Archive for August, 2012

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Who Am I?

Do you know this man? Or perhaps you know this lovely girl with her bicycle?

This mysterious item has a series of six photographs printed on fabric and bound together on a wooden holder. Based on clothing and hairstyle the photos seem to be from different time periods. Are they all different people?  Did one of those children grow into that lovely young lady?  Are they all family?  Why was this made?  When?

This came to us from a woman named Rose Hogan as part of an archive from families named Hogan and Roskopf but nothing is known about this item or the people featured. 

The family included teachers and attourneys and has connections to Iowa City, Galva Clearfield, Diagonal, Denison, Teril, Dunlap and Estherville in Iowa, as well as Chambers County in Texas, and Foxhome, Minnesota.

If these faces look familiar, please help us identify them and solve the mystery.

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New Acquisitions: KRUI, Oakdale Scrapbook and Artists’ Books

Here are some featured items that have recently arrived in both Special Collections and in the University Archives. Researchers interested in the history of local radio, advertising, tuberculosis, and artist’s books should particularly take note of our recent arrivals.

The University Archives now includes additional documents from KRUI.  KRUI 89.7, the University of Iowa student radio station, began as a dormitory-only service in the early 1950’s, expanding to FM in 1984. Recently the UI Archives received an additional 14 linear feet of material from the station: Brochures, staff schedules, correspondence, photographs and other documents, to add to the archives existing collection described at http://www.lib.uiowa.edu/spec-coll/archives/guides/RG02.02.08.htm. Dave Long, a member of the KRUI board of directors, helped arrange for transfer of the materials.

Logo design sketches

Logo design sketches, KRUI, University of Iowa Archives

Oakdale Sanatorium was established in Johnson County in 1907 to house and care for patients diagnosed with tuberculosis. Over time, the facility accommodated patients with other needs as well. From 1945 to 1947, Ruth Harris, a dietician from Ames, IA, was employed as Director of Dietetics there. Earlier this year, Ruth Solmonson of St. Paul, MN, a relative of Ms. Harris’, donated a scrapbook to the UI Archives which contains scores of photographs, newspaper clippings, and other items depicting life at the facility. In 2011 Oakdale Hall, the original and largest structure on the campus, was razed to make way for new development, making Ms. Harris’ photographs even more valuable to researchers.

Oakdale Sanatorium Scrapbook, University Archives

Oakdale Sanatorium Scrapbook, University of Iowa Archives

The newest arrivals in the department of Special Collections include a shipment of eleven impressive artists’ books from Vamp & Tramp Booksellers, LLC.  Three of the books are highlighted below.

Body of Inquiry is from Casey Gardner and Set in Motion Press.   With inspiration drawn from anatomical models and instructional documents this amusing work draws you in to discover a “corporeal codex” with intricately folded organs.

Statement from Set in Motion Press:  “This book is a triptych opening to a sewn codex within the subject’s torso. It is a structure of display and intimacy. The scale is large and unfolding and the details are numerous and intricate, accurate and outlandish. The instruments on the outer panels are from the 19th- and 20th-century scientific catalogs. The rest of the images are drawings the artist made and transferred into photopolymer plate for letterpress. The scientific panels explore the miracle of our physicality and are sequenced beginning with atoms, moving to cells, and to genetic structure. The interior codex tells the story of the artist’s anatomical model and investigates the permeable borderline between material and immaterial in our bodies and life.”

 

Corpus codex

Detail from Body of Inquiry, U. of Iowa Special Collections

Al Mutanabbi Street, March 5,  from Al Hazelwood is one item that is part of a project to “re-assemble” some of the “inventory” of the reading material that was lost in the car bombing of al-Mutanabbi Street on 5th March 2007. Originally the intention was for 130 book artists to join in honouring al-Mutanabbi Street so that one artist’s work would stand in for each of the 30 killed and 100 wounded through creating work that holds both “memory and future,” exactly what was lost that day.  However in the end the response was so great that 262 artists participated in the project, soon to be completed.

Stement from artist Al Hazelwood: “This book is based on the car bombing of a street of booksellers in Baghdad. Beau Beausoleil, a bookseller in San Francisco, initiated this project to memorialize this attack on the culture of the book and prevent it from slipping into forgetting among the many atrocities of the Iraq War. He’s asked 130 book artists to contribute — the number of books matching the number of victims that day. This is my contribution. Three from the edition go to the project one of which will be offered to the Iraq National Library in Baghdad.  My book, starts with an image of the booksellers street. The next page begins a foldout which begins with the explosion in a death head cloud. Books flying are labeled with different bookseller areas of the world”.

Al Mutanabbi Street, March 5

Al Mutanabbi Street, March 5, U. of Iowa Special Collections

Shelter by Phil Zimmerman of Spaceheater Editions is an intricately constructed floating hinge format book-within-a-book.

Statement from artist Phil Zimmermann: “Shelter came out of an exploration of losing faith and questioning on of its opposites: the process of finding religion. This text came out of watching my dying father, who was never religious when I was growing up, become increasingly interested in faith and salvation as he became sicker from heart disease and cancer. I saw the desert with its unfriendly flora and harsh environment as a metaphor for the difficult world towards the end of many people’s lives. The desert is also used in many religious tracts as a place for contemplation and mortification. In this work roadside shelters and gospel ministries were used as signifiers of ways and places where people look (vainly?) to relive prospects of their approaching death.”

 

Shelter

Shelter, U of Iowa Special Collections

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Montgomery Sheet Music Give Cultural Panorama of Early 20th Century America

Donated to Special Collections in March 2012 by Linda Yanney, the Beluah Yanney Montgomery Sheet Music Collection has been processed by our outgoing Olson Fellow Gyorgy “George” Toth and is being added to our Sheet Music Collection (http://www.lib.uiowa.edu/spec-coll/msc/ToMsC900/MsC873/MsC873_sheetmusic.html). Covering the late 19th through middle 20th centuries, the Montgomery addendum complements our current collection of sheet music with the major themes of its songs.

 

Popular Music

Much of the popular music of the early 20th century was sentimental, and concerned topics like landscape and romance. Not so Edith Maida Lessing’s “Just as the Ship Went Down” from 1912, which remembers the sinking of the Titanic. As we are observing the 100th anniversary of this disaster, we can view this song as an early effort to memorialize the event in U.S. popular culture. Reading, playing and singing songs like this was also part of people’s coming to grips with national and historic events.

 

“Just as the Ship Went Down.” Edith Maida Lessing, Gibson & Adler. Chicago: Harold Rossiter Music Company, 1912.

 

Music about the American South

The Montgomery addendum also contains a small group of songs written about the American South. These songs were often introduced by famous singers and actors like Al Jolson on the vaudeville stage and in minstrel shows, where they used African American characters to paint a sentimental picture of antebellum Southern plantations.

 

Mother, Dixie and You. Howard Johnson, Joe Santly. New York: Leo Feist Inc., 1927.

 

With today’s standards, these songs were racially charged if not outright racist towards blacks, and they presented a view of the South that culturally attempted to roll back the achievements of the Thirteenth Amendment. Even as some questioned their credibility, many contemporary Americans treated these songs as entertainment, listened to them on the popular stage, and played and sang them in their parlors.

 

Songs from World War One

In two years, we will be observing the centenary of World War One. After the entry of the United States, American society changed as it participated in the war effort. Popular songs from this era reflect how Americans engaged with “the Great War” – emotionally, socially, and culturally. In popular culture form these songs answered the question of ‘why we are fighting over there,’ they boosted the morale on the home front, helped American families endure the absence of their fathers, sons, brothers and husbands, and they depicted relationships between American servicemen and -women and the Europeans they encountered during the war. Americans listened to these songs in recorded form, but they also played them on the piano and sang them in their own living rooms and parlors.

 

Wee, Wee, Marie (Willl You Do Zis for Me). Alfred Bryan, Joe Mc. Carthy, Fred Fisher. New York: McCarthy & Fisher, Inc., 1918.

 

Theatre Music

Other songs in the Montgomery addendum were linked to specific stage productions. In the early 20th century, Al Jolson was one of the artists whose name sold musical plays and their sheet music like candy. Another piece, “I’ll Build a Stairway to Paradise” comes from the Broadway production George White’s Scandals, which ran all through the interwar period and launched the career of several major figures in entertainment.

 

You’re a Dangerous Girl. Grant Clarke, Jimmie Monaco. New York: Leo Feist, 1916.

 

Film Music

The early 20th century saw the overlapping development of old and new entertainment forms, which included the popular stage, gramophone records, the piano in the parlor, the radio, and film. Depending on their social class and wealth, Americans could enjoy many of these. For example, they could go to see a stage production of the famous Siegfried’s Follies Broadway musical, buy its music on recordings, listen to them on the radio, go to the cinema to see a film remake with Fred Astaire, and purchase its songs to play and sing them in their homes.

 

This Heart of Mine. Arthur Freed, Harry Warren. New York: Triangle Music Corporation, 1943.

 

The Beluah Yanney Montgomery Sheet Music Collection will be an important part of our holdings of sheet music from the 19th and 20th centuries. For researchers and fans of U.S. popular culture, these songs say something about the larger American society and the ways people creatively used music for entertainment, social life, education, and emotional expression.