University Libraries

Welcome to the University of Iowa Libraries’ virtual New Book Shelf. Here we will present new titles for you to browse and check out. Titles listed here will be monographs published in the current year. If you see a title you would like to borrow, please click the link below the item and sign in with your Hawk ID and Password to request a loan.

The Faces: A Novel

From Tove Ditlevsen, the acclaimed author of the Copenhagen Trilogy, comes The Faces, a searing, haunting novel of a woman on the edge, portrayed with all the vividness of lived experience.

Copenhagen, 1968. Lise, a children’s book writer and married mother of three, is increasingly haunted by disembodied faces and voices. She is convinced that her husband, already extravagantly unfaithful, will leave her. Most of all, she is scared that she will never write again.

Yet as she descends into a world of pills and hospitals, she begins to wonder—is insanity really something to be feared, or does it bring a kind of freedom?

https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21848772600002771

A Strange Woman: A Novel

The pioneering debut novel by one of Turkey’s most radical authors, originally published in the 1970s, tells the story of an aspiring intellectual in a complex, modernizing country.

Erbil’s groundbreaking coming-of-age novel, nominated for the Nobel upon original release, follows a young woman and aspiring poet in Turkey. Nermin frequents Istanbul’s coffeehouses and underground readings, but is torn between the creative, anarchist youth culture of Turkey’s capital and her parents, members of the old cultural guard who are wary of Nermin’s turn toward secularism.

In four parts, A Strange Woman narrates the past and present of a complicated Turkish family through the eyes of each of its members. This rebellious, avant-garde novel tackles sexuality, psychology, and history through the lens of a modernizing 20th-century Turkey. Deep Vellum brings this long-awaited translation of the debut novel by a trailblazing feminist voice to US readers.

https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21848503830002771

 

The Heap: A Novel

Standing nearly five hundred stories tall, Los Verticalés once bustled with life and excitement. Now this marvel of modern architecture and nontraditional urban planning has collapsed into a pile of rubble known as the Heap. In exchange for digging gear, a rehabilitated bicycle, and a small living stipend, a vast community of Dig Hands removes debris, trash, and bodies from the building’s mountainous remains, which span twenty acres of unincorporated desert land.

Orville Anders burrows into the bowels of the Heap to find his brother Bernard, the beloved radio DJ of Los Verticalés, who is alive and miraculously broadcasting somewhere under the massive rubble. For months, Orville has lived in a sea of campers that surrounds the Heap, working tirelessly to free Bernard—the only known survivor of the imploded city—whom he speaks to every evening, calling into his radio show.

The brothers’ conversations are a ratings bonanza, and the station’s parent company, Sundial Media, wants to boost its profits by having Orville slyly drop brand names into his nightly talks with Bernard. When Orville refuses, his access to Bernard is suddenly cut off, but strangely, he continues to hear his own voice over the airwaves, casually shilling products as “he” converses with Bernard.

What follows is an imaginative and darkly hilarious story of conspiracy, revenge, and the strange life and death of Los Verticalés that both captures the wonderful weirdness of community and the bonds that tie us together.

https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21847651610002771

In His Own Image: A Novel

From Goncourt Prize–winning author Jérôme Ferrari, a bewitching story of passion, death, and love, and a powerful reflection on the relationship between art and reality

Born in a small town in Corsican countryside, Antonia grows up in a place of deeply-rooted traditions and strong family ties. When she’s fourteen, her uncle, a priest, gives her a camera—igniting a passion that will prompt her to become a photojournalist.

Over two decades later, Antonia is walking around the port of Calvi when she runs into Dragan, a soldier whom she had met when she was reporting on the war in the former Yugoslavia. The two spend the night in deep conversation, reminiscing about their experience of the conflict. Shortly after saying goodbye, as she drives home Antonia loses control of her car, plunges off a cliff and is killed instantly. Tasked with officiating his niece’s funeral, Antonia’s uncle reflects on her life and legacy, and on the profound questions they beg about ambition and doubt, passion and guilt, representation and reality.

Wide in scope but rich in detail, restrained yet deeply moving, In His Own Image masterly weaves together the story of an individual life with universal themes that resonate across time and space.

https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21844943600002771

The Plague: A Novel

The townspeople of Oran are in the grip of a deadly plague, which condemns its victims to a swift and horrifying death. Fear, isolation, and claustrophobia follow as they are forced into quarantine. Each person responds in their own way to the lethal disease: some resign themselves to fate, some seek blame, and a few, like Dr. Rieux, resist the terror.

An immediate triumph when it was published in 1947, The Plague is in part an allegory of France’s suffering under the Nazi occupation, as well as a timeless story of bravery and determination against the precariousness of human existence. In this fresh yet careful translation, award-winning translator Laura Marris breathes new life into Albert Camus’s ever-resonant tale. Restoring the restrained lyricism of the original French text, and liberating it from the archaisms and assumptions of the previous English translation, Marris grants English readers the closest access we have ever had to the meaning and searing beauty of The Plague.

This updated edition promises to add relevance and urgency to a classic novel of twentieth-century literature.

https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21840318110002771

Quiet Places: Collected Essays

A career-spanning collection of essays by Nobel laureate Peter Handke, featuring two new works never before published in English

Quiet Places brings together Peter Handke’s forays into the border regions of life and story, upending the distinction between literature and the literary essay. Proceeding from the specificity of place (the mountains of Carinthia and Spain, the hinterlands of Paris) to specific objects (the jukebox, the boletus mushroom) to the irreducible particularity of our moods and mental impressions, these works—each a novella in its own right—offer rare insight into the affinities that can develop between a storyteller and the unlikeliest of subjects. Here, Handke posits a reevaluation of the possibilities and proper concerns of literature in a style unmistakably his own.

This collection unites the three essays from The Jukebox with two new works: “Essay on a Mushroom Maniac,” the story of a friend’s descent to and ascent from the depths of obsession, and “Essay on Quiet Places,” a memoiristic tour d’horizon of bathrooms and their place in Handke’s life and work. Featuring masterful translations by Krishna Winston and Ralph Manheim, this collection encapsulates the oeuvre of one of our greatest living writers.

https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21848092940002771

Harrow: A Novel

In her first novel since the Pulitzer Prize–nominated The Quick and the Dead,the legendary writer takes us into an uncertain landscape after an environmental apocalypse, a world in which only the man-made has value, but some still wish to salvage the authentic.

“She practices … camouflage, except that instead of adapting to its environment, Williams’s imagination, by remaining true to itself, reveals new colorations in the ecology around her.” —A.O. Scott, The New York Times Book Review

Khristen is a teenager who,her mother believes, was marked by greatness as a baby when she died for a moment and then came back to life. After Khristen’s failing boarding school for gifted teens closes its doors, and she finds that her mother has disappeared, she ranges across the dead landscape and washes up at a “resort” on the shores of a mysterious, putrid lake the elderly residents there call “Big Girl.”

In a rotting honeycomb of rooms, these old ones plot actions to punish corporations and people they consider culpable in the destruction of the final scraps of nature’s beauty. What will Khristen and Jeffrey, the precocious ten-year-old boy she meets there, learn from this “gabby seditious lot, in the worst of health but with kamikaze hearts, an army of the aged and ill, determined to refresh, through crackpot violence, a plundered earth”?

Rivetingly strange and beautiful, and delivered with Williams’s searing, deadpan wit, Harrow is their intertwined tale of paradise lost and of their reasons—against all reasonableness—to try and recover something of it.

https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21844003720002771

A Passage North: A Novel

A Passage North begins with a message from out of the blue: a telephone call informing Krishan that his grandmother’s caretaker, Rani, has died under unexpected circumstances—found at the bottom of a well in her village in the north, her neck broken by the fall. The news arrives on the heels of an email from Anjum, an impassioned yet aloof activist Krishnan fell in love with years before while living in Delhi, stirring old memories and desires from a world he left behind.

As Krishan makes the long journey by train from Colombo into the war-torn Northern Province for Rani’s funeral, so begins an astonishing passage into the innermost reaches of a country. At once a powerful meditation on absence and longing, as well as an unsparing account of the legacy of Sri Lanka’s thirty-year civil war, this procession to a pyre “at the end of the earth” lays bare the imprints of an island’s past, the unattainable distances between who we are and what we seek.

Written with precision and grace, Anuk Arudpragasam’s masterful novel is an attempt to come to terms with life in the wake of devastation, and a poignant memorial for those lost and those still living.

https://search.lib.uiowa.edu/permalink/f/18gddib/TN_cdi_crossref_primary_10_1353_wlt_2022_0069

Sorrowland: A Novel

Named a Best Book of 2021 by NPR, The New York Public Library, Publishers Weekly and more!

A triumphant, genre-bending breakout novel from one of the boldest new voices in contemporary fiction.

Vern—seven months pregnant and desperate to escape the strict religious compound where she was raised—flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world.

But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.

To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future—outside the woods. Finding the truth will mean uncovering the secrets of the compound she fled but also the violent history in America that produced it.

Rivers Solomon’s Sorrowland is a genre-bending work of Gothic fiction. Here, monsters aren’t just individuals, but entire nations. It is a searing, seminal book that marks the arrival of a bold, unignorable voice in American fiction.

https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21847636100002771

Not Everybody Lives The Same Way: A Novel

Paul Hansen is in prison. He’s been in this prison on the outskirts of Montreal for a couple of years now, sharing a cell with a murderous Hells Angel who often reminds Paul that he could kill him at any moment. What did Paul do to end up here? And why does he jeopardize his life and release by refusing to show remorse?

Before prison, there were his parents. There were his friends at the Excelsior, the luxury apartment complex where Paul worked as caretaker as well as restorer of souls and comforter of the afflicted. And there was his partner, Winona, an intrepid seaplane pilot, and their beloved dog, Nouk. Many of those closest to him are gone now, but Paul still talks to them; they appear in his dreams and as ghosts in his cell.

From France in the sixties to the asbestos mines of Québec, from the sand dunes of the peninsula where the Baltic connects to the North Sea to the wild lakes and mountains of Canada, Jean-Paul Dubois’s extraordinary novel and winner of the Prix Goncourt Not Everybody Lives the Same Way, follows this man, Paul Hansen, as he reviews his life. A life of equilibrium, it has given Paul both tragedy and gifts––that is, until the moment when fate presents him with someone capable of breaking his balance. Not Everybody Lives the Same Way is a powerfully original and unusual novel. Masterfully translated by David Homel and brilliantly animated by Jean-Paul Dubois’s keen feeling for humanity and intense revolt against all forms of injustice, it asks the question: What does it takes to live a dignified life?

https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21847173120002771

Welcome to the University of Iowa Libraries’ virtual New Book Shelf. Here we will present new titles for you to browse and check out. Titles listed here will be monographs published in the current year. If you see a title you would like to borrow, please click the link below the book’s summary and sign in with your Hawk ID and Password to request a loan.

THINGS THEY LOST

Named a Most Anticipated Book by Vogue and Vulture.

“Alternately whimsical, sweet, and dark,” this astonishing debut novel about a lonely girl waiting for her mother “brim[s] with uncompromisingly African magical realism” (New York Times).

Ayosa is a wandering spirit—joyous, exuberant, filled to the brim with longing. Her only companions in her grandmother’s crumbling house are as lonely as Ayosa herself: the ghostly Fatumas, whose eyes are the size of bay windows, who teach her to dance and wail at the death news; the Jolly-Annas, cruel birds who cover their solitude with spiteful laughter; the milkman, who never greets Ayosa and whose milk tastes of mud; and Sindano, the kind owner of a café no one ever visits. Unexpectedly, miraculously, one day Ayosa finds a friend. Yet she is always fixed on her beautiful mama, Nabumbo Promise: a mysterious and aloof photographer, she comes and goes as she pleases, with no apology or warning.

Set at the intersection of the spirit world and the human one, Things They Lost sets out a rich and magical vision of “girlhood as a time of complexity, laced with unparalleled creativity and expansion” (Vogue). Heartbreaking, elegant, and written in “giddily exuberant prose” (Financial Times), it’s a story about connection, coming-of-age, and the dizzying dualities of love at its most intoxicating and all-encompassing.

THE HARD CROWD

From a writer celebrated for her “chops, ambition, and killer instinct” (John Powers, Fresh Air), a career-spanning collection of spectacular essays about politics and culture.

Rachel Kushner has established herself as “the most vital and interesting American novelist working today” (The Millions) and as a master of the essay form. In The Hard Crowd, she gathers a selection of her writing from over the course of the last twenty years that addresses the most pressing political, artistic, and cultural issues of our times—and illuminates the themes and real-life experiences that inform her fiction.

In 20 razor-sharp essays, The Hard Crowd spans literary journalism, memoir, cultural criticism, and writing about art and literature, including pieces on Jeff Koons, Denis Johnson, and Marguerite Duras. Kushner takes us on a journey through a Palestinian refugee camp, an illegal motorcycle race down the Baja Peninsula, 1970s wildcat strikes in Fiat factories, her love of classic cars, and her young life in the music scene of her hometown, San Francisco. The closing, eponymous essay is her manifesto on nostalgia, doom, and writing.

These pieces, new and old, are electric, vivid, and wry, and they provide an opportunity to witness the evolution and range of one of our most dazzling and fearless writers. “Kushner writes with startling detail, imagination, and gallows humor,” said Leah Greenblatt in Entertainment Weekly, and, from Paula McLain in the Wall Street Journal: “The authority and precision of Kushner’s writing is impressive, but it’s the gorgeous ferocity that will stick with me.”

THE FIVE WOUNDS

The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times).

It’s Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path.

Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to.

Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.

AMERICAN GOSPEL

Radically personal and quintessentially American, an intimate drama at the heart of an apocalyptic vision.

On a small farm beside a lake in Minnesota’s north woods an old man is waiting for the Rapture, which God has told him will happen in two weeks, on August 19, 1974. When word gets out, Last Days Ranch becomes ground zero for The End, drawing zealots, curiosity seekers, and reporters—among them the prophet’s son, a skeptical New York writer suddenly caught between his overbearing father and the news story of a lifetime. Into the mix comes Melanie Magnus, a glamorous actress who has old allegiances to both father and son. Meanwhile, Nixon’s resignation has transfixed the nation.

Writing with clear compassion and gentle wit, Lin Enger draws us into these disparate yet inextricably linked lives, each enacting a part in a drama forever being replayed and together moving toward a conclusion that will take all of them—and us—by surprise. Set during a time that resonates with our own tension-filled moment, American Gospel cuts close to the battles occurring within ourselves and for the soul of the nation, and in doing so radiates light on a dark strain in America’s psyche, when the false security of dogma competes with the risky tumult of freedom.

AN ORDINARY WONDER

An extraordinary literary debut about a Nigerian boy’s secret intersex identity and his desire to live as a girl.

Oto leaves for boarding school with one plan: excel and escape his cruel home. Falling in love with his roommate was certainly not on the agenda, but fear and shame force him to hide his love and true self.

Back home, weighed down by the expectations of their wealthy and powerful family, the love of Oto’s twin sister wavers and, as their world begins to crumble around them, Oto must make drastic choices that will alter the family’s lives for ever.

Richly imagined with art, proverbs and folk tales, this moving and modern novel follows Oto through life at home and at boarding school in Nigeria, through the heartbreak of living as a boy despite their profound belief they are a girl, and through a hunger for freedom that only a new life in the United States can offer.

An Ordinary Wonder is a powerful coming-of-age story that explores complex desires as well as challenges of family, identity, gender, and culture, and what it means to feel whole.

I LOVE YOU BUT I’VE CHOSEN DARKNESS

A darkly funny, soul-rending novel of love in an epoch of collapse—one woman’s furious revisiting of family, marriage, work, sex, and motherhood.

Since my baby was born, I have been able to laugh and see the funny side of things. a) As much as I ever did. b) Not quite as much now. c) Not so much now. d) Not at all. Leaving behind her husband and their baby daughter, a writer gets on a flight for a speaking engagement in Reno, not carrying much besides a breast pump and a spiraling case of postpartum depression. Her temporary escape from domestic duties and an opportunity to reconnect with old friends mutates into an extended romp away from the confines of marriage and motherhood, and a seemingly bottomless descent into the past. Deep in the Mojave Desert where she grew up, she meets her ghosts at every turn: the first love whose self-destruction still haunts her; her father, a member of the most famous cult in American history; her mother, whose native spark gutters with every passing year. She can’t go back in time to make any of it right, but what exactly is her way forward? Alone in the wilderness, at last she begins to make herself at home in the world.

Bold, tender, and often hilarious, I Love You but I’ve Chosen Darkness reaffirms Watkins as one of the signal writers of our time.

MONARCH

The cryptic worlds of Hanna and Stranger Things mingle with the dark humor of Dare Me in this debut novel about a teen beauty queen who discovers she’s been a sleeper agent in a deep-state government program.

After waking up with a strange taste in her mouth and mysterious bruises, former child pageant star Jessica Clink unwittingly begins an investigation into a nefarious deep state underworld. Equipped with the eccentric education of her father, Dr. Clink (a professor of Boredom Studies and the founder of an elite study group known as the Devil’s Workshop), Jessica uncovers a disquieting connection between her former life as a beauty queen and an offshoot of Project MKUltra known as MONARCH.

As Jessica moves closer to the truth, she begins to suspect the involvement of everyone around her, including her own mother, Grethe (a Norwegian pageant queen turned occult American wellness guru for suburban housewives). With the help of Christine (her black-lipsticked riot grrrl babysitter and confidante), Jessica sets out to take down Project MONARCH. More importantly, she must discover if her first love, fellow teen queen Veronica Marshall, was genuine or yet another deep state plant.

Merging iconic true crime stories of the ’90s (Lorena Bobbitt, Nicole Brown Simpson, and JonBenét Ramsey) with theories of human consciousness, folklore, and a perennial cultural fixation with dead girls, MONARCH questions the shadow sides of self-concept: Who are you if you don’t know yourself?

Savage Journey: Hunter S. Thompson and the Weird Road to Gonzo

A superbly crafted study of Hunter S. Thompson’s literary formation, achievement, and continuing relevance.

Savage Journey is a “supremely crafted” study of Hunter S. Thompson’s literary formation and achievement. Focusing on Thompson’s influences, development, and unique model of authorship, Savage Journey argues that his literary formation was largely a San Francisco story. During the 1960s, Thompson rode with the Hell’s Angels, explored the San Francisco counterculture, and met talented editors who shared his dissatisfaction with mainstream journalism. Peter Richardson traces Thompson’s transition during this time from New Journalist to cofounder of Gonzo journalism. He also endorses Thompson’s later claim that he was one of the best writers using the English language as both a musical instrument and a political weapon. Although Thompson’s political commentary was often hyperbolic, Richardson shows that much of it was also prophetic.

Fifty years after the publication of Fear and Loathing in Las Vegas, and more than a decade after his death, Thompson’s celebrity continues to obscure his literary achievement. This book refocuses our understanding of that achievement by mapping Thompson’s influences, probing the development of his signature style, and tracing the reception of his major works. It concludes that Thompson was not only a gifted journalist, satirist, and media critic, but also the most distinctive American voice in the second half of the twentieth century.

THE PULL OF THE STARS

In The Pull of the Stars, Emma Donoghue once again finds the light in the darkness in this new classic of hope and survival against all odds.

In an Ireland doubly ravaged by war and disease, nurse Julia Power works at an understaffed hospital in the city center, where expectant mothers who have come down with the terrible new flu are quarantined together. Into Julia’s regimented world step two outsiders—Dr. Kathleen Lynn, a rumoured Rebel on the run from the police, and a young volunteer helper, Bridie Sweeney.

In the darkness and intensity of this tiny ward, over three days, these women change each other’s lives in unexpected ways. They lose patients to this baffling pandemic, but they also shepherd new life into a fearful world. With tireless tenderness and humanity, carers and mothers alike somehow do their impossible work.

THE LIVES OF LITERATURE

A passionate, wry, and personal book about how the greatest works of literature illuminate our lives.

Why do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature changes us by giving us intimate access to an astonishing variety of other lives, experiences, and places across the ages. Reflecting on a lifetime of reading, teaching, and writing, The Lives of Literature explores, with passion, humor, and whirring intellect, a professor’s life, the thrills and traps of teaching, and, most of all, the power of literature to lead us to a deeper understanding of ourselves and the worlds we inhabit.

As an identical twin, Weinstein experienced early the dislocation of being mistaken for another person—and of feeling that he might be someone other than he had thought. In vivid readings elucidating the classics of authors ranging from Sophocles to James Joyce and Toni Morrison, he explores what we learn by identifying with their protagonists, including those who, undone by wreckage and loss, discover that all their beliefs are illusions. Weinstein masterfully argues that literature’s knowing differs entirely from what one ends up knowing when studying mathematics or physics or even history: by entering these characters’ lives, readers acquire a unique form of knowledge—and come to understand its cost.

In The Lives of Literature, a master writer and teacher shares his love of the books that he has taught and been taught by, showing us that literature matters because we never stop discovering who we are.