Web of Science Workshop

Do you use Web of Science in your research? The UI Libraries provide free access to Web of Science, an excellent multidisciplinary citation database. Join us for a Web of Science Workshop and learn advanced techniques that will help you conduct your research more efficiently and effectively.

Web of Science Workshop
Wed Nov. 12, 12:30-1:20
Sciences Library 3rd floor computer classroom

In this workshop, you will learn how to:

  • Access Web of Science off-campus
  • Use Advanced Search to retrieve more relevant results
  • Save citations to citation managers
  • Set up Saved Searches and Citation Alerts
  • Find full-text, wherever it may be
  • Get help when you need it!

This workshop is free and open to all UI students, faculty and staff. There is no need to register. If you have any questions, please contact Sara Scheib at sara-scheib@uiowa.edu or (319) 335-3024.

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Learn how to use Scopus & Web of Science @Hardin Library Friday, November 7

 

Scopus is a multidisciplinary database with substantial international coverage. All citations that are in EMBASE are also in Scopus. Scopus also allows you to track an article’s cited and citing references. Come to this hands-on session and learn how to search Scopus systematic reviews.

Web of Science is a citation database which covers over 10,000 journals. Web of Science specializes in citation tracking so this hands-on session will concentrate on how to do cited reference searches to find articles that cite your work. The session also demonstrates how to use the Journal Citation Index and find impact factors for journals in your discipline.

This workshop is free and available to all. Register online for this or any of our other workshops: http://www.lib.uiowa.edu/hardin/workshop/ .

This workshop will be at Hardin Library, Information Commons East, 2nd Floor from 10am-11am.

Learn how to use EndNote at our workshop Thursday, November 6 from 2-3pm

endnote graphic EndNote is a reference management tool that helps you to easily gather together your references in one place, organize them, and insert them into papers, as well as format them in multiple styles.

This session will walk you through the basics of using EndNote to collect and format your citations.  The class will be hands-on with time for questions at the end.

Our next session is Thursday, November 6, 2-3pm.

Need just a little help?  See our EndNote guide.

 

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New Political Science Journal is Open Access

This post from the London School of Economics and Political Science announces the launch of Research & Politics (R&P), a new Open Access Journal.

Here is a snapshot of what the journal intends to do in Political Science

“The recently launched journal Research and Politics (R&P) has been established to aid political scientists in fully utilizing the internet as a platform to accelerate the impact of their research without sacrificing the rigorous reviewing practices of a leading journal. R&P publishes short, accessible articles of 4,000 words (along with research notes of just 2,000 words), which focus on new findings or insights with a clarification of how the author got to these results. Elsewhere, like in the natural and medical sciences, short and focused articles have become the norm. Within political science successful blogs, like the Monkey Cage or the LSE blogs, show that is possible to present research findings in a meaningful and accessible way, often in less than 2,000 words, and that this enhances widespread readership.”

Among their goals is “to add to our repertoire of tools available to political scientists in order to disseminate their findings. R&P’s openness, format and speed to publication will appeal to those wishing to publish cutting edge analyses of current events and debates, predictions about upcoming elections, or evidence-based analyses of new crisis situations. Although accusations of political science being out of touch with the real-world are surely overblown, the time lags in conventional publishing and the limited accessibility of articles can undermine researchers’ attempts to maximise the impact of their work. The internet, in this way, can help to change academic communication and its impact on policy-makers and others.”

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30th Anniversary Benefit Auction: Gary Frost

Gary FrostAbout the Binding:

Exposed spine, in-boards binding consisting of parchment, flax cord and wooden boards.

Estimated Value: $300

g frostAbout the Artist:

Gary Frost is a book conservator and book arts educator. His career he has held faculty positions at Columbia University, University of Texas at Austin and University of Iowa. He is now Conservator Emeritus at University of Iowa Libraries. He is currently teaching book conservation at the Buffalo State Art Conservation Program. Gary has been awarded the Banks and Harris Award of the American Library Association, the Lifetime Award of the Guild of Book Workers and is a Fellow of the American Institute for Conservation.

To bid on any of the bindings, please email us at lib-prescons@uiowa.edu. Bids will be accepted until the end of the silent auction, 7 pm CST on Thursday November 13th.

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30th Anniversary Benefit Auction: Anna Embree

Anna EmbreeAbout the Binding:

William Anthony’s dedication to teaching has greatly influenced the education of generations of bookbinders in the United States. Many Book Artists who create even the most innovative or non-traditional work, received training rooted in traditional craft that can be directly traced to the lineage of William Anthony and his students. My intent with this work was to honor this legacy by creating a binding using the traditional materials and techniques of my craft while pushing the boundaries of conventional book form.

This binding is covered in full goat leather with goat leather onlays and blind tooling. The endsheets are pastepaper on bugra paper and the endbands are sewn with silk thread. The boards are composed of many layers of binders board that have been sanded and shaped for a heavily cushioned and sculptural effect. The board attachment and lining are experimental and were inspired by Gary Frost’s work with sewn board attachments. The colors and design choices are directly correlated with the exhibition catalog and the William Anthony bindings featured therein.

Estimated Value: $2000

embree picAbout the Artist:

Anna Embree is an Asso­ciate Pro­fes­sor for the MFA in the Book Arts Pro­gram in the School of Library and Infor­ma­tion Studies at The Uni­ver­sity of Alabama. She teaches courses and work­shops in book­bind­ing, box mak­ing, and spe­cial top­ics in book preser­va­tion and book his­tory. Anna has a strong inter­est in the phys­i­cal and mate­r­ial aspects of book struc­tures. She has col­lab­o­rated with print­ers and paper­mak­ers on lim­ited edi­tion hand­made books, and has exhib­ited widely.

To bid on any of the bindings, please email us at lib-prescons@uiowa.edu. Bids will be accepted until the end of the silent auction, 7 pm CST on Thursday November 13th.

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30th Anniversary Benefit Auction: Pamela Spitzmueller

Pam SpitzmuellerAbout the Binding:

I have been making three-dimensional work in book form for over thirty years.

Rare book conservation was my profession that required knowledge of the history of binding and the skills to repair and sometimes rebind rare books.  The book/bound manuscript needed to be meticulously described and photographed, and a treatment proposal approved by the curator before any work would be carried out. The item’s condition dictated what would be done to it and the less the better!  This intimate interaction with a historic object taught me what a book/bound manuscript was and the many techniques used historically. Through this dual career of conservator and artist, I found both parts needed and nourished each other.

My artists’ books have always leaned toward traditional materials and book structures that have evolved over time in different cultures. They are never equal, but ebb and flow as discovery in one finds outlets in the other. This includes book structure as well as content.  Conservation required ethical decisions, but book arts allowed freedom to create strange or unusual things from a wider variety of materials (such as plastic,metal screen and sheets, or feathers/plant materials with ink, pencil and paint media).

Though I do sell works, it is not why I make them. I make them because I have to! Books happen because I’m thinking about something and working with my hands is the outlet. The books I make are meant to be handled,looked into, read, and operated.  I work drawing, painting and sometimes text into these one-of-a-kind books. It is best when all parts come together at once, but sometimes a blank book will be empty for years before being filled. Or the text and images come first and I have to find the right structure for them.

This artist’s binding is an homage to parchment/vellum – a traditional bookbinding material. Several examples of parchment/vellum bindings by Mr. Anthony are illustrated in this catalog. The spine is flush at the tail and a tab is located at the spine head with a thread bookmark attached – a historic technique. The spine is goat vellum with diagonal long stitches attaching it to the textblock. The covers are a vintage, slightly tinted, handmade English water color paper. Samples of new and vintage vellum/parchment are stitched to the covers, like a sampler, to show the variety of this material. The catalog’s paper covers are inserted inside the new cover turn-ins to stiffen the new covers.

Estimated Value: $500

spitzmuellerAbout the Artist:

Spitzmueller, a distinguished conservator and book artist, served as the James W. Needham Chief Conservator for Special Collections, Harvard University and Harvard College. She also has headed the rare book conservation program at the University of Iowa, and served as a conservator for the Library of Congress and the Newberry Library. Recognized for the technical excellence and historical sensitivity of her conservation treatments, her replicas of historical book structures and her artists’ books have been widely exhibited at libraries and art galleries including the National Museum of Women in the Arts, New York Center for Book Arts, the Boston Athenaeum, Grolier Club, Art Institute of Chicago, the Bibliotheca Alexandrina in Egypt, and the Barbican Centre in London.

After earning a degree with distinction and highest honors at the University of Illinois, Chicago, Spitzmueller began studying bookbinding in 1976 with renowned book conservator Gary Frost. During the course of her career Spitzmueller also trained with Anthony Cains, director of conservation at Trinity College, Dublin; Tom Albro and Barbara Meier-Husby at the Library of Congress; Chicago book conservator William Anthony; and Paul Banks, architect and first director of the only degree-granting graduate program in library preservation and conservation in the U.S. In 1979, she received a National Endowment for the Humanities-sponsored fellowship in preservation and conservation hosted by Yale University. She also has received grants from the Kress Foundation and the National Museum Act to support studies in the U.S. and in England.

While at the University of Iowa in the Libraries Conservation Department, she secured a major grant from the Andrew W. Mellon Foundation to direct two, four-year apprenticeships in rare book conservation and taught a series of advanced conservation workshops that attracted conservators from throughout the United States.

In the School of Art and Art History at Iowa, Spitzmueller taught semester-long courses in historical book structure and other subjects. She also served as guest lecturer for the University of Iowa Center for the Book, School of Library and Information Science, and Museum Studies program.

She has lectured on a broad range of topics having to do with book history and conservation, ranging from theoretical (the aesthetics, ethics, and mechanics of book conservation) to historical and technical (book- and paper-making and conservation).

To bid on any of the bindings, please email us at lib-prescons@uiowa.edu. Bids will be accepted until the end of the silent auction, 7 pm CST on Thursday November 13th.

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Election Day! Politics in the Archives

ike day napkin upright

As the site of the Iowa caucuses as well as the home state of countless policy makers and political activists, Iowa is rich with electoral history. As we cast our votes today, we reflect on the decades of campaigning that has brought some of the 20th century’s biggest political names to Iowa, as well as the effect of Iowans in shaping national political life. Above is a napkin from “National Ike Day,” a 1956 event celebrating the 66th birthday of President Dwight Eisenhower. In a letter to event organizer Anna Cochrane Lomas the next day, Eisenhower commented, “I experienced the warm feeling that I was among good and true friends.”

Below are a few more letters and photos that tell stories of the connections between politics and Iowa.

 

roosevelt eleanor to wilma belden-collins

The work of Iowa newspaper columnist and editor Wilma Belden-Collins caught the eye of former first lady Eleanor Roosevelt, who wrote to her about the United Nations General Assembly. Following her husband’s death, Roosevelt became the first chairperson of the United Nations Commission on Human Rights, and remained the U.S. representative to that Commission even after stepping down as chair in 1951, the year of the above letter.

 

bush xmas

Iowa Women’s Archives co-founder Mary Louise Smith was the first woman to chair the Republican Party. Above is a card from the Bush family, written two years before George Herbert Walker Bush’s first term as Vice-President to Ronald Reagan. During his own presidential campaign ten years later, Bush sent a letter to Smith, thanking her for her support: “There is no way I can properly express my gratitude – Barbara’s, too. You worked hard, you stood at my side when the going got tough, and you were with me, your hand on my shoulder, when things looked very gloomy indeed.”

 

clinton gore in cr 1992

hrc note

The papers of state representative Kathleen Halloran Chapman capture a smiling moment with Bill Clinton during his campaign stop in Cedar Rapids in 1992. A handwritten note to professor Suzanne Bunkers the following year comes from first lady Hillary Rodham Clinton, and reads: “Thank you for sharing your ideas and suggestions. Bill and I welcome your thoughts. They will be carefully considered as Bill begins to implement his agenda for change in America. Best wishes, Hillary”

 

Want more? Visit the Iowa Women’s Archives!  We’re open weekly Tuesday-Friday, 10:00am to noon and 1:00pm to 5:00pm.

For materials on Iowa women’s fight to secure the right to vote, see our digital collection on Women’s Suffrage in Iowa.

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30th Anniversary Benefit Auction: Emily Martin

Emily MartinAbout the Binding:

The binding of the catalog is a long stitch sewing of the text block with a soft cover attached using Saltire and transverse twisted tackets. The corners of the covers also have twisted tackets. The cover paper is natural UICB flax case paper. The original covers of the printed catalog are inserted as end sheets and anchored by the corner tackets. A window is cut in the front cover to reveal the catalog title. Cover case paper was joined at the spine to create a reinforced double thickness and to make a sheet long enough to form the cover as one piece. The binding itself is completely non-adhesive.

Estimated Value: $150

Emily Martin 2About the Artist:

Emily Martin has been making movable and/or sculptural artists books since the late 1970’s. Her books are narrative sometimes autobiographical and make use of format as a metaphor for content. Currently she is exploring Shakespeare’s tragedies. Emily Martin lives in Iowa City, Iowa, USA where she has her studio and also teaches at the University of Iowa Center for the Book. Her work is in public and private collections throughout the United States and internationally, including the Metropolitan Museum of Art, New York; The Victoria and Albert Museum, London; The Museum of Contemporary Art of Chicago; The Marvin and Ruth Sackner Archive of Concrete and Visual Poetry, Miami Beach, Florida; The Library of Congress and others.

To bid on any of the bindings, please email us at lib-prescons@uiowa.edu. Bids will be accepted until the end of the silent auction, 7 pm CST on Thursday November 13th.

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