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Storytime at Book Festival – 10:15 a.m.

The Iowa City Public Library’s Saturday morning storytime will be held on the Gibson Square Stage at the Iowa City Book Festival this week. It will start at 10:15 a.m. (which is earlier than it’s usual start time).

Join Debbie D and percussionist Sonny Lott for “Whoppers from Around the World” at the Iowa City Book Festival.

Storytime includes both shorter and longer stories combined with action games and activities.

Family Storytime is recommended for all ages, but parents are asked to sit with their younger children.

Corridor is Buzzing about the Miller Brothers

Identical twin brothers Logan and Noah Miller are part of the Shambaugh Author Series for the Iowa City Book Festival. They recently talked with Loren Keller at the Corridor Buzz.

http://corridorbuzz.com/articles/twin_filmmakers_trade_baseball_for_books.htm 

Logan and Noah will be presenting their film Touching Home  starring Ed Harris on Friday, July 17 at 10 p.m. and Saturday, July 18 at 4 p.m. in the Shambaugh Auditorium in the UI Main Library.

Both screenings are FREE and Open to the Public.

Five Million Volumes and Counting

The Biographical Dictionary of Iowa

The University of Iowa Libraries has reached 5 million volumes. It has been cataloged and shelved and is ready for eager minds to use. To wrap your brain around what 5 million books really represent, let’s think about them in concrete terms. If placed end to end, 5 million books could reach between Iowa City and San Francisco. Five million books translate to 1.67 books for each person in the state of Iowa (but only 1 book for every 3 hogs). In economic terms, at an average price of $60 per book, the UI Libraries’ collection has an estimated value of nearly a quarter of a billion dollars.

So what is the 5 millionth book, you may be wondering. To recognize the UI Libraries partnership with the University of Iowa Press and the anniversary of their 40th year, we’ve selected one of their recent publications: The Biographical Dictionary of Iowa, edited by David Hudson, Marvin Bergman and Loren Horton.

Written by an impressive team of more than 150 scholars and writers, the readable narratives include each subject’s name, birth and death dates, place of birth, education, career and contributions. Many of the names will be instantly recognizable to most Iowans; others are largely forgotten but deserve to be remembered. Beyond the distinctive lives and times captured in the individual biographies, readers of the dictionary will gain an appreciation for how the character of the state has been shaped by the character of the individuals who have inhabited it.

The UI Libraries has taken The Biographical Dictionary of Iowa digital – creating a fully searchable, easy-to-navigate interface you can access from anywhere (http://digital.lib.uiowa.edu/uipress/bdi).

UI Libraries acquires sci-fi fanzine collection; includes ‘Star Trek’ and ‘Star Wars’ pieces

The University of Iowa Libraries has announced the acquisition of the Mariellen (Ming) Wathne Fanzine Archive Collection. This large collection of some 3,000 science fiction fanzines is an important accumulation of fan-created work and a significant addition to the fanzine holdings of the University Libraries.

The Fanzine Archive Collection contains thousands of fanzines focused on popular media properties such as “Star Trek” and “Star Wars.” Those related to “Star Wars” were originally collected by Lucasfilm Ltd., producer of the Star Wars series. This collection was offered back to fans in the 1990s, and a California fan named Mariellen Wathne accepted it and began a lending library to distribute ‘zines among fans. In addition to “Star Wars” fanzines, there are also many fanzines related to “Star Trek,” including some of the most important early pieces.

Since the 1960s, when television series such as “The Man From U.N.C.L.E.” and “Star Trek” cultivated large followings, fans have produced their own publications developing stories involving their favorite characters. These fanzines provide a unique perspective on participatory culture—rather than passively consuming media, fans actively interacted with it and developed complex spin-off works that were distributed at conventions and through the mail, says Greg Prickman, assistant head of Special Collections at the UI Libraries.

“In many ways, fan culture pre-dates and anticipates our modern remix mash-up internet culture,” said Prickman. “And there is a great deal of scholarly interest in this type of activity today. “

The collection was acquired with the help of the Organization for Transformative Works (OTW), a non-profit advocacy group dedicated to preserving and protecting works created by media science fiction fans. As part of a concerted effort to collect fanzines and other artifacts of fandom, the University Libraries has established a joint effort with the OTW called the Fan Culture Preservation Project. The Libraries and the OTW will work together to identify important collections and bring them to the UI.

These fanzine collections help make the UI Libraries one of the country’s leading research centers for the study of 20th-century popular culture, adding to important collections documenting filmmaking, vaudeville and theatre, underground art, independent music, and science fiction fandom.

Iowa City Book Festival Receives Humanities Iowa Grant

The University of Iowa Libraries was awarded $5,000 for the Iowa City Book Festival by Humanities Iowa, the state affiliate of the National Endowment for the Humanities

The grant was one of 17 totaling more than $160,000 awarded at the recent HI board meeting in Ames.

The Iowa City Book Festival will be a daylong celebration of books, reading and writing. The festival also is a celebration of the five millionth volume purchased by the UI Libraries as well as the 40th anniversary of the UI Press. Kristi Bontrager, the library’s public relations coordinator, said it also is a way to thank the public for their help moving books during last summer’s flood.

“It brought back the idea that books are an important part of people’s lives,” Bontrager said. “We saw this as a way to create a dialogue between writers and readers.”

The festival will include workshops on starting a writer’s group, and finding book discussion groups.  There will also be food and music and activities for children.

“The Iowa City Book Festival brings together everything that makes our community so refreshing in summertime: books, reading, writing and sweet corn,” said Holly Carver, the editor at UI Press. “As we celebrate the 40th anniversary of the University of Iowa Press, we are delighted to be part of this first-but-not-last annual festival.”

The festival will also include book vendors and book arts demonstrations as well a program by Iowa’s poet laureates, Mary Swander, Robert Dana and Marvin Bell. There also will be a presentation by the editors of “The Biographical Dictionary of Iowa,” David Hudson, Marvin Bergman and Loren Horton; and a keynote address by “The Oxford Project” creators Peter Feldstein and Steven Bloom.

Other programs to promote literacy include workshops on adult literacy, starting up a writer’s group, finding a book discussion group, library research for writers and writing a literary blog among others.

“Books are one of the things that makes Iowa City a special place,” said HI executive director Christopher Rossi. “The Iowa City Book Festival is a great way to celebrate that heritage while also promoting the literary arts.”

Nancy Baker, university librarian for the University of Iowa Libraries, said the book festival should help fill a “cultural gap” in the community.

“We noticed that a book festival was missing from the landscape of our City of Literature,” Baker said. “The Iowa City Book Festival will be a place that brings all kinds of writers, readers and book-lovers together in conversation. With the help of Humanities Iowa and our other partners, we hope to make the Iowa City Book Festival an annual tradition.”

To learn more about the Iowa City Book Festival, check the website www.iowacitybookfestival.org.

‘Animal, Vegetable, Miracle’ selected for One Community, One Book

“Animal, Vegetable, Miracle: A Year in Food Life” by Barbara Kingsolver, with Steven L. Hopp and Camille Kingsolver, is the 2009 selection for “One Community, One Book.”

The project promotes insights on human rights in the United States and across the globe and is coordinated by the University of Iowa Center for Human Rights (UICHR) in conjunction with other sponsoring organizations from Johnson County and the UI.

The goal of the project is to encourage people to read and discuss the selected book in order to develop a greater community awareness of human rights issues locally, nationally and internationally.

“Animal, Vegetable, Miracle” tells the story of how Kingsolver and her family for one year deliberately ate food produced in the place where they live. Kingsolver wrote the central narrative, and her husband, Steven Hopp, wrote in-depth sidebars about various aspects of food-production science and industry. Kingsolver’s 19-year-old daughter, Camille, wrote brief essays on the local-food project, plus nutritional information, meal plans and recipes.

“Although this does not sound like our typical human-rights themed book, this book acknowledges that there is a right to adequate food for all humans, that not everyone can afford to make these kinds of food choices and that climate change can diminish the ability to grow food,” said Joan Nashelsky, UICHR project assistant and One Community, One Book co-organizer. “With strong local interest in sustainable agriculture, the effects of climate change on agriculture, the local food movement and the ECO Iowa City grant administered by the Iowa City Public Library and the City of Iowa City Public Works Division, the time seems right for a book with broader human rights issues close to home.”

Nashelsky coordinates the project with volunteer Pat Schnack. ECO Iowa City is a grant-funded initiative to improve environmental sustainability in Iowa City.

Kingsolver’s 12 books of fiction, poetry and creative nonfiction include the novels “The Bean Trees” and “The Poisonwood Bible.” Translated into 19 languages, her work has won a devoted worldwide readership and many awards, including the National Humanities Medal.

Hopp teaches environmental studies at Emory and Henry College and conducts research in bioacoustics and the natural history of vireos, a group of small to medium-sized perching birds.

Camille Kingsolver attends Duke University, where she studies biology, anatomy and dance.

The “One Community, One Book” project will run from mid-September through mid-November. Teachers, students, librarians, book groups and others are encouraged to participate. By announcing the selection now, the project sponsors hope to allow time for groups to read the book and participate in fall community discussion forums, and for teachers to plan classroom discussions around the book.

In addition to UICHR, past project sponsors have included the UI International Writing Program, Prairie Lights Books, the UI Libraries, Iowa City Public Library, Coralville Public Library, North Liberty Community Library, Hancher Auditorium, Hills Bank & Trust Company, Iowa Book LLC, Iowa City Human Rights Commission, Solon Public Library, UI Charter Committee on Human Rights, UI Department of English, the Iowa Writers’ Workshop, UI Department of History, UI International Programs and University Book Store. Iowa City High School and West High School have also participated.

For more information, contact UICHR at 319-335-3900 or uichr@uiowa.edu.

StoryCorps project preserves personal stories from historic flood

The devastating flood that hit Iowa last summer made headlines around the state, nation and world. Yet many stories would be lost if not preserved – or worse, simply remain untold. Through the national StoryCorps Project, 24 of these stories can be heard through the Iowa Digital Library.

University of Iowa Libraries, along with university and community partners, invited the national StoryCorps Project to collect and preserve stories of everyday heroism and kindness in a program titled, “Under the Current: Collecting Stories from the Flood.” All of the interviews are available in their entirety online in the Iowa Digital Library at digital.lib.uiowa.edu/flood. Each interview runs 30-45 minutes long.

University Librarian Nancy L. Baker, along with the libraries’ public relations coordinator, Kristi Bontrager, thought first-person storytelling would be an ideal way to preserve flood memories.

“The mission of libraries, particularly academic research libraries, is to preserve the heritage, history, and thoughts of a community, to mark these events and provide some way to preserve them,” Baker said. Baker knew that as time passed and memory faded, the stories of what actually happened would also fade. She knew, too, that the stories people had to tell of their flood experiences could provide valuable information for historical research.

“The idea came from the Iowa Women’s Archives, which has a terrific collection of oral histories,” Bontrager said. “This information can be used by any number of people in any number of ways.”

Baker and Bontrager invited StoryCorps to campus. StoryCorps, a nonprofit organization whose mission is to “honor and celebrate one another’s lives through listening,” preserves tales of everyday life, as well as those that focus on a specific theme. Its work is heard frequently on National Public Radio. In their three days in Iowa City, StoryCorps staff not only recorded flood stories, but also served as mentors and models for students who continued recording the stories after StoryCorps left town. The students were in a class taught by Nanette Barkey, assistant professor of anthropology in the College of Liberal Arts and Sciences, and assistant professor in the Department of Community and Behavioral Health.

Bontrager enlisted a number of people around campus and the community to encourage locals to come and tell their stories.

“We solicited stories from UI president Sally Mason and Iowa City Mayor Regenia Bailey, because they played such big roles,” she said. “But because much of their story had been covered in the media, we also wanted to include other stories that weren’t documented and might have been lost.”

Two UI staff members who together shared their flood memories are Ken Schumacher and Chuck Swanson, both employees of the hard-hit Hancher Auditorium.

“I agreed to do it because there were so many stories to tell,” said Swanson, executive director of Hancher. “Our memories seemed so vivid at the time and yet you don’t always remember the things you wish you’d remembered. This was a historic event, particularly for the university.”

Schumacher, Hancher’s production manager, described the recording experience as “calm.”

“We were in a room with a facilitator and a tape recorder and she didn’t interrupt us unless we got off topic,” he said. “They did a good job of making it comfortable for people to sit and improvise. It was a sort of stream-of-consciousness study. Each of us talked about our unique experience of the flood and how it affected us. I thought about it beforehand but didn’t prepare anything. My only worry was that I was afraid I’d forget something important.”

Both men recall the intense emotions that accompanied the flood. Schumacher remembers the helpless feeling of standing on the hillside by Parklawn watching the flood’s progress and the frustration of knowing he was losing the equipment that enabled him to do his work. Swanson remembers the contrast of the horror of the flood and the warmth of the calls of condolence and offers of help from artists and friends. Despite the difficulty of dredging up these emotions, both men are glad they participated in StoryCorps.

“It’s good to take a look at things when you’ve calmed down and your eyes are dry,” said Schumacher. “If you don’t preserve things that have significance, they will dribble away. The flood will always be a part of us and we need to remember it, especially if we’re building a new building.”

Added Swanson, “It was healthy to talk about the experiences that shaped those days and weeks—it forced me to put my thoughts together. And down the road, when we’re no longer around, you never know how people might use these stories.”

Other interviews in the Iowa Digital Library include a father and teenage son whose home on Taft Speedway in Iowa City was flooded in 1993 and again in 2008; a vice president of a local bank who talked about the bank maintained security and retrieved customers belongings during the flood; and newlyweds who talk about the rollercoaster of rescheduling a wedding in Iowa City that was originally set to take place the weekend of the flood.

For more information about StoryCorps, visit www.storycorps.org

UI Libraries Digitizes Collection of Historic Musical Scores

More than 250 years after his birth, a notable collection of musical scores by French composer and music publisher Ignaz Pleyel (1757-1831) can now be found online. The Rita Benton Music Library at the University of Iowa is pleased to announce this release of the Ignaz Pleyel Early Editions Digital Collection, which is located at http://digital.lib.uiowa.edu/pleyel.

This collection of nearly 250 early printed and manuscript scores represents in entirety the music library’s holdings of the work of this single composer. It consists primarily of keyboard and chamber music, including arrangements of large orchestral works. Also included in the collection are songs with keyboard accompaniment and method books providing instruction in certain instruments. Pleyel was a contemporary of more famous composers Wolfgang Amadeus Mozart (1756-1791) and Ludwig van Beethoven (1770-1827); he also apprenticed with Franz Joseph Haydn (1732-1809) early in his career.

Most of the scores were published between 1780 and 1810, and many were issued by Pleyel’s own publishing house. These materials provide insight into publishing practices common in late 18th- and early 19th-century Europe, when engraving began replacing both letterpress printing and manuscript copying. Also, increase in travel across borders caused musical styles to become more international and publishers began to print music outside of its country of origin.

The physical collection was assembled by the late Dr. Rita Benton, noted Pleyel scholar and former Head of the Music Library at the University of Iowa. The Music Library was named in her honor in 1980. “The Rita Benton Music Library has provided access to the Pleyel materials to scholars and performers around the world for a number of years,” says Ruthann McTyre, Head of the Music Library. “We are proud to offer digital access to the collection. Allowing individuals to have these materials virtually at their fingertips is a fitting way to honor Dr. Benton’s devotion to musical scholarship and preservation of this composer’s work.”

This collection is one of many in the Iowa Digital Library (http://digital.lib.uiowa.edu/), which contains more than 250,000 digital photographs, maps, sound recordings, and documents from libraries and archives at the University of Iowa and their partnering institutions.