Hands-on demonstrations of book arts, acting, fencing
18 September 1:00 – 4:00 pm
Main Library, North Plaza
Rain location: Just inside the Main Library’s north entrance
Free of charge, open to the public
All are welcome to attend this event filled with activities for all ages. Come celebrate the art of book making and other Shakespearean delights, featuring a lively cast of actors, artists, scholars, book makers, and fencers. Roll up your sleeves for book art fun with paper making, book binding, and more.In Shakespeare’s time, all books were made by hand. But that didn’t mean book craftspeople were slow. A team of 3 papermakers could make 2000 or more sheets in a day! Individuals and families are encouraged to come join us, have a chance to try various aspects of bookmaking, and take home a piece of paper, a printed sheet or a bound small book that you make yourself!
Papermaking—Form your own sheet of paper from wet pulp, press it, and take it with you to dry at home. Handouts will be provided for more information about papermaking history and how to make it at home.
Printing—Print a small keepsake on a hand press similar to the presses that were used in Shakespeare’s time. The printed impression will be a piece of Shakespeare’s writing, with a bit of background on the Bard.
Bookbinding—Bind a simple pamphlet structure, using xerox copied Shakespeare text, and a handmade paper cover. Requires basic sewing with a (dull!) darning needle.
Visitors are welcome to take part in one, two, or all three activities!
This past weekend, the Zine Librarian (un)Conference happened here in Iowa City! Amongst the lively discussions and seminars was a Historical Zine Making Technologies Workshop demonstrating and using obsolescent printing techniques including hectography, spirit duplication, and mimeography. You may be asking yourself, at this point, what the heck a hectograph is…and we’re here to show you. By the end of this post, you too, could be on your way to zine making madness!
First, a hectograph a.ka. a gelatin duplicator or jellygraph, is a smooth piece of gelatin used to make multiple prints off a single master sheet. We’ve got great examples in many of our zine collections, including, but not limited to the Hevelin collection.
Second, making and using is a hectograph is incredibly simple. The only difficulties I had in using this out-moded technology was locating a couple of the supplies. I recommend using internet shopping sites to track down the harder to find materials.
1 oz unflavored gelatin
6 oz liquid glycerin (sometimes in the first aid aisle of the drugstore or supermarket…most easily obtained online)
about 1.5 cups of water
a pan slightly larger than 8.5″ x 11″ – I used an aluminum disposable pan
non-thermal transfer sheets (can be obtained from a tattoo supplier online, also referred to as Spirit transfer sheets)
paper (of the plain white copier variety, but I encourage experimenting with other types of paper)
optional: transfer stencil pencils (also purchased from a tattoo supplier online)
Prior to beginning, pour the water over the gelatin and let it sit for a few hours (overnight is best)
Heat the glycerin over medium/low heat – it just needs to be hot enough to melt the soaked gelatin
Add the gelatin to the glycerin and gently stir until the gelatin is completely melted
The mixture you end up with should be transparent and slightly yellow in color.
Pour this mixture into the pan you want to print from – pour gently as to avoid making bubbles in the surface
Let the pan sit and cool for a couple of hours until the gelatin has solidified…I got antsy and put the pan in the refrigerator for 20 minutes, which did the trick…
Take your transfer paper and draw whatever you want to print on it with a firm hand and a hard stylus (a pen usually works). Make sure that your lines are being transferred to your master sheet. You can also use the transfer pencils to add designs directly to the master sheet.
Take your master sheet and place it FACE down on the solidified gelatin surface, making sure there are no bubbles and that there’s good contact between the gelatin and the master. Let the master sit for awhile – I read somewhere that 1 second of sitting for every copy you want to make is a good rule of thumb.
Pull up your master sheet slowly – sometimes it helps to fold up a corner when placing it down so you have a tab to pull it up from
You’re ready to print! Place your paper on the gelatin surface and rub the back, much like the master sheet. Pull the sheet up and voila – you should have a duplicate of your master!
Keep going until the prints get too light to read.
Look at this awesome gif that Colleen made of pulling up a print off the hectograph here.