{"id":6589,"date":"2020-12-02T19:52:41","date_gmt":"2020-12-02T19:52:41","guid":{"rendered":"https:\/\/blog.lib.uiowa.edu\/speccoll\/?p=6589"},"modified":"2023-08-06T21:20:29","modified_gmt":"2023-08-06T21:20:29","slug":"the-large-glass-finds-a-home-in-the-international-dada-archive","status":"publish","type":"post","link":"https:\/\/blog.lib.uiowa.edu\/speccoll\/2020\/12\/02\/the-large-glass-finds-a-home-in-the-international-dada-archive\/","title":{"rendered":"The Large Glass finds a home in the International Dada Archive"},"content":{"rendered":"\n

The following is written by International Dada Curator Timothy Shipe. <\/em><\/p>\n\n\n

\n
\"\"<\/a>
Curator Tim Shipe opens up The Large Glass and Related Works<\/em> for the first time<\/figcaption><\/figure><\/div>\n\n\n

The latest major acquisition for the International Dada Archive is The Large Glass and Related Works<\/em> (1967-1968), an impressive collaboration between artist Marcel Duchamp and the Egyptian-born Italian writer and gallery owner Arturo Schwarz. The magnificent set of two large portfolios contains a monograph by Schwarz on Duchamp\u2019s unfinished masterpiece, The Bride Stripped Bare by Her Bachelors<\/em>, Even<\/em> (known as the \u201cLarge Glass\u201d), housed in the Philadelphia Museum of Art. It is accompanied by an extensive set of facsimiles of Duchamp\u2019s preparatory notes for the \u201cLarge Glass,\u201d one of several similar sets of notes the artist published during his lifetime (including the famous \u201cGreen Box,\u201d the most precious treasure of the Dada Archive).<\/p>\n\n\n\n

But what makes The Large Glass and Related Works<\/em> most special is the two sets of nine original etchings by Duchamp designed especially for this edition. These are among the last art works by Duchamp, who died in 1968. The first set, titled simply \u201cThe Large Glass,\u201d consists mainly of depictions of individual elements taken from that complex work, along with a diagram of what the Glass would have looked like had it been completed.<\/p>\n\n\n

\n
\"\"<\/a>
Facsimiles of Duchamp\u2019s notes<\/figcaption><\/figure><\/div>\n\n\n

The second set of etchings, titled \u201cThe Lovers,\u201d is a set of erotic drawings largely based on classic works of art. According to Schwarz, these were intended as a sort of sequel to the \u201cLarge Glass,\u201d depicting the consummation of the frustrated love affair between the \u201cbachelors\u201d and the \u201cbride.\u201d One of these, based on Lucas Cranach\u2019s famous depiction of Adam and Eve, is, in a sense, a self-portrait of Duchamp, since it replicates a well-known Man Ray photograph of a 1924 stage performance in which a nude Duchamp and Brogna Perlmutter imitate the scene in Cranach\u2019s painting.<\/p>\n\n\n\n

The Large Glass and Related Works<\/em> was formerly part of the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry but was deaccessioned before that collection came to Iowa. We were fortunate to have the opportunity to purchase this important work for the Dada Archive, where it will complement the other major Duchamp items that are frequently used in classes in Art History and other fields.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

*Photos taken by Lindsay Moen<\/p>\n","protected":false},"excerpt":{"rendered":"

The following is written by International Dada Curator Timothy Shipe.  The latest major acquisition for the International Dada Archive is The Large Glass and Related Works (1967-1968), an impressive collaboration between artist Marcel Duchamp and the Egyptian-born Italian writer and gallery owner Arturo Schwarz. The magnificent set of two large portfolios contains a monograph byContinue reading “The Large Glass finds a home in the International Dada Archive”<\/span><\/a><\/p>\n","protected":false},"author":219,"featured_media":6592,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,498,7],"tags":[83,584,568,585,586],"syndication":[],"_links":{"self":[{"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/posts\/6589"}],"collection":[{"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/users\/219"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/comments?post=6589"}],"version-history":[{"count":3,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/posts\/6589\/revisions"}],"predecessor-version":[{"id":7569,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/posts\/6589\/revisions\/7569"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/media\/6592"}],"wp:attachment":[{"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/media?parent=6589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/categories?post=6589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/tags?post=6589"},{"taxonomy":"syndication","embeddable":true,"href":"https:\/\/blog.lib.uiowa.edu\/speccoll\/wp-json\/wp\/v2\/syndication?post=6589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}