Welcome to the University of Iowa Libraries’ virtual New Book Shelf. Here we will present new titles for you to browse and check out. Titles listed here will be monographs published in the current year. If you see a title you would like to borrow, please click the link below the item and sign in with your Hawk ID and Password to request a loan.
Rhyme’s Rooms: The Architecture of Poetry
We treasure our greatest poetry, Brad Leithauser reminds us in these pages, “not for its what but its how.” In chapters on everything from iambic pentameter to how stanzas are put together to “rhyme and the way we really talk,” Leithauser takes a deep dive into that how—the very architecture of poetry. He explains how meter and rhyme work in fruitful opposition (“Meter is prospective; rhyme is retrospective”); how the weirdnesses of spelling in English are a boon to the poet; why an off rhyme will often succeed where a perfect rhyme would not; why Shakespeare and Frost can sound so similar, despite the centuries separating them. And Leithauser is just as likely to invoke Cole Porter, Stephen Sondheim, or Boz Scaggs as he is Chaucer or Milton, Bishop or Swenson, providing enlightening play-by-plays of their memorable lines.
Hereis both an indispensable learning tool and a delightful journey into the art of the poem—a chance for new poets and readers of poetry to grasp the fundamentals, and for experienced poets and readers to rediscover excellent works in all their fascinating detail.
Portions of this book have appeared in The New Yorker, The New York Times, and The New York Review of Books.
https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21847654380002771
Adrian C. Louis’s previously unpublished early novel has given us “the unsayable said” of the Native American reservation. A realistic look at reservation life, The Ghost Dancers explores—very candidly—many issues, including tribal differences, “urban Indians” versus “rez Indians,” relationships among Blacks, Whites, and Indians, police tactics on and off the rez, pipe ceremonies and sweat-lodge ceremonies, alcoholism and violence on the rez, visitations of the supernatural, poetry and popular music, the Sixties and the Vietnam War, the aims and responsibilities of journalism, and, most prominently, interracial sexual relationships. Readers familiar with Louis’s life and other works will note interesting connections between the protagonist, Bean, and Louis himself, as well as a connection between The Ghost Dancers and other Louis writings—especially his sensational novel Skins.
It’s 1988, and Lyman “Bean” Wilson, a Nevada Indian and middle-aged professor of journalism at Lakota University in South Dakota, is reassessing his life. Although Bean is the great-grandson of Wovoka, the Paiute leader who initiated the Ghost Dance religion, he is not a full-blood Indian and he endures the scorn of the Pine Ridge Sioux, whose definition of Indian identity is much narrower. A man with many flaws, Bean wrestles with his own worst urges, his usually ineffectual efforts to help his family, and his determination to establish his identity as an Indian. The result is a string of family reconnections, sexual adventures, crises at work, pipe and sweat-lodge ceremonies, and—through his membership in the secret Ghost Dancers Society—political activism, culminating in a successful plot to blow the nose off George Washington’s face on Mount Rushmore.
Quintessentially Louis, this raw, angry, at times comical, at times heartbreaking novel provides an unflinching look at reservation life and serves as an unyielding tribute to a generation without many choices.
https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21847651350002771
Though a tireless explorer of distant cultures, Cees Nooteboom has been returning for more than forty years to the Spanish island of Menorca. It is in his house on this “island of the wind,” with a study full of books and a garden taken over by cacti and many insects, that the 533 days of writing take place. The result is neither a diary nor a set of movements of the soul organized by dates but rather a “book of days,” with Nooteboom’s observations about what is immediately around him, his love for Menorca, and his thoughts on the world, on life and death, on literature and oblivion. Every impression opens windows onto vast horizons: The Divine Comedy and the books it generated, Borges’s contempt for Gombrowicz, the death of David Bowie, the endless flight of the Voyagers, the repetition of history as tragedy but never as farce. Nooteboom resists the noise of current events yet he must return to them several times, skeptically contemplating the threat of a disintegrating Europe. Reading 533 Days is like having a conversation with an extraordinary mind.
https://search.lib.uiowa.edu/permalink/f/18gddib/TN_cdi_proquest_journals_212307520
What Storm, What Thunder
At the end of a long, sweltering day, as markets and businesses begin to close for the evening, an earthquake of 7.0 magnitude shakes the capital of Haiti, Port-au-Prince.
Award-winning author Myriam J. A. Chancy masterfully charts the inner lives of the characters affected by the disaster——Richard, an expat and wealthy water-bottling executive with a secret daughter; the daughter, Anne, an architect who drafts affordable housing structures for a global NGO; a small-time drug trafficker, Leopold, who pines for a beautiful call girl; Sonia and her business partner, Dieudonné, who are followed by a man they believe is the vodou spirit of death; Didier, an emigrant musician who drives a taxi in Boston; Sara, a mother haunted by the ghosts of her children in an IDP camp; her husband, Olivier, an accountant forced to abandon the wife he loves; their son, Jonas, who haunts them both; and Ma Lou, the old woman selling produce in the market who remembers them all. Artfully weaving together these lives, this gripping story gives witness to the desolation wreaked by nature and by man.
Brilliantly crafted, fiercely imagined, and deeply haunting, What Storm, What Thunder is a singular, stunning record, a reckoning of the heartbreaking trauma of disaster, and——at the same time——an unforgettable testimony to the tenacity of the human spirit.
https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21847585510002771
Costume design is a crucial, but frequently overlooked, aspect of film that fosters an appreciation of the diverse ways in which film and fashion enrich each other. These influential industries offer representations of ideas, values, and beliefs that shape and construct cultural identities. In Fashioning Spanish Cinema, Jorge Pérez analyses the use of clothing and fashion as costumes within Spanish cinema, paying particular attention to the significance of those costumes in relation to the visual styles and the narratives of the films. The author examines the links between costume analysis and other fields and theoretical frameworks such as fashion studies, the history of dress, celebrity studies, and gender and feminist studies.
Fashioning Spanish Cinema looks at instances in which costumes are essential to shaping the public image of stars, such as Conchita Montenegro, Sara Montiel, Victoria Abril, and Penélope Cruz. Focusing on examples in which costumes have discursive autonomy, it explores how costumes engage with broader issues of identity and, relatedly, how costumes impact everyday practices and fashion trends beyond cinema. Drawing on case studies from multiple periods, films by contemporary directors and genres, and red-carpet events such as the Oscars and Goya Awards, Fashioning Spanish Cinema contributes a pivotal Spanish perspective to expanding interdisciplinary work on the intersections between film and fashion.
https://search.lib.uiowa.edu/permalink/f/18gddib/TN_cdi_crossref_primary_10_1353_hsf_2022_0019
Triumph Over Containment: American Films in the 1950’s
The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences.
Triumph Over Containment offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture.
This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.
https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21841061280002771
The Fugitivities
Like most recent college graduates, Jonah Winters is unsure of what’s next. A young black American raised in France and living in New York City, he tries on a couple of careers only to find that nothing feels right. And as Jonah struggles to envision his future, he feels pressured by his friends and family to put the struggles of his community before his search for self.
But then a chance encounter with an ex-NBA player with his own regrets, inspires Jonah to take his life into his own hands. Deciding to leave the country entirely, he sets off for Brazil. And as he makes and breaks friendships on the way, reflects on his past relationships, and learns to rely on himself, Jonah slowly forms an understanding of self, community, and freedom that is rarely afforded to young black men.
https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21847638120002771
Mother Daughter Widow Wife
Wendy Doe is a woman with no past and no future. Without any memory of who she is, she’s diagnosed with dissociative fugue, a temporary amnesia that could lift at any moment—or never at all—and invited by Dr. Benjamin Strauss to submit herself for experimental observation at his Meadowlark Institute for Memory Research. With few better options, Wendy feels she has no choice.
To Dr. Strauss, Wendy is a female body, subject to his investigation and control. To Strauss’s ambitious student, Lizzie Epstein, she’s an object of fascination, a mirror of Lizzie’s own desires, and an invitation to wonder: once a woman is untethered from all past and present obligations of womanhood, who is she allowed to become?
To Alice, the daughter she left behind, Wendy Doe is an absence so present it threatens to tear Alice’s world apart. Through their attempts to untangle Wendy’s identity—as well as her struggle to construct a new self—Wasserman has crafted an “artful meditation on memory and identity” (The New York Times Book Review) and a journey of discovery, reckoning, and reclamation. “A timely examination of memory, womanhood and power,” (Time) Mother Daughter Widow Wife will leave you “utterly riveted” (BuzzFeed).
https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21847654030002771
Year of Plagues: A Memoir of 2020
For acclaimed British-Guyanese writer Fred D’Aguiar, 2020 was a year of personal and global crisis. The world around him was shattered by the impact of the Covid-19 pandemic, Black Lives Matter protests erupted across the United States, California burned, and D’Aguiar was diagnosed with stage 4 cancer.
Year of Plagues is an intimate, multifaceted exploration of these seismic events. Combining personal reminiscence and philosophy, D’Aguiar confronts profound questions about the purpose of pursuing a life of writing and teaching in the face of overwhelming upheavals; the imaginative and artistic strategies a writer can bring to bear as his sense of self and community are severely tested; and the quest for strength and solace necessary to help forge a better future. Drawn from two cultural perspectives—his Caribbean upbringing and his American lifestyle—D’Aguiar’s beautiful and challenging memoir is a paean of resistance to despotic authority and life-threatening disease.
In his first work of nonfiction, D’Aguiar subverts the traditional memoir with highly charged language that shifts from the lyrical to the quotidian, from the metaphysical to the personal. While his experience could not be darker, its rendering is tinged with light and joy, captured in prose that unfolds in wonderful, unexpected ways. Both tender and ferocious, Year of Plagues is a harrowing yet uplifting genre-bending memoir of existence, protest, and survival.
https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21847653440002771
The Hummingbird
Marco Carrera is “the hummingbird,” a man with an almost supernatural ability to remain still amid the chaos of an ever-changing world. Though his life is rife with emotional challenges—suffering the death of his sister and the absence of his brother; caring for his elderly parents; raising his granddaughter when her mother, Marco’s own child, is no longer capable; loving an enigmatic woman—Marco carries on with a noble stoicism that belies an intensity for living. As the years pass and the arc of his life bends, Marco finds himself filled with joy for the future as the baton passes from him to the next generation.
A beautiful and compelling journey through time told in myriad narrative styles, The Hummingbird is a story of suffering, happiness, loss, love, and hope—of a man who embodies the quiet heroism that defines daily life for countless ordinary folk. A thrilling novel about the need to look to the future with hope and live with intensity to the very end, Sandro Veronesi’s masterpiece—eminently readable, rich in insight, and filled with interesting twists and revelations—is a portrait of human existence, the vicissitudes and vagaries that propel and ultimately define us.
https://search.lib.uiowa.edu/permalink/f/9i2ftm/01IOWA_ALMA21844724240002771