event Archive

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Felicia Rice and Guillermo Gómez-Peña Artwork Doc/Undoc on Display

Last week Special Collections the Ida Cordelia Beam Distinguished Visiting Professors Guillermo Gómez-Peña and Felicia Rice stopped by Special Collections for a performance and their collaborative work Doc/Undoc is now on display.

Rice performed “DOC/UNDOC: Collaboration and Metamorphosis,” followed by a conversation with Guillermo Gómez-Peña on March 31st.

Gómez-Peña is a performance artist whose live art, video, radio, photography, and writing have earned acclaim — and many awards, including a MacArthur Fellowship — over the past thirty years. He is the artistic director of the transnational performance collective La Pocha Nostra.

Rice’s design, printing, and publication work for her Moving Parts Press (Santa Cruz, CA) has been exhibited at major book fairs in New York and Frankfurt, and collected by the Whitney Museum, the Bodleian Library, and the Victoria and Albert Museum, among others. Rice is also an educator who teaches courses in letterpress printing, typography, printmaking, typography, and bookmaking at institutions ranging from UC-Santa Cruz to the Santa Cruz YWCA.

Together with their collaborators, Gómez-Peña and Rice have published artists’ books including DOC/UNDOC: Documentado/Undocumented, Ars Shamánica Performática (2014), a copy of which is held by UI’s Special Collections.

Doc/Undoc as well as selections of work from the Moving Parts Press on loan from Felicia Rice are on display in the third floor hallway gallery cases outside of Special Collections until May 20th, 2016.

Event 3/31:

 

Doc/Undoc Exhibition:

Display created by Ellen Wrede.

 

DOC/UNDOC : Documentado/Undocumented Ars Shamánica Performática / texts Guillermo Gómez-Peña, images & bookwork Felicia Rice, video Guillermo Gómez-Peña & Gustavo Vazquez, critical commentary Jennifer González, sound art Zachary Watkins.  Santa Cruz, CA : Moving Parts Press, 2014.

Special Collections x-Collection N7433.4.G644 D63 2014 

 

Thanks to the UI Deparment of English, The Department of Theater Arts, The University of Iowa Center for the Book, The Obermann Center, Jennifer Buckley, Tim Barrett, Ellen Wrede, Giselle Simón, Candida Pagan, Heidi Bartlett and everyone from Special Collections who worked to make the event and exhibition possible.

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Want to Make Historic Recipes?

handwritten recipe page from a very old book

Photo by Tom Jorgenson

Want to make historic recipes?  Or how about reading handwriting, converting measurements, recreating historic cooking implements, food photography, or writing and blogging?

300+ years of handwritten cookbooks with thousands of recipes from Chef Louis Szathmary’s culinary collection from Special Collections & University Archives are now online in DIY History, the newest transcription project from the University of Iowa Libraries.  Helpful people around the world are trying to puzzle out what the handwriting says.  But is that where it ends?  Unlike letters, diaries, or even menus, recipes are not done even what you can read what it says.  They are instructions just calling out to be tested to bring a slice of history back to life one piece of hardtack at a time.

Sound interesting?  Come to the first meeting and have a voice in determining what the group should be.

If  you can’t make the meeting but want to be in the loop, e-mail colleen-theisen @  uiowa dot edu to be added to the e-mail list.

Event poster

 

Tuesday, November 13th, 2012

6:30-8PM

PS-Z, 120 N. Dubuque St.

(3 blocks north of PS1, on the lower level of the Wesley Center)