{"id":992,"date":"2012-08-07T09:00:50","date_gmt":"2012-08-07T09:00:50","guid":{"rendered":"http:\/\/blog.lib.uiowa.edu\/speccoll\/?p=992"},"modified":"2019-01-14T19:54:41","modified_gmt":"2019-01-14T19:54:41","slug":"montgomery-sheet-music-give-cultural-panorama-of-early-20th-century-america","status":"publish","type":"post","link":"https:\/\/blog.lib.uiowa.edu\/speccoll\/2012\/08\/07\/montgomery-sheet-music-give-cultural-panorama-of-early-20th-century-america\/","title":{"rendered":"Montgomery Sheet Music Give Cultural Panorama of Early 20th Century America"},"content":{"rendered":"<p>Donated to Special Collections in March 2012 by Linda Yanney<strong>, <\/strong>the Beluah Yanney Montgomery Sheet Music Collection has been processed by our outgoing Olson Fellow Gyorgy \u201cGeorge\u201d Toth and is being&nbsp;added to our Sheet Music Collection (<a href=\"http:\/\/www.lib.uiowa.edu\/spec-coll\/msc\/ToMsC900\/MsC873\/MsC873_sheetmusic.html\" target=\"_blank\" rel=\"noopener\">http:\/\/www.lib.uiowa.edu\/spec-coll\/msc\/ToMsC900\/MsC873\/MsC873_sheetmusic.html<\/a>). Covering the late 19<sup>th<\/sup> through middle 20<sup>th<\/sup> centuries, the Montgomery addendum complements our current collection of sheet music with the major themes of its songs.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Popular Music<\/em><\/strong><\/p>\n<p>Much of the popular music of the early 20th century was sentimental, and concerned topics like landscape and romance. Not so Edith Maida Lessing&#8217;s &#8220;Just as the Ship Went Down&#8221; from 1912, which remembers the sinking of the Titanic. As we are observing the 100<sup>th<\/sup> anniversary of this disaster, we can view this song as an early effort to memorialize the event in U.S. popular culture. Reading, playing and singing songs like this was also part of people&#8217;s coming to grips with national and historic events.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_994\" aria-describedby=\"caption-attachment-994\" style=\"width: 228px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Just-as-the-Ship-Went-Down-Song-1912-smaller.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-994\" src=\"http:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Just-as-the-Ship-Went-Down-Song-1912-smaller-228x300.jpg\" alt=\"\" width=\"228\" height=\"300\" srcset=\"https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Just-as-the-Ship-Went-Down-Song-1912-smaller-228x300.jpg 228w, https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Just-as-the-Ship-Went-Down-Song-1912-smaller.jpg 779w\" sizes=\"(max-width: 228px) 100vw, 228px\" \/><\/a><figcaption id=\"caption-attachment-994\" class=\"wp-caption-text\">\u201cJust as the Ship Went Down.\u201d Edith Maida Lessing, Gibson &amp; Adler. Chicago: Harold Rossiter Music Company, 1912.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><strong><em>Music about the American South<\/em><\/strong><\/p>\n<p>The Montgomery addendum also contains a small group of songs written about the American South. These songs were often introduced by famous singers and actors like Al Jolson on the vaudeville stage and in minstrel shows, where they used African American characters to paint a sentimental picture of antebellum Southern plantations.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_995\" aria-describedby=\"caption-attachment-995\" style=\"width: 232px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Mother-Dixie-and-You-1927.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-995\" src=\"http:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Mother-Dixie-and-You-1927-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Mother-Dixie-and-You-1927-232x300.jpg 232w, https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Mother-Dixie-and-You-1927.jpg 792w\" sizes=\"(max-width: 232px) 100vw, 232px\" \/><\/a><figcaption id=\"caption-attachment-995\" class=\"wp-caption-text\">Mother, Dixie and You. Howard Johnson, Joe Santly. New York: Leo Feist Inc., 1927.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>With today\u2019s standards, these songs were racially charged if not outright racist towards blacks, and they presented a view of the South that culturally attempted to roll back the achievements of the Thirteenth Amendment. Even as some questioned their credibility, many contemporary Americans treated these songs as entertainment, listened to them on the popular stage, and played and sang them in their parlors.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em>Songs from World War One<\/em><\/strong><\/p>\n<p>In two years, we will be observing the centenary of World War One. After the entry of the United States, American society changed as it participated in the war effort. Popular songs from this era reflect how Americans engaged with \u201cthe Great War\u201d \u2013 emotionally, socially, and culturally. In popular culture form these songs answered the question of \u2018why we are fighting over there,\u2019 they boosted the morale on the home front, helped American families endure the absence of their fathers, sons, brothers and husbands, and they depicted relationships between American servicemen and -women and the Europeans they encountered during the war. Americans listened to these songs in recorded form, but they also played&nbsp;them on the piano and sang them in their own living rooms and parlors.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_996\" aria-describedby=\"caption-attachment-996\" style=\"width: 229px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Wee-Wee-Marie.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-996\" src=\"http:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Wee-Wee-Marie-229x300.jpg\" alt=\"\" width=\"229\" height=\"300\" srcset=\"https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Wee-Wee-Marie-229x300.jpg 229w, https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Wee-Wee-Marie-781x1024.jpg 781w, https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Wee-Wee-Marie.jpg 956w\" sizes=\"(max-width: 229px) 100vw, 229px\" \/><\/a><figcaption id=\"caption-attachment-996\" class=\"wp-caption-text\">Wee, Wee, Marie (Willl You Do Zis for Me). Alfred Bryan, Joe Mc. Carthy, Fred Fisher. New York: McCarthy &amp; Fisher, Inc., 1918.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><strong><em>Theatre Music<\/em><\/strong><\/p>\n<p>Other songs in the Montgomery addendum were linked to specific stage productions. In the early 20<sup>th<\/sup> century, Al Jolson was one of the artists whose name sold musical plays and their sheet music like candy. Another piece, \u201cI\u2019ll Build a Stairway to Paradise\u201d comes from the Broadway production <em>George White\u2019s Scandals<\/em>, which ran all through the interwar period and launched the career of several major figures in entertainment.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_997\" aria-describedby=\"caption-attachment-997\" style=\"width: 230px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Al-Jolson-sheet-music-1916.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-997\" src=\"http:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Al-Jolson-sheet-music-1916-230x300.jpg\" alt=\"\" width=\"230\" height=\"300\" srcset=\"https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Al-Jolson-sheet-music-1916-230x300.jpg 230w, https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Al-Jolson-sheet-music-1916-785x1024.jpg 785w, https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Al-Jolson-sheet-music-1916.jpg 946w\" sizes=\"(max-width: 230px) 100vw, 230px\" \/><\/a><figcaption id=\"caption-attachment-997\" class=\"wp-caption-text\">You\u2019re a Dangerous Girl. Grant Clarke, Jimmie Monaco. New York: Leo Feist, 1916.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><strong><em>Film Music<\/em><\/strong><\/p>\n<p>The early 20th century saw the overlapping development of old and new entertainment forms, which included the popular stage, gramophone records, the piano in the parlor, the radio, and film. Depending on their social class and wealth, Americans could enjoy many of these. For example, they could go to see a stage production of the famous <em>Siegfried\u2019s Follies<\/em> Broadway musical, buy its music on recordings, listen to them on the radio, go to the cinema to see a film remake with Fred Astaire, and purchase its songs to play and sing them in their homes.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_998\" aria-describedby=\"caption-attachment-998\" style=\"width: 227px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Fred-Astaire-sheet-music-1944.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-998\" src=\"http:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Fred-Astaire-sheet-music-1944-227x300.jpg\" alt=\"\" width=\"227\" height=\"300\" srcset=\"https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Fred-Astaire-sheet-music-1944-227x300.jpg 227w, https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Fred-Astaire-sheet-music-1944-774x1024.jpg 774w, https:\/\/blog.lib.uiowa.edu\/speccoll\/files\/2012\/08\/Fred-Astaire-sheet-music-1944.jpg 818w\" sizes=\"(max-width: 227px) 100vw, 227px\" \/><\/a><figcaption id=\"caption-attachment-998\" class=\"wp-caption-text\">This Heart of Mine. Arthur Freed, Harry Warren. New York: Triangle Music Corporation, 1943.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>The Beluah Yanney Montgomery Sheet Music Collection will be an important part of our holdings of sheet music from the 19<sup>th<\/sup> and 20<sup>th<\/sup> centuries. For researchers and fans of U.S. popular culture, these songs say something about the larger American society and the ways people creatively used music for entertainment, social life, education, and emotional expression.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Donated to Special Collections in March 2012 by Linda Yanney, the Beluah Yanney Montgomery Sheet Music Collection has been processed by our outgoing Olson Fellow Gyorgy \u201cGeorge\u201d Toth and is being&nbsp;added to our Sheet Music Collection (http:\/\/www.lib.uiowa.edu\/spec-coll\/msc\/ToMsC900\/MsC873\/MsC873_sheetmusic.html). Covering the late 19th through middle 20th centuries, the Montgomery addendum complements our current collection of sheet music<a class=\"more-link\" href=\"https:\/\/blog.lib.uiowa.edu\/speccoll\/2012\/08\/07\/montgomery-sheet-music-give-cultural-panorama-of-early-20th-century-america\/\">Continue reading <span class=\"screen-reader-text\">&#8220;Montgomery Sheet Music Give Cultural Panorama of Early 20th Century America&#8221;<\/span><\/a><\/p>\n","protected":false},"author":115,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[27],"syndication":[],"_links":{"self":[{"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/posts\/992"}],"collection":[{"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/users\/115"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/comments?post=992"}],"version-history":[{"count":4,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/posts\/992\/revisions"}],"predecessor-version":[{"id":6184,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/posts\/992\/revisions\/6184"}],"wp:attachment":[{"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/media?parent=992"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/categories?post=992"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/tags?post=992"},{"taxonomy":"syndication","embeddable":true,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/syndication?post=992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}