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Haunted by Nancy Drew

Ghosts abound in our new digital collection about University of Iowa alumna Mildred Wirt Benson, the original author of the Nancy Drew mystery novels. Titles for the biographical articles “The Ghost of Ladora” and “The Ghost of Nancy Drew” play off Benson’s role as a ghostwriter. Teen sleuths confront the supernatural in novels like The Ghost of Blackwood Hall, The Haunted Bridge, and Quarry Ghost, although (spoiler alert!) a few hours spent in the Special Collections reading room would show that the heroines inevitably unmask the ghostly disguises of much more human criminal elements. And for me, working on the digital collection invoked personal ghosts as I handled the same titles that I used to find peeking out of Christmas stockings and wrapped up next to birthday cakes for so many years in my pre-teens.

But while studying the Libraries’ subject files on Benson and reading the publications of those who have used her collections, I also felt haunted by the ghosts of researchers past. The UI, like academic libraries everywhere, is working on the enormously complex problem of mainstreaming, standardizing and enhancing access to its rare and unique archival collections. In the meantime, a comprehensive search of these materials can require a considerable amount of time, patience and luck. For the Benson collection, I consulted a number of finding aids, catalogs and inventories – taking the same steps and compiling the same materials as many other scholars have done before me.

Now that these items are being digitized and collocated online, we hope to save the time of users (to cite another personal hero). And in addition to improving access to the materials, we’re also enhancing the usability of the artifacts themselves. With the help of optical character recognition software that makes items such as Benson’s short stories and journalism scrapbooks full-text searchable (as well as image zoom functionality that allows users a closer look at her diving technique), the digital collection becomes a much more powerful tool to help scholars solve their research mysteries.

We’re sure Nancy Drew would approve.

–Jen Wolfe
Metadata Librarian

See also:
UI libraries compiles digital collection featuring Nancy Drew author
UI provides more material for Drew fans

Why digital collections matter

Craig W. Spotser, A.B., Iowa City, Iowa, 1927

On my drive to work this week the radio told of more soldiers dying in Iraq. Soon, an ambulance whizzed by me—off to save another life. Talk about work that really matters, I thought, as I tootled toward the University of Iowa Main Library for a day of helping lead the charge to digitize a bunch of cool stuff—old photographs, correspondence, maybe postcards or some scrapbooks from library archives. While my work as the new head of Digital Library Services hardly compares to the life-and-death heroics of soldiers or EMTs, I still like to hope it matters. I know it is a whole lot of fun—sure beats flipping pancakes for hire or writing a first-person dog column (“Hello, I’m Scruffy…”), gigs I’ll admit to having some experience with in the distant past.

When I arrive at work it’s not long before I am reminded—repeatedly—why creating these digital collections matters. A quick disclaimer: The bragging I’m about to do has next to nothing to do with me. I just got here. The credit goes to my predecessor Paul Soderdahl, metadata librarian Jen Wolfe, and digital initiatives librarian Mark Anderson in Digital Library Services. The UI Libraries online collection now has more than 75,000 digital objects thanks to their work and that of Nancy E. Kraft, who heads the Iowa Heritage Digital Collection (IHDC), plus the amazing contributions from a wide range of record holders. Impressive, especially if you consider they began this effort less than two years ago.

Online use statistics are the easiest way to see that digital collections are vastly expanding the library’s reach. Not surprisingly, on-campus use is high. More surprising are numbers like this: In April alone, Iowa Public Schools users approached our digital collections 4,834 times. As Mark aptly points out, that is a hit about every 10 minutes, 24 hours a day, during the entire month of April. We not only get hits from places like Iowa State University (more than 6,500 times in April) but from thousands of far-away places like Poland (2,400 hits) and Tuvalu (500), a Polynesian island nation halfway between Hawaii and Australia. Since I arrived I’ve heard a steady stream of stories about how online collections provide instant answers to questions that once took much, much longer. Questions like, where was the old Dresden china store located in Iowa City? Check out the Iowa City Town and Campus Scenes Collection to view a picture of the storefront.

But the most compelling evidence of the power of digital collections arises from stories of people like Craig D. Spotser of Texas. His email, forwarded to us by Susan Kuecker at the African American Historical Museum and Cultural Center of Iowa, started this way: “GOD…..This is a picture of my Grandfather. He passed away when my father was a small boy. I only had a small picture of him, far way, standing in front of his car and home in Iowa. My father, Craig W. Spotser, has never seen a picture of him that close up, but he passed away in February 2002. This is amazing. How can I obtain a copy of the photo of my Grandfather? I was surfing the web, and this is the first time that I have seen this picture. I almost started crying. I look almost identical to him, and so does my son.”

The spitting image looking back at Craig Spotser was C.W. Spotser, a professor at University of Iowa in the 1920s. The picture was found in a scrapbook kept by Althea “Bee” Moore,” an undergraduate student at UI from 1924-1928. Late last year, library assistant Christine Tade worked with the scrapbook owners at the African American Historical Museum and Cultural Center of Iowa to work out the logistics of sending it to UI Libraries for digitization and preservation work. Christine’s resulting digital project was the digitized scrapbook.

This discovery, along with additional help from University Archives archivist David McCartney and others, enabled the Spotser family to locate their grandfather’s grave. They plan to visit soon to make sure he has a headstone, said Chris Spotser, Craig’s brother. If he doesn’t, the family is going to make sure he gets one. I know all of this because Chris called today, out of the blue, to thank us for sending a copy of the photo. “You guys are doing some fantastic work! Even if it’s just helping one person, we’re extremely grateful.” This is why we librarians love what we do, and I’m just grateful to become a part of what’s happening with digital collections at Iowa.

–Nicki Saylor
Head, Digital Library Services

Digital connections: The Dentistry College Class Photos

Although the Dentistry College Class Photos Collection is just over halfway complete, it has already received much attention surrounding the 125th anniversary of the UI College of Dentistry.  A University press release highlighted the collection and the excitement surrounding it.

Illustrating the relevance of this digital collection, two people closely associated with its creation found family members on these photo boards.  Sally Myers, DLS student assistant and lead scanning technician for the project, identified her father as a dental student.  Likewise, Christine Tade, Cataloging Supervisor in CTS and former DLS intern, found her father’s photograph as a member of the faculty.

Seen from these two examples, it is likely that this digital collection will have a connection to many Iowans as they discover the rich history of this College.

–Mark F. Anderson
Digital Initiatives Librarian

“Every book ever published”

Google intends to scan every book ever published, and to make the full texts searchable, in the same way that Web sites can be searched on the company’s engine at google.com…
No one really knows how many books there are. The most volumes listed in any catalogue is thirty-two million, the number in WorldCat, a database of titles from more than twenty-five thousand libraries around the world. Google aims to scan at least that many. “We think that we can do it all inside of ten years,” Marissa Mayer, a vice-president who is in charge of the books project, said recently.
“Google’s Moon Shot: The Quest for the Universal Library” by Jeffrey Toobin, The New Yorker, Feb. 5, 2007

When Digital Library Services debuted in January 2006, the library world was still reeling from Google’s announcement of plans to scan and make searchable the holdings of five of the world’s major research libraries. Like digital librarians everywhere, the staff of DLS was left with a serious case of existential angst. With a mission to create digital content while guarding against duplication of effort, what were we supposed to do now that every book ever published was being digitized?

The answer turned out to be pretty simple: digitize the nonbook and/or the unpublished. As more libraries sign up with Google and other collaborative mass digitization projects, those of us non-partners have refined our scope to focus on our institutions’ local and unique materials in a variety of formats. As such, most new projects in DLS fall into two categories: those that document the intellectual and creative output of the University, and those that increase access to the Libraries’ rare and valuable research collections.

In support of the former goal, we’ve been working with academic departments to acquire digitized writings and works of art created by University of Iowa faculty and students. Currently in production for Iowa Digital Library are the graduate art archives of the School of Art and Art History; electronic theses and dissertations from the Graduate College; and journal articles authored by faculty members of the Department of Political Science. Although some of these materials are already online elsewhere, inclusion in the Libraries’ digital asset management systems will allow greater visibility, navigability and cross-collection searching.

In support of the latter goal, we’ve been consulting the Libraries’ curators and archivists to prioritize those materials that best support research and scholarship at the University. As far as supplementing digitization projects at other institutions, the Iowa Women’s Archives may offer the lowest risk of duplication of effort. Its focus on women’s history, including that of minority groups, documents a point of view that can be absent in many published works. The digitized audio, correspondence, images and printed ephemera in such IDL collections as African American Women in Iowa, Birkby , Noble Photographs, and Mujeres Latinas can help scholars to achieve a fuller understanding of the past.

The holdings of the University Archives serve as a hybrid to promote both these goals. Digital image collections like Calvin Photographs and Iowa City Town and Campus Scenes will soon be joined by in-progress digital collections of The Daily Iowan and The Hawkeye. These works created by UI faculty and students help to document over 100 years of Iowa history.

By making these materials more readily available online, DLS seeks to enable new scholarship that builds both on primary documents held by and on secondary documents generated at the University. In this way, we hope to ensure the UI’s place in the digital “universal library” of the future.

–Jen Wolfe
Metadata Librarian

Legacy collections: piling on the content

Last year, a friend of mine gave me several dozen CDs that he did not want to store and take care of any more. Most were albums and artists that I liked and might have bought anyway, but his large, one-time donation saved me that time and expense, and obviously caused my music collection to grow.

To date, a majority of DLS projects have involved reformatting physical library materials to digital, and building new collections one-by-one. While this is an important task for making sought-after materials available online for the first time, DLS is most excited when approached by another department or organization with a large collection of digital content in-hand. These legacy collections consist of previously digitized materials, or are born-digital in the case of digital photographs and electronic texts. In any case, the donor, like my benevolent friend, usually does not want to devote time and energy to storing and administering the content.

Since a primary strategic goal of DLS is to develop a full range of digital resources, and make them available online, we actively seek out these legacy collections. When this collection comes with corresponding metadata relating to the content, it becomes even more valuable to DLS and the Iowa Digital Library. Although, that’s not to say it requires no effort to add to the digital collections already managed by the department. Often, file names need to be altered and metadata “massaged” to match our standards. Editing the materials can take many hours of work, but in the end, many more valuable items can be made publicly available for research and scholarship much sooner than with one-by-one digitization.

Our first experience with these collections came in the form of the Calvin Photographic Collection, nearly 1000 photographs of early Iowa City as well as geological formations across the country, given by the Department of Geosciences, which is still a repository of the original glass plate negatives, but partnered with DLS to make the images available online in perpetuity. Currently, DLS is tweaking several more legacy collections numbering in the tens of thousands. Look for announcements on the blog when these become available.

–Mark F. Anderson
Digital Initiatives Librarian

Love in the stacks

Beneath the calm façade of the Main Library’s exterior, among the dusty book stacks and studious scholars, lies the secret side of the Libraries’ holdings: a seething bed of love, lust, and early 20th-century greeting cards. In our dedication to exposing these hidden collections, Digital Library Services brings you a romantic “Best of” from the stacks — a digital mix tape of artifacts chiefly drawn from the Libraries’ research collections and selected to put you in the mood for Valentine’s Day.

But perhaps you think Valentine’s Day is an ersatz holiday that persecutes the single? As part of the Libraries’ commitment to inclusiveness, we made sure to represent both points of view. Pro-Valentine’s patrons can enjoy images of tennis-playing cherubs and the comically foreign-accented, and accounts of holiday celebrations by Iowa women in the 1940s and 1950s. Those against can peruse the UI Press collection’s tales of discount chocolates and abused cashiers, or the post-WWI (yet sadly relevant today) Valentine’s Day cartoons from political satirist Ding Darling.

Browse the collection here

…and join us for a Valentine’s Day show & tell session, featuring additional artifacts from the Libraries’ research collections, behind-the-scenes info from its curators and archivists, and heart-shaped treats. Feb. 14 at noon, Main Library, room 2032 (second floor, near the south entrance).

–Jen Wolfe
Metadata Librarian

Online public access cARTalog

As with most technological advances, the shift from the card catalog to the online public access catalog (OPAC) didn’t happen overnight. At the UI, there was a decade of overlap during which users who wanted complete access to the Libraries’ holdings had to search both resources — the card catalog for materials published until 1980, the online catalog for materials published after. Library staff made repeated attempts to remedy this problem with in-house projects to convert the card catalog data from print to electronic — a.k.a. “retrospective conversion” or “recon” to those fluent in librarian-ese — but soon revised strategies after recognizing the immensity of the task.

In 1999, a library committee was formed to coordinate outsourcing for the catalog recon initiative. Their duties included: defining the project scope; contacting outsource companies to solicit bids (including an unsuccessful offer from sentimental favorites Electronic Scriptorium, staffed by monks); drawing up specifications; reviewing test data; re-drawing specifications; and helping to oversee day-to-day operations. Four years, 500,000 titles, and $1.5 million later, the project was complete.

The newly comprehensive catalog continued to provide the benefits that the library world had quickly come to rely on from OPACs. For library staff, this meant the liberation of cataloging data from the physical constraints of the 3 x 5 inch card, allowing records with additional information such as table of contents lists, longer summaries, and more subject headings. For users, the advantages included the same increased usability that we in DLS strive to provide for our digital collections: 24-hour access from any location with an Internet connection, enhanced browsing through hyperlinked access points, and increased access through free-text searching. Now, another four years after the recon project ended, we anticipate an even more user-friendly catalog thanks to the Libraries’ recent acquisition of the resource discovery tool Primo, which offers enhancements that include Web 2.0 functionalities such as tagging, rating and reviews.

That said, we were still a little sorry when the Libraries announced the decision to permanently retire the card catalog in early 2005, which is why members of DLS staff assisted in an effort coordinated by the Libraries’ assistant conservator Kristin Baum to rescue as many cards as we could from the recycling bin. The cards were then repurposed to become part of cARTalog, a public art project designed to pay tribute to the card catalog and its place in how many of us experienced libraries and reading. After a year of submissions, programs and exhibits, cARTalog has now found a home in the Iowa Digital Library, where the cards will live on as a permanent, globally accessible art collection.

To learn more about the cARTalog project, see Kristin’s article “The Story in the Cards: Intimacy, Empathy and Reader Response” from book arts e-journal The Bonefolder. The cARTalog digital collection can be viewed here.

— Jen Wolfe
Metadata Librarian

Artists’ statements:

Karina Cutler-Lake [a student at the University of Iowa School of Library and Information Science before switching to the MFA program in Printmaking]: “I can admit this now: I really wasn’t a very good student of library science. I will never be remembered for my scholarship within the program. Our online catalog at the time… was unfriendly and stubborn. The specifics of the LC system stymied me. (I’m a Dewey Girl. All the way.) I just wanted to draw things. That… night class on reference materials really sent me daydreaming. But a walk though the stacks was, and still is, an instant inspirational mood-booster. There are answers in there. You’ve just got to dig them out.”

Mary V. Marsh: “I requested title cards for ‘The story of…’ I wanted to create an endless story. I constructed the book with no beginning or ending. Images from fairy tales suggest the weaving of myth and fiction with truth to tell stories, a cyclical history of humanity.”

Cheryl Jacobson: “I was surprised at how precious these little cards, which at one time helped to find some of my favorite lettering books, were to me and I’m so glad to be able to create some sort of lasting visual tribute to them and the books they located.”

Happy birthday to me!

No, it’s not my actual birthday, but this January marks my first full year as a Digital Initiatives Librarian at The University of Iowa Libraries, and while I served in a couple of short-term roles at UI since 2004 (Map Library Assistant & Statewide Digital Initiatives Specialist for the Iowa Heritage Digital Collections), 2006 was my first year of permanent involvement in the Digital Library Services department.

In addition to completing many digital collections, which have been highlighted in this blog throughout the year, and hiring a terrific group of student assistants that have allowed DLS to ramp up in-house digitization initiatives, my own knowledge has grown in the past year in the areas of mass digitization and moving from projects to programs, as well as specific new skills related to scanning, metadata and digital content management.

In 2006, I was afforded the opportunity to build collaborative relationships with individuals and groups in the community that led to extremely successful digital initiatives: the Iowa City Host Noon Lions Club, the Old Capitol Museum, the School of Art and Art History, the University of Iowa Museum of Art, the Department of Geoscience and College of Dentistry, University of Iowa Press, English Department and others just getting started.

Of course, further collaborations within the library led to outstanding digital collections as well: Special Collections and University Archives, Iowa Women’s Archive, the Information Arcade, John Martin Rare Book Room at Hardin Library, Media Services and Map Collection, just to name a few.

The variety of these projects makes them enjoyable and fulfilling, and perhaps the greatest benefit to me is the amount that I learn just by working with the materials, making me look forward to another great year with DLS in 2007!

–Mark F. Anderson
Digital Initiatives Librarian

Diversity, collections, collaboration

Just in time — barely — for the UI’s celebration of human rights week, DLS is pleased to announce the debut of our African American Women in Iowa Digital Collection. A joint venture between DLS, the Iowa Women’s Archives, and the African American Historical Museum and Cultural Center of Iowa, the project unites the Libraries’ core values of working collaboratively, providing free and open access to collections, and representing diverse perspectives. Please check back often as we continue to build the collection with digitized artifacts from IWA’s African American Women in Iowa holdings.

For more information on the digital collection, see the press release here.

–Jen Wolfe
Metadata Librarian

“Fostering the aspirations”


VII. We strive for excellence in the profession by maintaining and enhancing our own knowledge and skills, by encouraging the professional development of co-workers, and by fostering the aspirations of potential members of the profession.
— from “Code of Ethics of the American Library Association

The first-annual DLS Winter Holiday Student Appreciation Celebration was enjoyed by all, as our student assistants took a break from finals to join us for pizza, cookies, and non-denominational merriment. The party also marked a successful conclusion to an experiment in supersizing our student workforce, up this semester from two members to eight. This 400% increase was initially regarded with more than a little apprehension, but it turns out we needn’t have worried. Our new assistants caught on quickly, and were soon diligently reformatting images, texts, and audio, creating metadata records, and using asset management systems to build and upload digital objects. Once trained, the main challenge was lining up enough work to keep our students busy, since they often completed projects earlier than anticipated.

Along with excellent assistance from Spencer Wilken (Business) and Pamela Olson (Center for the Book), DLS was fortunate enough this semester to employ six students from the UI’s School of Library and Information Science: Charlotte Baldwin, Si-Chi Chin, Junko Kobayashi, Sally Myers, Laura Riskedahl, and Steve Tatum. Their grasp of library science fundamentals frequently streamlined the training process, allowing them to take on complex projects and quickly produce high-quality results.

These students’ association with DLS should prove to be mutually beneficial. As a supplement to the classroom theory that will serve them throughout their careers, their work for the Libraries is providing practical experience that may help land the all-important first job. Such experience is especially valuable in today’s tight job market, with many recent grads complaining that the much-publicized “librarian shortage” hasn’t materialized in enough entry-level positions to go around. Factoring in the relative rarity of digital library experience and the ever-increasing number of institutions wishing to incorporate such services, we expect our assistants will be well positioned to conquer the profession upon graduating.

DLS is grateful for our students’ participation in our mission to support the University’s teaching, research and creative activities. We’re also proud to assist them in beginning their careers in librarianship.

–Jen Wolfe
Metadata Librarian