (screen). These edges would have been trimmed to be flush and perhaps decorated in a different binding.
Additionally, the single-layer paper cover has no reinforcement. It remains very flexible on a book of this size while very thin and still protective. However, I think this may have originally been intended as a temporary measure rather than a final binding. The large size of the volume (10.25 in x 16.14 in) would likely require more substantial binding for handling, which would have cost a hefty sum. Additionally, the printing style seems to demand a more decorative binding.
Upon closer inspection, I noticed that the taw thongs were cleanly cut at the textblock. The thongs also remained intact on the rear cover and under the paste down. Though removing a portion of the textblock resulted in a spine that was now too wide for the text that remained, no damage was present on the paper cover. Since it was paper, the cover had been able to naturally refold itself and conform to the smaller size of the spine.
There were a handful of documents stuck in the text. Among them was a note from the purchase by Dr. Martin. It indicated that the item had been received by him, and then later by the library, in this condition.
Ultimately, this item will get custom housing [storage box] and return to the collection without any intensive treatment. I will clean the cover – using specialized sponges and perhaps a gel for the stained corner – but the sewing will remain broken, and the textblock will remain disengaged.
Name: Michelle Dralle
Your role at Hardin: I am a Library Assistant IV working in Collections, Access Services, and just recently, returned to help in Interlibrary Loan.
Years you’ve worked in a library and years you’ve worked at Hardin: My library career started in high school in the late ’70s as a volunteer at my hometown library in Allison, Iowa, under the direction of librarian Mabel Bauman. I started working at UI Libraries in 1983 and have worked at Hardin on and off as a student and staff since 1983. I’ve also worked at the UI Law Library, VA Library, Math Library, and the Iowa City Public Library (24 years).
One thing you enjoy about working at Hardin: I’ve worn many hats during my library career. Anything from dealing with the bomb-sniffing dog in 2007 during an active bomb threat at Hardin, working at the storage facility (lovingly referred to as the “barn”), to working on the lighting/HVAC project at Hardin. The best experience during my library career has been working with the many students and other individuals that have crossed my path and continue to keep in touch with me decades later.
A fun fact about yourself: I have no peripheral vision, so if you don’t like the answer I give and you roll your eyes at me as you stand next to me, I most likely won’t see it. My door is always open at Hardin, so stop in and say hello.
By Damien Ihrig, Curator, John Martin Rare Book Room
BROWNE, JOHN (1642-1700) Myographia nova, or, A description of all the muscles in humane body : as they arise in dissection : distributed into six lectures ; at the entrance into every of which, are demonstrated the muscles properly belonging to each lecture now in general use at the theatre in Chyurgeons-Hall, London, and illustrated with one and forty copper plates, accurately engraved after the life, with their names on the muscles, as much as can be expressed by figures, as also, with their originations, insertions, uses, and divers new observations of the authors, and other modern anatomists. Together, with an accurate and concise discourse of the heart, and its use, as also of the circulation of the blood, and the parts of which the sanguinary mass is made and framed, written by the late Dr. Lower. Printed by Thomas Milbourn for the author in 1697. 53 cm tall.
John Browne (1642-1700) was a 17th-century English surgeon and anatomist. He was royal surgeon to Charles II, James II, and William III. Under Charles II, Browne first came to observe the “King’s Evil,” or scrofula (cervical lymphadenitis), a disease related to tuberculosis that inflames and swells lymph nodes in the neck. Some thought that the touch of royalty could heal the disease, and Charles II performed many of these ceremonies. Browne vividly described the disease and ceremonies in his Adenochoiradelogia, printed in 1684.
With a recommendation from the King, Browne was appointed a surgeon at St. Thomas’s Hospital in 1683, where he trained. The Governors who oversaw the hospital, led by the Whig politician Sir Robert Clayton, disliked the freewheeling behavior of its surgical staff. The surgeons at St. Thomas felt unburdened by hospital policy because of their support by the King. However, Clayton and the Governors saw it differently and in 1691 dismissed the entire surgical staff, including Browne.
However, Browne was most well known as a serial plagiarizer and shrewd businessman. Most famously, Browne borrowed directly from the works of Giulio Casseri and William Molins for his 1675 and 1681 editions of, A compleat treatise of the muscles, as they appear in humane body, and arise in dissection. Fellow surgeon and author James Yonge heavily criticized Browne for his literary poaching.
In response, in 1697, Browne put together this book, a work that exemplified his approach to writing and selling books: he made a few tweaks to A compleat treatise… and released it under a new title.
| Browne tweaked a few things in Mygraphia nova in an attempt to distance himself from accusations of plagiarizing the works of Giulio Casseri and William Molins, most notably in the illustrations. Many of Casseri’s illustrations are somewhat whimsical, with lounging poses or those with movement, with the subject of the dissection often helpfully holding back layers of skin or muscle on their own bodies.
The illustrations shown here demonstrate such a pose and the kinds of small changes Browne made from A compleat treatise… to Mygraphia nova. Browne’s defenders wished to credit him with the innovation of directly labeling tissues, rather than with a letter or number referenced in the text. This too, however, was a technique lifted from others, including Casseri and Molins. Interestingly, he added a very short section on the heart as a muscle in the 1697 edition but directed the reader to an appendix that contained the well-known work of Richard Lower. He gave Lower full credit in the title, perhaps artfully exploiting Lower’s name recognition. Browne’s works were relatively popular and printed in several editions, including after his death.  The binding consists of contemporary leather with a deep brown color and a blind tooled (no color or gilt added) design on the front and back boards. It has raised spine bands with “Browne on the muscles” stamped in gilt over a red compartment on spine. The leather is quite cracked and the front and back hinges are loose, but it has been treated by our master conservation team and is stable for use. Other than some browning at the front and back, more than likely due to exposure to the elements and the glue on the boards, the paper is in great condition. There are a few editorial marginalia as well. In addition to Mygraphia nova and A compleat treatise…, we also have a facsimile of the 1697 Myografia nova and Browne’s collection of works describing glands, scrofula, and the King’s Evil touching ceremonies. Contact curator Damien Ihrig or any others from this or other treasures: damien-ihrig@uiowa.edu or 319-335-9154 to arrange a visit in person or over Zoom. Our copy of Mygraphia nova was generously donated by Helen Hislop, an influential physical therapist who trained and practiced at the University of Iowa.
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Do you have an idea for a new service, workshop, want a change in the physical space in the library? Do you want something changed on our website? We want to know!You can receive follow-up communication if you add your email to the form. Anonymous comments are also welcome. |
Hardin Library wants you to be successful with your finals! We have lots of seating and offer some extras to help you study.
