Saturday, November 21  10am-2pm

Sunday, November 22  12pm-4pm

Monday, November 23-Wednesday, November 26  7:30am-6pm

Closed Thursday, November 27-Friday, November 28

Saturday, November 29  10am-2pm

Sunday, November 30  12pm-9pm

Regular hours resume Monday, December 1. 

24-hour study & computer lab available when library is closed.

 

Gerardus Blasius (1626?-1692?).  Anatome animalium.  Amsterdam, 1681.

 Although Blasius was a practicing physician in Amsterdam, his real interest lay in anatomy and, in particular, comparative anatomy.  He worked closely with philosophers and scientists such as John Locke, Jan Swammerdam, and Niels Stensen to promote the study of anatomy and to widen the availability of both animal and human remains for closer study.  Balsius’ 1681 work  is his most ambitious project and, according to historian Francis J. Cole, is the “first comprehensive manual of comparative anatomy based on the original researches of a working anatomist…”  While the author provides meticulously detailed descriptions of 119 species, it is the eye-catching images that capture the reader’s attention.  

Anatome animalium

As usual during this period, the artists and engravers receive no recognition and remain unknown, with the exception of the highly emblematic frontispiece which is the work of the Dutch illustrator and engraver Jan Luyken (1649-1712).

Swiss physician, Daniel Le Clerc was born at Geneva and studied medicine at Montpellier and Paris. He received the M.D. degree at Valencia in 1670 and returned to Geneva to enter private practice. Although successful as a physician, and later as a politician, Le Clerc expended great energy in writing and scholarship. Considered by many authorities to be the father of the history of medicine, Le Clerc is best known for his monumental Histoire de la médicine. The first edition was published in 1696 and, after the second edition had been exhausted, Le Clerc found it expedient to write a third edition, which he updated to the middle of the seventeenth century. Most striking is his inclusion of ten finely executed engravings depicting various personalities associated with medical history.

Hardin Library’s newest exhibit traces the history of the dubious attempts to divine personality characteristics by analyzing the size, shape, structure, and composition of the human head.  It was Aristotle who coined the term, “physiognomy” to support his own writings and inclinations on the subject. Since that time the notion that character and personality are somehow imprinted in facial features has received considerable attention through a variety of approaches, nearly all of them unsupported by empirical evidence of any kind and many of them used for such nefarious purposes as racial stereotyping and the outright support of bigotry.  The exhibit is located near the 3rd floor entrance to the library.

The notion that wounds can be healed from a distance dates back hundreds, perhaps thousands of years and is retained in some folk remedies today. However, the idea reached its zenith in the form of weapon salve or , Unguentum armariu, the origin of which goes back at least as far as the Swiss physician-iconoclast Paracelsus (1493-1541). The idea was simple: rather than dressing the wound, the physician applies salve to the weapon that caused it while the wound is simply washed and left unattended. Among the many variants of the recipe is the following:

Take skull-mosse, two ounces, mummy, halfe an ounce, mans fat, two ounces, mans blood, halfe an ounce, linseed oyle, two drames, oyle of roses, and bole armoniack, of each one ounce. Mixe them together and make an oybtment: into the which hee puts a stick, depp’d in the blood of the woundd person, and dryed, and bindeth up the wound with a rowler dept every day in the hot urine of the of the wounded person. The annoointing of the weapon hee addes moreover; honey, one ounce, bulls fat, one drame.”

While the treatment appears farcical to the modern mind, there was considerable support among many serious philosophers of the 16^th and 17 centuries. Even Francis Bacon (1561—1626), while skeptical, stopped well short of dismissing the idea out of hand.

Robert Fludd

The firmest adherent was Robert Fludd (1574-1637), English physician and mystic who explained that the salve worked as a result of the “mystical anatomy of the blood.”

Some of Fludd’s contemporaries pronounced the salve to be nonsensical while others condemned it as the devil’s work. Later writers, most notably, Oliver Wendell Holmes, have suggested that anointing the weapon rather than the wound simply allowed the tissue the chance to heal naturally.

The weapon salve fell out of favor by the 18^th century it but remains as one of the more curious episodes in the history of medicine.

If you are a fan of the calculators found in Essential Evidence Plus, we suggest that you look at the calculators tab on Hardin’s Evidence Based Practice guide. We will continue to add calculators to the guide and appreciate suggestions.

If you have suggestions or comments, please contact Janna Lawrence, Hardin Library Assistant Director, at janna-lawrence@uiowa.edu

In the sixteenth century the same spirit which inspired Vesalius and others in the field of anatomy served also as the inspiration for the study of flora from actual specimens, culminating in what is certainly the most celebrated and probably the most beautiful herbal ever published, Fuchs’ De historia stirpium commentarii Basel, 1542.

Leonhart Fuchs (1501-1566) was a German physician, professor of medicine at Tübingen, a practicing pharmacologist, a fervid Hippocratist, and writer of numerous works, the most famous of which is his herbal in which he describes 400 German plants as well as 100 foreign ones. The 512 woodcut illustrations are neatly colored by hand in pleasing tones and include a full-page hand-colored woodcut of Fuchs (see left) as well as portraits of the three illustrators, one of the first instances of such a tribute being paid to artists in a printed book (see lower rightl).

This first edition of this lavish herbal is characterized by spacious design and layout, by fine printing, and by the sheer number of illustrations. Its popularity was immediate and it was issued in many subsequent editions and translations, but the first edition was never equaled.

If you are a fan of the calculators found in Essential Evidence Plus, we suggest that you look at the calculators tab on Hardin’s Evidence Based Practice guide.  We will continue to add calculators to the guide and appreciate suggestions.

If you have suggestions or comments, please contact Janna Lawrence, Hardin Library Assistant Director, at janna-lawrence@uiowa.edu

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Sunday
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