Welcome to the University of Iowa Libraries’ virtual New Book Shelf. Here we will present new titles for you to browse and check out. Titles listed here will be monographs published in the current year. If you see a title you would like to borrow, please click the link below the item and sign in with your Hawk ID and Password to request a loan.
A timely and provocative novel about a mysterious Icelandic neo-Nazi and the enduring global allure of fascism.
In England in 1962, an Icelandic man is found dead on a train bound for Cheltenham Spa. In his possession, policemen find a map on which a swastika has been drawn with a red pen. Who was he, and where was he going?
In a novel that reads as both biography and mystery, the internationally celebrated novelist Sjón tells the story of Gunnar Kampen, the founder of Iceland’s antisemitic nationalist party, with ties to a burgeoning network of neo-Nazi groups across the globe. Told in a series of scenes and letters spanning Kampen’s lifetime—from his childhood in Reykjavík during the Second World War, in a household strongly opposed to Hitler and his views, through his education, political radicalization, and final clandestine mission to England—Red Milk urges readers to confront the international legacy of twentieth-century fascism and the often unknowable forces that drive some people to extremism.
Based on one of the ringleaders of a little-known neo-Nazi group that operated in Reykjavík in the late 1950s and early 1960s, this taut and potent novel explores what shapes a young man and the enduring, disturbing allure of Nazi ideology.
In a strangely distorted Paris, a Japanese adoptee is haunted by the woman he once loved
When Fumiko emerges after one month locked in her dorm room, she’s already dead, leaving a half-smoked Marlboro Light and a cupboard of petrified food in her wake. For her boyfriend, Henrik Blatand, an aspiring translator, these remnants are like clues, propelling him forward in a search for meaning. Meanwhile, Fumiko, or perhaps her doppelgänger, reappears: in line at the Louvre, on street corners and subway platforms, and on the dissection table of a group of medical students.
Henrik’s inquiry expands beyond Fumiko’s seclusion and death, across the absurd, entropic streets of Paris and the figures that wander them, from a jaded group of Korean expats, to an eccentric French widow, to the indelible woman whom Henrik finds sitting in his place on a train. It drives him into the shadowy corners of his past, where his adoptive Danish parents raised him in a house without mirrors. And it mounts to a charged intimacy shared with his best friend’s precocious daughter, who may be haunted herself.
David Hoon Kim’s debut is a transgressive, darkly comic novel of becoming lost and found in translation. With each successive, echoic chapter, Paris Is a Party, Paris Is a Ghost plunges us more deeply beneath the surface of things, to the displacement, exile, grief, and desire that hide in plain sight.
“Like Whitehead’s The Intuitionist, Alyssa Cole’s When No One Is Watching or Zakiya Dalila Harris’ The Other Black Girl, Reprieve straddles genres in the best possible way. . . . Sure to spark conversation and debate at book clubs across the land.” –LOS ANGELES TIMES
“An eventual American classic that is unrelenting in its beauty and incisive cultural critique.” – KIESE LAYMON
Recommended by New York Times • Los Angeles Times • NPR • Today • Esquire • O Quarterly • Boston Globe • Chicago Tribune • Harper’s Bazaar • Shondaland • Thrillist • The Millions • Crimereads • XTRA • Tor • Literary Hub • and more!
A chilling and blisteringly relevant literary novel of social horror centered around a brutal killing that takes place in a full-contact haunted escape room—a provocative exploration of capitalism, hate politics, racial fetishism, and our obsession with fear as entertainment.
On April 27, 1997, four contestants make it to the final cell of the Quigley House, a full-contact haunted escape room in Lincoln, Nebraska, made famous for its monstrosities, booby-traps, and ghoulishly costumed actors. If the group can endure these horrors without shouting the safe word, “reprieve,” they’ll win a substantial cash prize—a startling feat accomplished only by one other group in the house’s long history. But before they can complete the challenge, a man breaks into the cell and kills one of the contestants.
Those who were present on that fateful night lend their points of view: Kendra Brown, a teenager who’s been uprooted from her childhood home after the sudden loss of her father; Leonard Grandton, a desperate and impressionable hotel manager caught in a series of toxic entanglements; and Jaidee Charoensuk, a gay international student who came to the United States in a besotted search for his former English teacher. As each character’s journey unfurls and overlaps, deceit and misunderstandings fueled by obsession and prejudice are revealed, forcing all to reckon with the ways in which their beliefs and actions contributed to a horrifying catastrophe.
An astonishingly soulful exploration of complicity and masquerade, Reprieve combines the psychological tension of classic horror with searing social criticism to present an unsettling portrait of this tangled American life.
Finalist for the 2022 Los Angeles Times Book Prize in Fiction
Longlisted for the 2022 Story Prize
A New York Times Editors’ Choice pick
One of Literary Hub‘s Most Anticipated Books of 2021
Stories that capture our times by “a young author who has already established himself as a unique American voice” (Elle).
Said Sayrafiezadeh has been hailed by Philip Gourevitch as “a masterful storyteller working from deep in the American grain.” His new collection of stories―some of which have appeared in The New Yorker, the Paris Review, and the Best American Short Stories―is set in a contemporary America full of the kind of emotionally bruised characters familiar to readers of Denis Johnson and George Saunders. These are people contending with internal struggles―a son’s fractured relationship with his father, the death of a mother, the loss of a job, drug addiction―even as they are battered by larger, often invisible, economic, political, and racial forces of American society.
Searing, intimate, often slyly funny, and always marked by a deep imaginative sympathy, American Estrangement is a testament to our addled times. It will cement Sayrafiezadeh’s reputation as one of the essential twenty-first-century American writers.
A vibrant story collection about Cambodian-American life—immersive and comic, yet unsparing—that offers profound insight into the intimacy of queer and immigrant communities
Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian-Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.
A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle’s snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a “safe space” app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.
The stories in Afterparties, “powered by So’s skill with the telling detail, are like beams of wry, affectionate light, falling from different directions on a complicated, struggling, beloved American community” (George Saunders).
A PBS NewsHour Best Book of the Year
A Publishers Weekly Best Book of the Year in Nonfiction
A brilliant scholar imparts the lessons bequeathed by the Black community and its remarkable artists and thinkers.
Farah Jasmine Griffin has taken to her heart the phrase “read until you understand,” a line her father, who died when she was nine, wrote in a note to her. She has made it central to this book about love of the majestic power of words and love of the magnificence of Black life.
Griffin has spent years rooted in the culture of Black genius and the legacy of books that her father left her. A beloved professor, she has devoted herself to passing these works and their wisdom on to generations of students.
Here, she shares a lifetime of discoveries: the ideas that inspired the stunning oratory of Frederick Douglass and Malcolm X, the soulful music of Marvin Gaye and Stevie Wonder, the daring literature of Phillis Wheatley and Toni Morrison, the inventive artistry of Romare Bearden, and many more. Exploring these works through such themes as justice, rage, self-determination, beauty, joy, and mercy allows her to move from her aunt’s love of yellow roses to Gil Scott-Heron’s “Winter in America.”
Griffin entwines memoir, history, and art while she keeps her finger on the pulse of the present, asking us to grapple with the continuing struggle for Black freedom and the ongoing project that is American democracy. She challenges us to reckon with our commitment to all the nation’s inhabitants and our responsibilities to all humanity.
A book of loss, looking back, and what binds us to life, by a towering poetic talent, called “one of the poetry stars of his generation” (Los Angeles Times).
“We sleep long, / if not sound,” Kevin Young writes early on in this exquisite gathering of poems, “Till the end/ we sing / into the wind.” In scenes and settings that circle family and the generations in the American South–one poem, “Kith,” exploring that strange bedfellow of “kin”–the speaker and his young son wander among the stones of their ancestors. “Like heat he seeks them, / my son, thirsting / to learn those / he don’t know / are his dead.”
Whether it’s the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young’s home places and his dear departed, and to what of them—of us—poetry can save.
My name is Mickey Rowe. I am an actor, a theatre director, a father, and a husband. I am also a man with autism. You think those things don’t go together? Let me show you that they do.
Growing up, Mickey Rowe was told that he couldn’t enter the mainstream world. He was iced out by classmates and colleagues, infantilized by well-meaning theatre directors, barred from even earning a minimum wage. Why? Because he is autistic.
Fearlessly Different: An Autistic Actor’s Journey to Broadway’s Biggest Stage is Mickey Rowe’s story of growing up autistic and pushing beyond the restrictions of a special education classroom to shine on the stage. As an autistic and legally blind person, living in a society designed by and for non-disabled people, it was always made clear to Mickey the many things he was apparently incapable of doing. But Mickey did them all anyway—and he succeeded because of, not in spite of, his autism. He became the first autistic actor to play the lead role in the play The Curious Incident of the Dog in the Night-Time, landed the title role in the play Amadeus, co-created the theatre/philanthropy company Arts on the Waterfront, and founded the National Disability Theatre. Mickey faced untold obstacles along the way, but his story ends in triumph.
Many people feel they are locked out of the world of autism—that it’s impossible to even begin to understand. In Fearlessly Different, Mickey guides readers to that world while also helping those with autism to feel seen and understood. And he shows all people—autistic and non-autistic alike—that the things that make us different are often our biggest strengths.
In this New York Times bestselling novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman’s relentless errors.
Louise Erdrich’s latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store’s most annoying customer. Flora dies on All Souls’ Day, but she simply won’t leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading “with murderous attention,” must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.
The Sentence begins on All Souls’ Day 2019 and ends on All Souls’ Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written.
A call to arms from Empire magazine’s ‘geek queen’, Helen O’Hara, that explores women’s roles – both in front of and behind the camera – since the birth of Hollywood, how those roles are reflected within wider society and what we can do to level the playing field.
Hollywood was born just over a century ago, at a time of huge forward motion for women’s rights. With no rules in place to stop them, there were women who forged ahead in many areas of filmmaking. Yet, despite the work of early pioneers like Dorothy Arzner, Mabel Normand, Mary Pickford and Alice Guy-Blaché, it soon came to embody the same old sexist standards. Women found themselves fighting a system that fed on their talent, creativity and beauty but refused to pay them the same respect as their male contemporaries – until now . . .
The tide has finally begun to turn. A new generation of women, both in front of and behind the camera, are making waves in the industry and are now shaping some of the biggest films to hit our screens.
In Women vs Hollywood: The Fall and Rise of Women in Film, film critic Helen O’Hara takes a closer look at the pioneering and talented women of Hollywood and their work in film since Hollywood began. And in understanding how women were largely written out of Hollywood’s own origin story, and how the films we watch are put together, we can finally see how to put an end to a picture that is so deeply unequal – and discover a multitude of stories out there just waiting to be told.